City Research Online

B

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

C

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

F

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Russh and the ‘all-Australian’ girl?. Feminist Theory, 23(3), pp. 312-326. doi: 10.1177/14647001221085911

Frey, M. ORCID: 0000-0002-3388-0353 (2022). The International Reception of Downfall (Der Untergang, 2004). Historical Journal of Film, Radio and Television, 43(2), pp. 438-459. doi: 10.1080/01439685.2022.2116862

M

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, pp. 1-7. doi: 10.1080/17530350.2022.2112263

Y

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21