City Research Online

Article

Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),

Ashford, D. (2014). The Siberia of the Mind: Egoism in the Writings of Wyndham Lewis. The Journal of Wyndham Lewis Studies, 5, pp. 112-134.

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

Jilani, S. ORCID: 0000-0002-0024-4801 (2014). "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye. Postgraduate English, 29(1), pp. 2-24.

Kernan, M.A. (2016). The launch of the first series of the Arden Shakespeare in 1899: An exploration of Bourdieu’s concept of consecration. LOGOS, 27(2), pp. 32-47. doi: 10.1163/1878-4712-11112103

Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019). New Approaches to Medieval Water Studies. Open Library of Humanities, 5(1), article number 35. doi: 10.16995/olh.443/

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2010). ‘“Cribb’d, Cabined and Confined”: Fear, Claustrophobia and Modernity in Richard Marsh’s Urban Gothic Fiction’. The Journal of Literature and Science, 3(1), pp. 23-36. doi: 10.12929/jls.03.1.03

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), article number 66. doi: 10.3390/h7030066

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.

Vuohelainen, M. (2006). Richard Marsh’s The Beetle (1897): A Late-Victorian Popular Novel. Working With English: medieval and modern language, literature and drama, 2(1), pp. 89-100.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2008). “Tales and Adventures”: G.A. Henty’s Union Jack and the Competitive World of Publishing for Boys in the 1880s’. Journal of Popular Narrative Media, 1(2), pp. 183-196.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'. Victorian Popular Fictions Journal, 1(2), pp. 3-32. doi: 10.46911/qptd4864

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Book Section

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Lonsdale, S. (2017). 'Imprisoned in a cage of print': Rose Macaulay, Journalism and Gender. In: MacDonald, K.F. (Ed.), Rose Macaulay, Gender, and Modernity. (pp. 57-74). London: Routledge.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2006). ‘“Oh to Get out of that Room!”: Outcast London and the Gothic Twist in the Popular Fiction of Richard Marsh’. In: Sayer, K. (Ed.), Victorian Space(s). Leeds Centre Working Papers in Victorian Studies, VIII. (pp. 115-126). Leeds: Trinity and All Saints, University of Leeds.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.

Conference or Workshop Item

Kernan, M.A. (2017). Digital Shakespeare, 1996-2017: An exploration of the cultural and technological history of the four Arden Shakespeare digital formats with reference to analytical insights from digital humanities research. Paper presented at the Centre for English Research Seminar, 15 February 2017, London, UK.

Kernan, M.A. (2016). From 1899 to digital: The Arden Shakespeare, Shakespearean critical scholarship and the evolution of English as a discipline. Paper presented at the Shakespeare: Metamorphosis Festival, 25 Aug 2016, London, UK.

Kernan, M.A. (2017). Higher education, employability and the Teaching Excellence Framework: City’s BA English and the broader potential of publishing education. Paper presented at the By the Book 2017: Best practice in Publishing Studies Teaching, 21-23 June 2017, Florence, Italy.

Kernan, M.A. (2016). The Second Arden Shakespeare Series: A theoretical discussion and analysis. Paper presented at the By the Book: Building Audiences for the Book in an Age of Media Proliferation, 23–24 Jun 2016, Florence, Italy.

Kernan, M.A. (2017). Towards applying the work of Iain McGilchrist and Guy Claxton to the analysis of arts-based experiences. Paper presented at the Beyond Text: Arts-based research practice, Erasmus+ Project, Catalonia, Spain.

Thesis

Butler, C. (2021). What does online engagement mean to fiction authors and readers, and what are the implications of those meanings for future research and design?. (Unpublished Doctoral thesis, City, University of London)