Items where Schools and Departments is "Music" and Year is 2022
Article
Pace, I. 
ORCID: 0000-0002-0047-9379 (2022).
Why cancel Tchaikovsky?.
London Review of Books,
Book Section
Pace, I. ORCID: 0000-0002-0047-9379 (2022).
New Music: Performance Institutions and Practices.
In: McPherson, G & Davidson, J (Eds.),
The Oxford Handbook of Music Performance.
. Oxford, UK: Oxford University Press.
Conference or Workshop Item
Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2022).
Spherical correlation as a similarity measure for 3D radiation patterns of musical instruments.
Paper presented at the 16ème Congrès Français d’Acoustique, 11-15 Apr 2022, Marseille, France.
Nystrom, E. ORCID: 0000-0003-3628-540X (2022).
Sound as Synthesis: technological listening and intra-faces of sound.
In:
Electroacoustic Music Studies Network (EMS).
EMS21 Conference, 10-13 Nov 2021, Leicester, UK.
doi: 10.5281/zenodo.5981500
Thesis
Challenger, T. (2022). Improvised practice and tools for the unknown. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)
Chapkanov, B (2022). Harmony and Tonality in the Late Piano Music of Franz Liszt – Functional and Transformational Analytical Perspectives. (Unpublished Doctoral thesis, City, University of London)
Haustein, P. (2022). LOVE AT FIRST SOUND: Engaging with Western classical concert audiences through improvisation. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)
Kaner, M. J. (2022). Composing narratives: Reimagining musical storytelling in new vocal and instrumental works. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)
Messeder, G. (2022). ‘Obrigada, Shukran’: Brazilian Musical Encounters in Beirut. (Unpublished Doctoral thesis, City, University of London)
Roustom, K. (2022). Two violin concerti: A study in non-duality. (Unpublished Doctoral thesis, City, University of London)
van der Klis, J. M. (2022). Busoni’s ‘Beiträge zu einer Hochschule des Clavierspiels’ and the performance of Bach on the modern piano. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)