Items where Subject is "PN1993 Motion Pictures"
- Library of Congress Subject Areas (22732)
- P Language and Literature (1152)
- PN Literature (General) (497)
- PN1993 Motion Pictures (21)
- PN Literature (General) (497)
- P Language and Literature (1152)
Article
Are, C. (2020). A “Chosen” Hope with a “Gingerbread” Outcome: Democratization of (Media) Power in Buffy The Vampire Slayer as a Metaphor of Online Abuse on High-Profile Criminal Cases. Slayage, 18.2(Summer), pp. 1-33.
Cattani, G. & Ferriani, S. (2008). A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry. Organization Science, 19(6), pp. 824-844. doi: 10.1287/orsc.1070.0350
Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022).
MAI: Feminism and Visual Culture, Spring,
Frey, M. ORCID: 0000-0002-3388-0353 (2022).
The International Reception of Downfall (Der Untergang, 2004).
Historical Journal of Film, Radio and Television, 43(2),
pp. 438-459.
doi: 10.1080/01439685.2022.2116862
Hondros, J. ORCID: 0000-0002-4776-9939 (2020).
Interactive documentary as relational media: exploring an actor-network theory approach.
Studies in Documentary Film, 15(3),
pp. 256-270.
doi: 10.1080/17503280.2020.1815126
Jia, X. ORCID: 0000-0002-3595-8302 (2023).
Book Review: Catherine McDermott, Feel-Bad Postfeminism: Impasse, Resilience and Female Subjectivity in Popular Culture.
European Journal of Cultural Studies, 26(4),
pp. 616-619.
doi: 10.1177/13675494231166524
Jilani, S. ORCID: 0000-0002-0024-4801 (2015).
'Black' Spaces: Othello and the Cinematic Language of Othering.
Literature-Film Quarterly, 43(2),
pp. 104-115.
Jilani, S. ORCID: 0000-0002-0024-4801 (2021).
“They Drew an Entire People after Them”.
Interventions, 24(4),
pp. 586-602.
doi: 10.1080/1369801x.2021.1892515
McCann, E. ORCID: 0000-0003-3548-4204 & Huntley-Moore, S. (2016).
Madness in the movies: An evaluation of the use of cinema to explore mental health issues in nurse education.
Nurse Education in Practice, 21,
pp. 37-43.
doi: 10.1016/j.nepr.2016.09.009
Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.
Meziani, N. & Cabantous, L. ORCID: 0000-0003-3533-1208 (2020).
Acting Intuition into Sense: How Film Crews Make Sense with Embodied Ways of Knowing.
Journal of Management Studies, 57(7),
pp. 1384-1419.
doi: 10.1111/joms.12619
Nooshin, L. ORCID: 0000-0001-8737-5224 (2019).
Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema.
Music and the Moving Image, 12(3),
pp. 25-57.
doi: 10.5406/musimoviimag.12.3.0025
Book Section
Baden-Fuller, C. ORCID: 0000-0002-0230-1144, Ferriani, S.
ORCID: 0000-0001-9669-3486 & Cattani, G. (2007).
Fitness determinants in creative industries: a longitudinal study of the Hollywood film-making industry 1992-2003.
In: Cantner, U. & Malerba, F. (Eds.),
Innovation, Industrial Dynamics and Structural Transformation.
(pp. 209-237). Berlin, UK: Springer Verlag.
Benetos, E., Siatras, S., Kotropoulos, C. , Nikolaidis, N. & Pitas, I. (2008). Movie analysis with emphasis to dialogue and action scene detection. In: Maragos, P., Potamianos, A. & Gros, P. (Eds.), Multimodal Processing and Interaction: Audio, Video, Text. (pp. 157-177). Springer. doi: 10.1007/978-0-387-76316-3_7
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Civic Interaction, Urban Memory, and the Istanbul International Film Festival.
In: Schwan, A. & Thomson, T. (Eds.),
The Palgrave Handbook of Digital and Public Humanities.
(pp. 441-458). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1007/978-3-031-11886-9_23
Mera, M. ORCID: 0000-0002-0031-0629 (2023).
The Audiovisual Architecture of Musical Pauses, Punchlines, and Jablines: Paddington’s Punctuation.
In: Audissino, E. & Wennekes, E. (Eds.),
The Palgrave Handbook of Music in Comedy Cinema.
. Basingstoke, UK: Palgrave Macmillan.
doi: 10.1007/978-3-031-33422-1_5
Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030
Mera, M. ORCID: 0000-0002-0031-0629 (2021).
Listening–Feeling–Becoming: Cinema Surveillance.
In: Cenciarelli, C. (Ed.),
The Oxford Handbook of Cinematic Listening.
(pp. 407-426). Oxford, UK: Oxford University Press.
doi: 10.1093/oxfordhb/9780190853617.013.23
Mera, M. ORCID: 0000-0002-0031-0629 (2020).
Music Maketh Man: Meritocracy in Kingsman: The Secret Service.
In: Peddie, I. (Ed.),
The Bloomsbury Handbook of Popular Music and Social Class.
. London, UK: Bloomsbury Academic.
Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023).
Film Making as a Creative Ecosystem: The Case of Soho in London.
In:
Global Creative Ecosystems.
(pp. 21-38). Springer International Publishing.
doi: 10.1007/978-3-031-33961-5_2
Conference or Workshop Item
Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.