Items where Schools and Departments is "Department of Performing Arts" and Year is 2018
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Armstrong, N. ORCID: 0000-0002-1927-7371 (2018).
thread—surface
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Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J. (2018).
Media Dialogues: A Scholarly Roundtable.
The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall),
pp. 43-60.
doi: 10.7560/vlt8205
Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)
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Cole, W.D. (2018). Expanded musical form. (Unpublished Doctoral thesis, City, University of London)
Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018).
Charles Jean-Baptiste Soualle and the Saxophone.
Journal of the American Musical Instrument Society, XLIV,
pp. 179-208.
Cottrell, S.J. & Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. & Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. doi: 10.1093/oxfordhb/9780190219505.001.0001
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Herbert, R. ORCID: 0000-0002-7878-9991 & Dibben, N. (2018).
Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials.
Psychology of Music, 46(3),
pp. 375-391.
doi: 10.1177/0305735617713118
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Lingas, A. ORCID: 0000-0003-0083-3347 (2018).
The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine.
Ethnomusicology Forum, 27(2),
pp. 243-245.
doi: 10.1080/17411912.2018.1508359
Loya, S. ORCID: 0000-0002-9156-2804 (2018).
Liszt’s National Compositions in the Year of the Franco-Prussian War.
In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.),
Confronting the National in the Musical Past.
(pp. 31-48). London: Routledge.
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Nooshin, L. ORCID: 0000-0001-8737-5224 (2018).
“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality.
Ethnomusicology, 62(3),
pp. 341-374.
doi: 10.5406/ethnomusicology.62.3.0341
Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.
Nystrom, E. ORCID: 0000-0003-3628-540X (2018).
Topographic Synthesis: Parameter distribution in spatial texture.
In:
Proceedings of the 2018 International Computer Music Conference.
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Pace, I. ORCID: 0000-0002-0047-9379 (2018).
Autoethnography as Critically Engaged Practice: Methodological Concerns and Case Studies relating to Notation, Genre, and Aesthetic.
Keynote Paper presented at the Orpheus Institute Research Summit, 29 Nov 2018, Ghent, Belgium.
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
Das hat Rrrrasss
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
The RAE and REF: Resources and Critiques
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
Spin, Self-Promotion, Institutional Recognition and Critical Performance: Notes from the Diary of a Performer-Scholar.
Keynote Paper presented at the Beyond "Mesearch", 17 Apr 2018, London, UK.
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
Three Concert Series - History of Contemporary Piano Music, York Late Music Festival
York Late Music Festival.
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
The Tory Government distrusts the arts and humanities – but what about academics?
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
World Premiere Performance - Samuel Andreyev, Piano Pieces I-IV (2011-16) - 25 May 2018. With UK Premieres of piano works of Betsy Jolas.
City University Concert Series.
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
World Premiere Performance 27 November 2018 - Patrícia de Almeida, Desperatio (Piano Piece No. 5) (2017-18) with film by Daniel Antero
City University Concert Series.
Pace, I. ORCID: 0000-0002-0047-9379 (2018).
auseinandergerissene Hälften
Pace, I. ORCID: 0000-0002-0047-9379 & Limbrick, S. (2018).
Floating, Drifting (CD Recording)
Louth Contemporary Music.
Pace, I. ORCID: 0000-0002-0047-9379 & Tunnell, C. (2018).
Horatiu Radulescu - first recording of L'Exil Intérieur for Cello and Piano, opus 98, with Catherine Tunnell - on Mode Records MOD-CD-313
Mode Records.
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Sylvanus, E. (2018). Nollywood film music: shades of identity. (Unpublished Doctoral thesis, City, University of London)