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Are, C. (2020). A “Chosen” Hope with a “Gingerbread” Outcome: Democratization of (Media) Power in Buffy The Vampire Slayer as a Metaphor of Online Abuse on High-Profile Criminal Cases. Slayage, 18.2(Summer), pp. 1-33.
Benetos, E., Siatras, S., Kotropoulos, C., Nikolaidis, N. and Pitas, I. (2008). Movie analysis with emphasis to dialogue and action scene detection. In: Maragos, P., Potamianos, A. and Gros, P. (Eds.), Multimodal Processing and Interaction: Audio, Video, Text. (pp. 157-177). Springer. ISBN 0387763163
Cattani, G. and Ferriani, S. (2008). A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry. Organization Science, 19(6), pp. 824-844. doi: 10.1287/orsc.1070.0350
Hondros, J. ORCID: 0000-0002-4776-9939 (2020).
Interactive documentary as relational media: exploring an actor-network theory approach.
Studies in Documentary Film,
doi: 10.1080/17503280.2020.1815126
Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. and Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. ISBN 9780199757640
Mera, M. ORCID: 0000-0002-0031-0629 (2020).
Music Maketh Man: Meritocracy in Kingsman: The Secret Service.
In: Peddie, I. (Ed.),
The Bloomsbury Handbook of Popular Music and Social Class.
. London, UK: Bloomsbury Academic.
ISBN 9781501345364
Mera, M. and Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.
Meziani, N. and Cabantous, L. ORCID: 0000-0003-3533-1208 (2020).
Acting Intuition into Sense: How Film Crews Make Sense with Embodied Ways of Knowing.
Journal of Management Studies,
doi: 10.1111/joms.12619
Nooshin, L. ORCID: 0000-0001-8737-5224 (2019).
Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema.
Music and the Moving Image, 12(3),
pp. 25-57.
doi: 10.5406/musimoviimag.12.3.0025
Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.