Items where Subject is "M Music and Books on Music > ML Literature of music"

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Number of items at this level: 19.

B

Boylan, P. (2006). Four Handel oratorio libretti published by John Gregory of Leicester, 1759 - 1774. Transactions of the Leicestershire Archaeological and Historical Society, 80, pp. 123-151.

G

Georgiou, Christina (2011). The historical editing of Mozart’s keyboard sonatas: History, Context and Practice. (Unpublished Doctoral thesis, City University London)

Grant, P. (2016). The Show Must Go On! Popular Song in Britain during the First World War. Popular Music and Society, 39(4), pp. 474-476. doi: 10.1080/03007766.2016.1207408

L

Lingas, A. (2015). An Introduction to Passion Week, Opus 13 by Maximilian Steinberg (1883–1946). In: V. Morosan & A. Lingas (Eds.), Maximilian Steinberg, Opus 13, Based on Early Russian Chants (Musical Score). (pp. vii-xviii). San Diego, CA, USA: Musica Russica. ISBN 978-0-9701767-5-2

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, doi: 10.1093/ml/gcx036

Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/S147940981600015X

M

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416

Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1

Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-109. doi: 10.3828/msmi.2012.8

Mera, M. (2009). Reinventing Question Time. In: D. B. Scott (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co. ISBN 9780754664765

R

Rosas Cobian, Michael (1997). Electroacoustic music composition: myth, symbol and image. (Unpublished Doctoral thesis, City University, London)

T

Tidhar, D., Dixon, S., Benetos, E. & Weyde, T. (2014). The temperament police. Early Music, 42(4), pp. 579-590. doi: 10.1093/em/cau101

W

Wiley, C. (2010). Biography and the New Musicology. Paper presented at the (Auto)Biography as a Musicological Discourse: The Ninth International Conference of The Departments of Musicology and Ethnomusicology, Faculty of Music, 19 - 22 April 2008, Belgrade, Serbia.

Wiley, C. (2007). Musical biography: Towards new paradigms. Biography: An Interdisciplinary Quarterly, 30(2), pp. 215-219. doi: 10.1353/bio.2007.0044

Wiley, C. (2012). Putting the Music Back into Michael Jackson Studies. In: C. R. Smit (Ed.), Michael Jackson: Grasping the Spectacle. (pp. 101-116). Farnham, UK: Ashgate.

Wiley, C. (2008). 'Rewriting Composers’ Lives: Critical Historiography and Musical Biography. (Unpublished Doctoral thesis, Royal Holloway, University of London)

Wiley, C. (2004). “When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography. Music and Letters, 85(3), pp. 388-414. doi: 10.1093/ml/85.3.388

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