City Research Online

Items where Schools and Departments is "Department of Performing Arts" and Year is 2010

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Jump to: A | B | C | E | G | H | L | P | W
Number of items: 10.

A

Armstrong, N. (2010). unsaying

B

Brownell, A. (2010). The English piano in the Classical Period: Its Music, Performers, and Influences. (Unpublished Doctoral thesis, City University London)

C

Cottrell, S.J. (2010). Ethnomusicology and the Music Industries: an overview. Ethnomusicology Forum, 19(1), pp. 3-25.

Cottrell, S.J. (2010). The rise and rise of phonomusicology. In: Bayley, A. (Ed.), Recorded Music: Performance, Culture and Technology. (pp. 15-36). Cambridge: Cambridge Univeristy Press.

E

Einbond, A. & Schwarz, D. (2010). Spatializing Timbre With Corpus-Based Concatenative Synthesis. In: ICMC. International Computer Music Conference, ICMC 2010, June 1–5, 2010, New York, USA.

G

Guitry, Amy Beth (2010). The Baroque flute as a modern voice : Extended techniques and their practical integration through performance and improvisation. (Unpublished Doctoral thesis, City University London)

H

Hassiotis, K. (2010). A critical edition of the 48 studies for oboe, op. 31 by Franz Wilhelm Ferling (1796-1874), based on original historical evidence and viewed within the context of the evolution of didactic material for oboe, with particular reference to nineteenth-century performing practices.. (Unpublished Doctoral thesis, City University London)

L

Lim, Lemy Sungyoun (2010). The Reception of Women Pianists in London, 1950-60. (Unpublished Doctoral thesis, City University London)

P

Pace, I. (2010). Militarisation, Industrialisation and the growth of the Symphony Orchestra in the Nineteenth Century. Paper presented at the The Symphony Orchestra as Cultural Phenomenon, 01-07-2010 - 03-07-2010, Institute of Musical Research, London, UK.

W

Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London)

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