City Research Online

Items where Subject is "PN1993 Motion Pictures"

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Number of items at this level: 14.

A

Are, C. (2020). A “Chosen” Hope with a “Gingerbread” Outcome: Democratization of (Media) Power in Buffy The Vampire Slayer as a Metaphor of Online Abuse on High-Profile Criminal Cases. Slayage, 18.2(Summer), pp. 1-33.

B

Benetos, E., Siatras, S., Kotropoulos, C. , Nikolaidis, N. & Pitas, I. (2008). Movie analysis with emphasis to dialogue and action scene detection. In: Maragos, P., Potamianos, A. & Gros, P. (Eds.), Multimodal Processing and Interaction: Audio, Video, Text. (pp. 157-177). Springer. doi: 10.1007/978-0-387-76316-3_7

C

Cattani, G. & Ferriani, S. (2008). A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry. Organization Science, 19(6), pp. 824-844. doi: 10.1287/orsc.1070.0350

H

Hondros, J. ORCID: 0000-0002-4776-9939 (2020). Interactive documentary as relational media: exploring an actor-network theory approach. Studies in Documentary Film, doi: 10.1080/17503280.2020.1815126

J

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, doi: 10.1080/1369801x.2021.1892515

M

McCann, E. ORCID: 0000-0003-3548-4204 & Huntley-Moore, S. (2016). Madness in the movies: An evaluation of the use of cinema to explore mental health issues in nurse education. Nurse Education in Practice, 21, pp. 37-43. doi: 10.1016/j.nepr.2016.09.009

Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030

Mera, M. ORCID: 0000-0002-0031-0629 (2021). Listening–Feeling–Becoming: Cinema Surveillance. In: Cenciarelli, C. (Ed.), The Oxford Handbook of Cinematic Listening. (pp. 407-426). Oxford, UK: Oxford University Press. doi: 10.1093/oxfordhb/9780190853617.013.23

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.

Meziani, N. & Cabantous, L. ORCID: 0000-0003-3533-1208 (2020). Acting Intuition into Sense: How Film Crews Make Sense with Embodied Ways of Knowing. Journal of Management Studies, 57(7), pp. 1384-1419. doi: 10.1111/joms.12619

N

Nooshin, L. ORCID: 0000-0001-8737-5224 (2019). Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema. Music and the Moving Image, 12(3), pp. 25-57. doi: 10.5406/musimoviimag.12.3.0025

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

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