City Research Online

Article

Bawden, D. ORCID: 0000-0002-0478-6456, Gorichanaz, T., Furner, J. , Robinson, L. ORCID: 0000-0001-5202-8206, Ma, M., Herold, K., Van der Veer Martens, B., Floridi, L. & Dixon, D.view all authors (2020). Information and Design: Book Symposium on Luciano Floridi’s The Logic of Information. Journal of Documentation, 76(2), pp. 586-616. doi: 10.1108/jd-10-2019-0200

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Still minding the gap? Reflecting on transitions between concepts of information in varied domains. Information, 11(2), article number 71. doi: 10.3390/info11020071

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). "The dearest of our possessions": applying Floridi's information privacy concept in models of information behavior and information literacy. Journal of the Association for Information Science and Technology, 71(9), pp. 1030-1043. doi: 10.1002/asi.24367

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Involving experiences: audiencing and co-reception in Pleasure Garden. Journal of the Royal Musical Association, 145(1), pp. 191-227. doi: 10.1017/rma.2020.10

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture. Ethnomusicology, 64(3), pp. 498-526. doi: 10.5406/ethnomusicology.64.3.0498

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Remaking Classical Music: Cultures of Creativity in Pleasure Garden. Twentieth-Century Music, 17(1), pp. 23-61. doi: 10.1017/s1478572219000355

Chen, Z. T. ORCID: 0000-0003-2450-277X (2020). Slice of life in a live and wired masquerade: Playful prosumption as identity work and performance in an identity college Bilibili. GLOBAL MEDIA AND CHINA, 5(3), pp. 319-337. doi: 10.1177/2059436420952026

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, 23(6), pp. 922-940. doi: 10.1080/1369801x.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2020). Documenting Performance: The Contexts & Processes of Digital Curation and Archiving. International Journal of Perfomance Arts and Digital Media, 16(2), pp. 217-218. doi: 10.1080/14794713.2020.1778840

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195, Ramos, J. L., Maravala, P. J. & Simon, B.view all authors (2020). The Post Immersive Manifesto. International Journal of Performance Arts and Digital Media, 16(2), pp. 196-212. doi: 10.1080/14794713.2020.1766282

Frey, M. ORCID: 0000-0002-3388-0353 (2020). The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47(3), pp. 45-57. doi: 10.1215/0094033x-8607577

Jilani, S. ORCID: 0000-0002-0024-4801 (2020). “The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. Journal of Postcolonial Writing, 56(1), pp. 83-96. doi: 10.1080/17449855.2019.1701067

Kanai, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2020). Woke? Affect, neoliberalism, marginalised identities and consumer culture. New Formations: a journal of culture/theory/politics, 102(102), pp. 10-27. doi: 10.3898/newf:102.01.2020

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Lee, D. ORCID: 0000-0002-5768-9262, Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Orthogonality, dependency and music: an exploration of the relationship between music facets. Journal of the Association for Information Science and Technology, 72(5), pp. 570-582. doi: 10.1002/asi.24426

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Pratt, A.C. (2020). Cities, creativities and urban creative economies: Re-descriptions and make+shifts from Sub-Saharan Africa. International Journal of Urban and Regional Research, 44(5), pp. 781-792. doi: 10.1111/1468-2427.12887

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Yeh, D. ORCID: 0000-0001-8324-5342 (2020). #BLM and the city. City, Culture and Society, 23, article number 100373. doi: 10.1016/j.ccs.2021.100373

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Professor Daddy has a zebra on his head. Ethnomusicology Forum, 29(3), pp. 300-306. doi: 10.1080/17411912.2020.1873560

Moran, P. ORCID: 0000-0002-8694-4701 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Nooshin, L. ORCID: 0000-0001-8737-5224 (2020). Parenting and Music Studies Forum. Ethnomusicology Forum, 29(3), pp. 269-275. doi: 10.1080/17411912.2020.1873553

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). COVID – 19 impacts cities, cultures and societies. City, Culture and Society, 21, article number 100341. doi: 10.1016/j.ccs.2020.100341

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). A research agenda for cultural economics. Journal of Cultural Economics, 44(1), pp. 185-187. doi: 10.1007/s10824-020-09383-3

Rennie, T. ORCID: 0000-0001-8937-2780 (2020). Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices. Leonardo Music Journal, 30, pp. 113-117. doi: 10.1162/lmj_a_01102

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020). ‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'. Crime Fiction Studies, 1(1), pp. 59-78. doi: 10.3366/cfs.2020.0007

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.

