City Research Online

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Anderson, E.L. (2011). Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Anderson, Elizabeth (2011). Materials, meaning and metaphor: Unveiling spatio-temporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Armstrong, N. (2011). Too slow, for Milton Perspectives of New Music.

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Cottrell, S.J. (2011). The impact of Ethnomusicology. Ethnomusicology Forum, 20(2), pp. 229-232.

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Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London)

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Gardner, Thomas (2011). The effect of electronically mediated sound on group musical interaction: A case study of the practice and development of the Automatic Writing Circle. (Unpublished Doctoral thesis, City University London)

Georgiou, Christina (2011). The historical editing of Mozart’s keyboard sonatas: History, Context and Practice. (Unpublished Doctoral thesis, City University London)

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Harper, A. (2011). Introduction. In: Harper, A. (Ed.), Infinite Music: Imaging the Next Millennium of Human Music-Making. (pp. 1-14). Winchester, UK: John Hunt Publishing.

Harries, Guy (2011). The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance. (Unpublished Doctoral thesis, City University London)

Herbert, R. ORCID: 0000-0002-7878-9991 (2011). Consciousness and everyday music listening:trancing, dissociation, and absorption. In: Clarke, D. & Clarke, E. (Eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. (pp. 295-308). Oxford University Press. doi: 10.1093/acprof:oso/9780199553792.003.0080

Herbert, R. ORCID: 0000-0002-7878-9991 (2011). Reconsidering Music and Trance: Cross-cultural Differences and Cross-disciplinary Perspectives. Ethnomusicology Forum, 20(2), pp. 201-227. doi: 10.1080/17411912.2011.592402

Holmes, P.A. (2011). The performer’s experience: psychological, philosophical and educational perspectives. (Unpublished Doctoral thesis, City University London)

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Kang, Ja Yeon (2011). Robert Schumann's notion of the cycle in Lieder Und Gesange Aus Goethes Wilhelm Meister, Op. 98a And Waldszenen, Op.82. (Unpublished Doctoral thesis, City University London)

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Nooshin, L. (2011). Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices. In: Toynbee, J. & Dueck, B. (Eds.), Migrating Music. (pp. 92-111). Routledge.

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Pace, I. (2011). The Cold War in Germany as ideological weapon for anti-modernists. Paper presented at the Radical Music History Conference, 08-12-2011, Helsinki, Finland.

Pace, I. (2011). Instrumental Technique and Scholarly Enquiry: Issues and Methods. Paper presented at the The Art of Artistic Research, 06-05-2011, Norwegian Academy of Music, Oslo, Norway.

Pasoulas, Aki (2011). The perception of timescales in electroacoustic music. (Unpublished Doctoral thesis, City University London)

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Seddon, Laura (2011). The instrumental music of British Women Composers in the Early Twentieth Century. (Unpublished Doctoral thesis, City University London)