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Items where Schools and Departments is "Music" and Year is 2018

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Number of items: 23.

A

Armstrong, N. ORCID: 0000-0002-1927-7371 (2018). thread—surface *

B

Banks, M., Baron, C., Buhler, J., Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 and Smith, J. (2018). Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap: A Critical Journal of Film & Television, 82, pp. 43-60. doi: 10.7560/VLT8205

Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)

C

Cole, W.D. (2018). Expanded musical form. (Unpublished Doctoral thesis, City, University of London)

Cottrell, S.J. (2018). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, gdy013. doi: 10.1093/musqtl/gdy013

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018). Charles Jean-Baptiste Soualle and the Saxophone. Journal of the American Musical Instrument Society,

Cottrell, S.J. and Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. and Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. ISBN 9780190219505

E

Einbond, A. ORCID: 0000-0003-1734-6641 (2018). Disembodiment: Reproduction, Transcription, And Trace. Tempo, 73(287), pp. 83-90. doi: 10.1017/S0040298218000694

L

Lingas, A. ORCID: 0000-0003-0083-3347 (2018). The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine. Ethnomusicology Forum, 27(2), pp. 243-245. doi: 10.1080/17411912.2018.1508359

Loya, S. ORCID: 0000-0002-9156-2804 (2018). Liszt’s National Compositions in the Year of the Franco-Prussian War. In: Kelly, E., Mantere, M. and Scott, D. B. (Eds.), Confronting the National in the Musical Past. (pp. 31-48). London: Routledge. ISBN 9781138287426

N

Nooshin, L. ORCID: 0000-0001-8737-5224 (2018). “Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality. Ethnomusicology, 62(3), pp. 341-374. doi: 10.5406/ethnomusicology.62.3.0341

Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. and Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press. ISBN 0199355916

Nystrom, E. ORCID: 0000-0003-3628-540X (2018). Topographic Synthesis: Parameter distribution in spatial texture. In: Proceedings of the 2018 International Computer Music Conference. (pp. 117-122). ICMC. ISBN 0-9845274-7-8

P

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Das hat Rrrrasss *

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The RAE and REF: Resources and Critiques *

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Three Concert Series - History of Contemporary Piano Music, York Late Music Festival York Late Music Festival. *

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The Tory Government distrusts the arts and humanities – but what about academics? *

Pace, I. ORCID: 0000-0002-0047-9379 (2018). World Premiere Performance - Samuel Andreyev, Piano Pieces I-IV (2011-16) - 25 May 2018. With UK Premieres of piano works of Betsy Jolas. City University Concert Series. *

Pace, I. ORCID: 0000-0002-0047-9379 (2018). City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). auseinandergerissene Hälften *

Pace, I. ORCID: 0000-0002-0047-9379 and Limbrick, S. (2018). Floating, Drifting (CD Recording) Louth Contemporary Music. *

Pace, I. ORCID: 0000-0002-0047-9379 and Tunnell, C. (2018). Horatiu Radulescu - first recording of L'Exil Intérieur for Cello and Piano, opus 98, with Catherine Tunnell - on Mode Records MOD-CD-313 Mode Records. *

S

Sylvanus, E. (2018). Nollywood film music: shades of identity. (Unpublished Doctoral thesis, City, University of London)

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