Wang, E. N., Kelley, B., Price, L. ORCID: 0000-0001-7747-4210 & Schuster, K.view all authors (2020). Beyond the multidisciplinary in fan studies: Learning how to talk among disciplines. Transformative Works and Cultures, 33, doi: 10.3983/twc.2020.1819

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Yeh, D. ORCID: 0000-0001-8324-5342 (2020). Covid-19, Anti-Asian Racial Violence, and The Borders of Chineseness. British Journal of Chinese Studies, 10, doi: 10.51661/bjocs.v10i0.117

Book

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

Book Section

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Information Overload: An Overview. In: Oxford Encyclopedia of Political Decision Making. . Oxford: Oxford University Press. doi: 10.1093/acrefore/9780190228637.013.1360

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Emotion as Multiple: Rehearsing Voyage to the Moon. In: Davidson, J. W., Halliwell, M. & Rocke, S. (Eds.), Opera, Emotion and the Antipodes. (pp. 192-218). Routledge.

Ehrstein, Y., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. (2020). The Affective Life of Neoliberalism: Constructing (Un)Reasonableness on Mumsnet. In: Dawes, S. & LeNormand, M. (Eds.), Neoliberalism in Context. (pp. 195-213). Basingstoke: Palgrave Macmillan.

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.), Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. (pp. 220-231). New York, USA: Fordham University Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Sir John Tavener and the Search for an English Orthodox Musical Language. In: Boyce-Tilman, J. (Ed.), The Spirituality of the Music of John Tavener. . Oxford: Peter Lang.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. In: Hinrichsen, H-J. & Keym, S. (Eds.), Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts. . Cologne, Germany: Böhlau.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Virtuosity in Liszt's Late Works. In: Doran, R. (Ed.), Liszt and Virtuosity. . New York: University of Rochester Press. doi: 10.1017/9781787448667

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis. In: Wiley, C. & Pace, I. ORCID: 0000-0002-0047-9379 (Eds.), Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,. . Basingstoke: Palgrave Macmillan.

Composition

Pace, I. (2020). Schneeriss

Conference or Workshop Item

Lee, D., Robinson, L. & Bawden, D. (2020). Operatic knowledge organisation: an exploration of the domain and bibliographic interface in the classification of opera subgenres. In: Knowledge organization at the interface: Proceedings of the 16th International ISKO conference. Sixteenth International ISKO Conference, 6-8 Jul 2020, Aalborg, Denmark.

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Poster presented at the NIME 2020, 21-25 Jul 2020, Birmingham, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Topographic Synthesis: A demonstration. Paper presented at the Virtual BEAST FEaST, 01-02 May 2020, Birmingham, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). The Ethnomusicology of Western Art Music and the Application of Meta-Critical Scholarship on Ethnography: Reinscribing Critical Distance. Paper presented at the Colloquium, 28 Oct 2020, Cambridge, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). My contribution to the debate on ‘Authoritarian Populism and Impure Futures: The Legacy of Stuart Hall’. Paper presented at the City School of Arts and Social Sciences Online Festival of Research, 23 Jun 2020, Online.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). What does it mean to be a Self-Reflective Practitioner?. Paper presented at the Sir John Manduell Research Forum Series, 5 Feb 2020, Manchester, UK.

Performance

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Action

Report

Pratt, A.C. ORCID: 0000-0003-2215-9648, Daubeuf, C., Airaghi, E. & Pletosu, T.view all authors (2020). Enumerating the role of incentives in CCI production chains. Amsterdam: Cicerone Project.

Thesis

Rodgers, G. (2020). Listening to yourself listen: spatial experience in music for acoustic instruments and electronic sound. (Unpublished Doctoral thesis, City, University of London)

Serbutt, Christopher L. (2020). The changing place of information: An examination and evaluation of how the context in which an object is set affects the information which it conveys.. (Unpublished Doctoral thesis, City, University of London)

Simmons, A. (2020). Morphology of the score: the organisation of music in the films of Michael Giacchino and Pixar Animation Studios. (Unpublished Doctoral thesis, City, University of London)

Smith, J. ORCID: 0000-0002-5198-4076 (2020). Worldbuilding Voices in the Soundscapes of Role-Playing Video Games. (Unpublished Doctoral thesis, University of Huddersfield)