City Research Online

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Emotion as Multiple: Rehearsing Voyage to the Moon. In: Davidson, J. W., Halliwell, M. & Rocke, S. (Eds.), Opera, Emotion and the Antipodes. (pp. 192-218). Routledge.

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Involving experiences: audiencing and co-reception in Pleasure Garden. Journal of the Royal Musical Association, 145(1), pp. 191-227. doi: 10.1017/rma.2020.10

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture. Ethnomusicology, 64(3), pp. 498-526. doi: 10.5406/ethnomusicology.64.3.0498

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Remaking Classical Music: Cultures of Creativity in Pleasure Garden. Twentieth-Century Music, 17(1), pp. 23-61. doi: 10.1017/s1478572219000355

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.), Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. (pp. 220-231). New York, USA: Fordham University Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Sir John Tavener and the Search for an English Orthodox Musical Language. In: Boyce-Tilman, J. (Ed.), The Spirituality of the Music of John Tavener. . Oxford: Peter Lang.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. In: Hinrichsen, H-J. & Keym, S. (Eds.), Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts. . Cologne, Germany: Böhlau.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Virtuosity in Liszt's Late Works. In: Doran, R. (Ed.), Liszt and Virtuosity. . New York: University of Rochester Press. doi: 10.1017/9781787448667

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Professor Daddy has a zebra on his head. Ethnomusicology Forum, 29(3), pp. 300-306. doi: 10.1080/17411912.2020.1873560

Nooshin, L. ORCID: 0000-0001-8737-5224 (2020). Parenting and Music Studies Forum. Ethnomusicology Forum, 29(3), pp. 269-275. doi: 10.1080/17411912.2020.1873553

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Action

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Poster presented at the NIME 2020, 21-25 Jul 2020, Birmingham, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Topographic Synthesis: A demonstration. Paper presented at the Virtual BEAST FEaST, 01-02 May 2020, Birmingham, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis. In: Wiley, C. & Pace, I. ORCID: 0000-0002-0047-9379 (Eds.), Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,. . Basingstoke: Palgrave Macmillan.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). The Ethnomusicology of Western Art Music and the Application of Meta-Critical Scholarship on Ethnography: Reinscribing Critical Distance. Paper presented at the Colloquium, 28 Oct 2020, Cambridge, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). My contribution to the debate on ‘Authoritarian Populism and Impure Futures: The Legacy of Stuart Hall’. Paper presented at the City School of Arts and Social Sciences Online Festival of Research, 23 Jun 2020, Online.

Pace, I. (2020). Schneeriss

Pace, I. ORCID: 0000-0002-0047-9379 (2020). What does it mean to be a Self-Reflective Practitioner?. Paper presented at the Sir John Manduell Research Forum Series, 5 Feb 2020, Manchester, UK.

Rodgers, G. (2020). Listening to yourself listen: spatial experience in music for acoustic instruments and electronic sound. (Unpublished Doctoral thesis, City, University of London)

Simmons, A. (2020). Morphology of the score: the organisation of music in the films of Michael Giacchino and Pixar Animation Studios. (Unpublished Doctoral thesis, City, University of London)

Smith, J. ORCID: 0000-0002-5198-4076 (2020). Worldbuilding Voices in the Soundscapes of Role-Playing Video Games. (Unpublished Doctoral thesis, University of Huddersfield)