Items where Schools and Departments is "Music" and Year is 2020
Article
Browning, J. ORCID: 0000-0001-7013-7959 (2020).
Involving experiences: audiencing and co-reception in Pleasure Garden.
Journal of the Royal Musical Association, 145(1),
pp. 191-227.
doi: 10.1017/rma.2020.10
Browning, J. ORCID: 0000-0001-7013-7959 (2020).
Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture.
Ethnomusicology, 64(3),
pp. 498-526.
doi: 10.5406/ethnomusicology.64.3.0498
Browning, J. ORCID: 0000-0001-7013-7959 (2020).
Remaking Classical Music: Cultures of Creativity in Pleasure Garden.
Twentieth-Century Music, 17(1),
pp. 23-61.
doi: 10.1017/s1478572219000355
Mera, M. ORCID: 0000-0002-0031-0629 (2020).
Professor Daddy has a zebra on his head.
Ethnomusicology Forum, 29(3),
pp. 300-306.
doi: 10.1080/17411912.2020.1873560
Nooshin, L. ORCID: 0000-0001-8737-5224 (2020).
Parenting and Music Studies Forum.
Ethnomusicology Forum, 29(3),
pp. 269-275.
doi: 10.1080/17411912.2020.1873553
Book Section
Bennett, T. ORCID: 0000-0003-0078-9315 (2020).
Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton.
In:
Music Cities.
New Directions in Cultural Policy Research.
(pp. 19-42). Cham: Palgrave Macmillan.
doi: 10.1007/978-3-030-35872-3_2
Browning, J. ORCID: 0000-0001-7013-7959 (2020).
Emotion as Multiple: Rehearsing Voyage to the Moon.
In: Davidson, J. W., Halliwell, M. & Rocke, S. (Eds.),
Opera, Emotion and the Antipodes.
(pp. 192-218). Routledge.
Lingas, A. ORCID: 0000-0003-0083-3347 (2020).
Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt.
In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.),
Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt.
(pp. 220-231). New York, USA: Fordham University Press.
Lingas, A. ORCID: 0000-0003-0083-3347 (2020).
Sir John Tavener and the Search for an English Orthodox Musical Language.
In: Boyce-Tilman, J. (Ed.),
The Spirituality of the Music of John Tavener.
. Oxford: Peter Lang.
Loya, S. ORCID: 0000-0002-9156-2804 (2020).
Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940.
In: Hinrichsen, H-J. & Keym, S. (Eds.),
Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts.
. Cologne, Germany: Böhlau.
Loya, S. ORCID: 0000-0002-9156-2804 (2020).
Virtuosity in Liszt's Late Works.
In: Doran, R. (Ed.),
Liszt and Virtuosity.
. New York: University of Rochester Press.
doi: 10.1017/9781787448667
Mera, M. ORCID: 0000-0002-0031-0629 (2020).
Music Maketh Man: Meritocracy in Kingsman: The Secret Service.
In: Peddie, I. (Ed.),
The Bloomsbury Handbook of Popular Music and Social Class.
. London, UK: Bloomsbury Academic.
Pace, I. ORCID: 0000-0002-0047-9379 (2020).
Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis.
In: Wiley, C. & Pace, I.
ORCID: 0000-0002-0047-9379 (Eds.),
Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,.
. Basingstoke: Palgrave Macmillan.
Composition
Pace, I. (2020). Schneeriss
Conference or Workshop Item
Nystrom, E. ORCID: 0000-0003-3628-540X (2020).
Intra-Actions: Experiments with Velocity and Position in Continuous Controllers.
Poster presented at the NIME 2020, 21-25 Jul 2020, Birmingham, UK.
Nystrom, E. ORCID: 0000-0003-3628-540X (2020).
Topographic Synthesis: A demonstration.
Paper presented at the Virtual BEAST FEaST, 01-02 May 2020, Birmingham, UK.
Pace, I. ORCID: 0000-0002-0047-9379 (2020).
The Ethnomusicology of Western Art Music and the Application of Meta-Critical Scholarship on Ethnography: Reinscribing Critical Distance.
Paper presented at the Colloquium, 28 Oct 2020, Cambridge, UK.
Pace, I. ORCID: 0000-0002-0047-9379 (2020).
My contribution to the debate on ‘Authoritarian Populism and Impure Futures: The Legacy of Stuart Hall’.
Paper presented at the City School of Arts and Social Sciences Online Festival of Research, 23 Jun 2020, Online.
Pace, I. ORCID: 0000-0002-0047-9379 (2020).
What does it mean to be a Self-Reflective Practitioner?.
Paper presented at the Sir John Manduell Research Forum Series, 5 Feb 2020, Manchester, UK.
Performance
Nystrom, E. ORCID: 0000-0003-3628-540X (2020).
Intra-Action
Thesis
Rodgers, G. (2020). Listening to yourself listen: spatial experience in music for acoustic instruments and electronic sound. (Unpublished Doctoral thesis, City, University of London)
Simmons, A. (2020). Morphology of the score: the organisation of music in the films of Michael Giacchino and Pixar Animation Studios. (Unpublished Doctoral thesis, City, University of London)
Smith, J. ORCID: 0000-0002-5198-4076 (2020).
Worldbuilding Voices in the Soundscapes of Role-Playing Video Games.
(Unpublished Doctoral thesis, University of Huddersfield)