City Research Online

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Baker, S.A. ORCID: 0000-0002-4921-2456 & Walsh, M.J. (2020). You are what you Instagram: clean eating and the symbolic representation of food. In: Digital Food Cultures. (pp. 53-68). Abingdon, UK: Routledge.

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Chouguley, U. (2019). Interrogating informal cultural practices in London and Mumbai: towards a multi-faceted understanding. (Unpublished Doctoral thesis, City, University of London)

Christensen, J.F., Gomila, A., Gaigg, S. B. , Sivarajah, N. & Calvo-Merino, B.view all authors (2016). Dance Expertise modulates behavioural and psychophysiological responses to affective body movement. Journal of Experimental Psychology, 42(8), pp. 1139-1147. doi: 10.1037/xhp0000176

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da Silva, J., da Cruz, G., Rauber, F. , Louzada, M. L., Kluczkovski, A., Frankowska, A., Schmidt, X., Reynolds, C. ORCID: 0000-0002-1073-7394, Bridle, S. L. & Levy, R. B.view all authors (2020). The impact of ultra-processed food on carbon, water and ecological footprints of food in Brazil. European Journal of Public Health, 30(Supple), article number ckaa165.43. doi: 10.1093/eurpub/ckaa165.433

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Hoe, C., Kennedy, R. D., Spires, M. , Tamplin, S. & Cohen, J. E.view all authors (2019). Improving the implementation of tobacco control policies in low-and middle-income countries: a proposed framework. BMJ Global Health, 4(6), article number e002078. doi: 10.1136/bmjgh-2019-002078

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Jafarey, S., Mainali, R. M. & Montes-Rojas, G. (2020). Age at Marriage, Social Norms and Female Education in Nepal. Review of Development Economics, 24(3), pp. 878-909. doi: 10.1111/rode.12692

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Ker, R. J. (2013). Challenging the Eurocentric bias in psychology: a counselling psychologist's perspective. (Unpublished Doctoral thesis, City University)

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Ortiz, Gabriela (1999). Compositional techniques in acoustic and electroacoustic music. (Unpublished Doctoral thesis, City, University of London)

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Pereira, L. ORCID: 0000-0002-4996-7234 (2021). Follow the ‘Ting: sorghum in South Africa. Food, Culture & Society, 26(1), pp. 116-144. doi: 10.1080/15528014.2021.1984631

Price, L. ORCID: 0000-0001-7747-4210 (2016). Survey of Historic Costume (6th edition). Reference Reviews, 30(5), pp. 20-21. doi: 10.1108/rr-02-2016-0048

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Reynolds, C. ORCID: 0000-0002-1073-7394 (2021). Exploring sustainable European gastronomy and recipes using Natural Language Processing. Paper presented at the Online Workshop on Computational Approaches in Eating Behavior Research Computational Approaches in Eating Behavior Research, 18th January 2021.

Reynolds, C. ORCID: 0000-0002-1073-7394 (2021). UK perspectives on food waste and COVID-19. Paper presented at the Food Loss & Waste International Workshop | The day after: Food waste prevention after the pandemic, 20th January 2021, University of Patras (Online).

Reynolds, C. ORCID: 0000-0002-1073-7394, Kluczkovski, A., Frankowska, A. , Da Silva, J. T., Levy, R., Rauber, F., Schmidt Rivera, X. & Bridle, S. L.view all authors (2020). Are we ready for sustainable cookery? Comparing current (and future) cooking and time use practices in UK, US and Australia. Paper presented at the Creative Tastebuds Symposium 2020, May 3-4, 2021, Denmark. doi: 10.1386/ijfd_00020_7

Reynolds, C. ORCID: 0000-0002-1073-7394, Kluczkovski, A., Frankowska, A. , da Silva, J. T., Levy, R. B., Rauber, F., Schmidt Rivera, X. C. & Bridle, S. L.view all authors (2020). Are we ready for sustainable cookery? Comparing current (and future) cooking and time use practices in UK, US and Australia. International Journal of Food Design, 5(1&2), article number 184. doi: 10.1386/ijfd_00020_7

Robinson, T. & Lundahl, O. (2019). Voluntary Hysteresis in Food Consumption. In: 10TH EIASM INTERPRETIVE CONSUMER RESEARCH WORKSHOP. 10th EIASM Interpretive Consumer Research Workshop, 9-10 May 2019, Lyon, France.

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Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London)