Items where Schools and Departments is "Music" and Year is 2018
Armstrong, N. 
ORCID: 0000-0002-1927-7371 (2018).
thread—surface
Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018).
Charles Jean-Baptiste Soualle and the Saxophone.
Journal of the American Musical Instrument Society, XLIV,
pp. 179-208.
Cottrell, S.J. & Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. & Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. doi: 10.1093/oxfordhb/9780190219505.001.0001
Einbond, A. ORCID: 0000-0003-1734-6641 (2018).
Disembodiment: Reproduction, Transcription, And Trace.
Tempo, 73(287),
pp. 83-90.
doi: 10.1017/s0040298218000694
Lingas, A. ORCID: 0000-0003-0083-3347 (2018).
The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine.
Ethnomusicology Forum, 27(2),
pp. 243-245.
doi: 10.1080/17411912.2018.1508359
Loya, S. ORCID: 0000-0002-9156-2804 (2018).
Liszt’s National Compositions in the Year of the Franco-Prussian War.
In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.),
Confronting the National in the Musical Past.
(pp. 31-48). London: Routledge.
Nooshin, L. ORCID: 0000-0001-8737-5224 (2018).
“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality.
Ethnomusicology, 62(3),
pp. 341-374.
doi: 10.5406/ethnomusicology.62.3.0341
Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.
Nystrom, E. ORCID: 0000-0003-3628-540X (2018).
Topographic Synthesis: Parameter distribution in spatial texture.
In:
Proceedings of the 2018 International Computer Music Conference.