City Research Online

Article

Browning, J. ORCID: 0000-0001-7013-7959 & Davidson, J. W. (2019). Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon. Parergon, 36(2), pp. 17-38. doi: 10.1353/pgn.2019.0053

Cottrell, S.J. (2019). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, 101(2-3), pp. 216-243. doi: 10.1093/musqtl/gdy013

Cottrell, S.J. ORCID: 0000-0003-4019-798X & Howell, J. (2019). Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study. Journal of New Music Research, doi: 10.1080/09298215.2019.1642362

Mera, M. ORCID: 0000-0002-0031-0629 (2019). Popular Music on Screen and the Road to Brexit. Cinema&Cie: International Journal of Film Studies, 8(31),

Nooshin, L. ORCID: 0000-0001-8737-5224 (2019). Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema. Music and the Moving Image, 12(3), pp. 25-57. doi: 10.5406/musimoviimag.12.3.0025

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Modernist Fantasias: The Recuperation of a Concept. Journal of the Royal Musical Association, 144(2), pp. 473-493. doi: 10.1080/02690403.2019.1651512

Rennie, T. ORCID: 0000-0001-8937-2780 (2019). Muscle memory: The inimitable feel of the record. Tempo, 73(287), pp. 76-79. doi: 10.1017/s0040298218000670

Audio

Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M.view all authors (2019). CECIA (Collaborative Electroacoustic Composition with Intelligent Agents). [Audio]

Book Section

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Canonising Byzantine Chant as Greek Art Music. In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R.view all authors (Eds.), Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries. (pp. 31-53). Abingdon, UK: Routledge.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). In the Byzantine Empire. In: Grove Music Online. . UK: Oxford University Press.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 83-101). Eindhoven, the Netherlands: Lecturis.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (2). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 153-173). Eindhoven, the Netherlands: Lecturis.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Negotiating borrowing, genre and mediation in the piano music of Finnissy: strategies and aesthetics. In: Pace, I. ORCID: 0000-0002-0047-9379 & McBride, N. (Eds.), Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts. (pp. 57-103). London: Routledge.

Composition

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). A line alongside itself

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Clothcomposers

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Thirty for Grace

Conference or Workshop Item

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). The in-between of line and surface: A line alongside itself. Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Technological Listening and Intra-faces of Sound. Paper presented at the 11th Beyond Humanism Conference: Critical Posthumanism and Transhumanism : The posthuman paradigm shift,, 9-12 July 2019, Catholic University of Lille, France.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Position Statement: 'Questioning the Gap: Defining a Role for the SMA in Preparing Students for Music Degrees in Higher Education Today', SotonMAC, 30 July 2019. Paper presented at the Society for Music Analysis Annual Conference, 30 July 2019, Southampton, UK.

Monograph

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Venice in the East: Renaissance Crete and Cyprus. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347, Pentcheva, B., Abel, J. , Cappella Romana, , Eruçman, D., Antonopoulos, S. & Canfield-Dafilou, E.view all authors (2019). Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople. Cappella Romana.

Performance

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Portrait Concert: Alchimie Musiques et Recherches.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). 23 World Premieres of New Commissions for Ian Pace at 50 - 30 April 2018. Composers including Patricia de Almeida, James Dillon, Michael Finnissy, Christopher Fox, Sadie Harrison, Morgan Hayes, Wieland Hoban, Alwynne Pritchard, Lauren Redhead, Walter Zimmermann City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording) Prima Facie Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Premieres of 16 New Piano Pieces, 13 May 2019 City, University of London.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Radio Broadcast of Volker Heyn 203 (55' piano piece) for Westdeutscher Rundfunk Westdeutscher Rundfunk.

Thesis

Dysers, C. (2019). Loop aesthetics: repetition in the work of Bernhard Lang. (Unpublished Doctoral thesis, City, University of London)