City Research Online

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Armstrong, N. ORCID: 0000-0002-1927-7371 (2023). Fosc v0.9.0 GitHub.

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Black, E. (2023). From fusion to stratification: Plurality of textural ideas. How can we examine textural relationships in instrumental composition?. (Unpublished Doctoral thesis, City, University of London)

Browning, J. ORCID: 0000-0001-7013-7959 & Lim, L. (2023). Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim. Journal of the Royal Musical Association, 148(1), pp. 1-34. doi: 10.1017/rma.2023.3

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Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2023). Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments. Acta Acustica, 7(40), article number 40. doi: 10.1051/aacus/2023033

Chadburn, L. (2023). Captions, Characters, Self-Portraits: Compositional Approaches to the Disembodied Speaking Voice and the Voice-Text-Music Relationship. (Unpublished Doctoral thesis, City, University of London)

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2023). Charlie Parker, Massey Hall and Grafton 10265: Musical Instruments and the Telling of Tales. In: Cottrell, S.J. ORCID: 0000-0003-4019-798X (Ed.), Shaping Sound and Society: The Cultural Study of Musical Instruments. . Abingdon, UK: Routledge.

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2023). Radio and the Music Confessional. In: Wilford, S., Tragaki, D. & Cottrell, S.J. ORCID: 0000-0003-4019-798X (Eds.), Ethnomusicology and Its Intimacies. (pp. 75-90). Abingdon, UK: Routledge. doi: 10.4324/9781003365792-9

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Fakhraeirad, A., Nooshin, L. ORCID: 0000-0001-8737-5224 & Rezaie, A. (2023). A Sonic Tale of Two Cities: Memory, Trauma, and Auditory Scars in Tehran and Abadan-Khorramshahr. In: Chehabi, H. & Siamdoust, N. (Eds.), Music and Society in Iran. . Boston, USA: Ilex Foundation.

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Gioti, A. M., Einbond, A. ORCID: 0000-0003-1734-6641 & Born, G. (2023). Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning. Computer Music Journal, 46(4), pp. 1-43. doi: 10.1162/comj_a_00658

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Jeffreys, A. (2023). Making, Dwelling, and ‘Discontinuous Continuities’: Finding Musical Form within the Inner Life of Materials. (Unpublished Doctoral thesis, City, University of London)

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Lassiter, E. (2023). Co-composing an Endarkened Acoustemology: Sonic approaches towards breaking hegemonic hierarchy. (Unpublished Doctoral thesis, City, University of London)

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Nooshin, L. ORCID: 0000-0001-8737-5224 (2023). The Sonic Intimacies of Khosrow Sinai’s A Lost Requiem (1983). In: Wilford, S., Tragaki, D. & Cottrell, S. (Eds.), Ethnomusicology and Its Intimacies. . Routledge. doi: 10.4324/9781003365792-16

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Pace, I. ORCID: 0000-0002-0047-9379 (2023). AI may force a sharpening of educational conceptions of ‘creativity’ as relate to employability in the ‘creative industries’. Times Higher Education(3 July),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music departments should resist the siren song of pop schools. Times Higher Education(11 Aug),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music, Musicology and the Surrender of Aesthetics to the Ideals of Social Justice. Paper presented at the The Pursuit of Beauty, 14-16 Sep 2023, Cambridge, United Kingdom.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Self-regulation is not enough to uphold academic freedom. Times Higher Education(22 Jul),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Why Classical Music Matters. Paper presented at the Living Freedom Summer School, 28-30 Jun 2023, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Academic Music in the United Kingdom and the Dalliance with Practice - Lecture at Faculty of Music, Oxford University, 25 April 2023. Paper presented at the Oxford University, 25 Apr 2023.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Curricula should not be decolonised based on partial historical knowledge. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences. Journal of the Royal Musical Association, 147(2), pp. 594-616. doi: 10.1017/rma.2022.28

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Review of Richard Stokes, The Complete Songs of Hugo Wolf: Life, Letters. Lieder. London Review of Books,

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Sources, Aesthetics, and Performance in Rădulescu’s Piano Sonatas. In: Bauer, A., Cagney, L. & Mason, W. (Eds.), The Oxford Handbook of Spectral music. (C6S1-C6N74). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780190633547.013.6

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Tár - an exploration of the flawed musicians behind decadent music. The Conversation,

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Williams, E., Glew, S., Newman, H. , Kapka, A., Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Walduck, J., Foster, A., Cooke, P., Pethybridge, R., Shaughnessy, C. & Hugh‐Jones, S.view all authors (2023). Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64(12), pp. 1735-1764. doi: 10.1111/jcpp.13900

Wong, A CK. (2023). The History, Development and Global Dissemination of the Hang/Handpan. (Unpublished Doctoral thesis, City, University of London)

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Ásmundsdóttir, L. M. (2023). Webs of Creative Openness: Collaborative creativity within artistic practices. (Unpublished Doctoral thesis, City, University of London)