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Items where Schools and Departments is "Music" and Year is 2014

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Number of items: 25.

Article

Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/S0040298213001393

Mera, M. & Stumpf, S. (2014). Eye-tracking Film Music. Music and the Moving Image, 7(3), pp. 3-23. doi: 10.5406/musimoviimag.7.3.0003

Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/S0040298213001940

Rennie, T. (2014). Socio-Sonic: An ethnographic methodology for electroacoustic composition. Organised Sound, 19(02), pp. 117-124. doi: 10.1017/S1355771814000053

Wiley, C. (2014). Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development. Learning at City Journal, 4(2), pp. 39-49.

Wiley, C. (2014). Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution. International Journal of Assessment and Evaluation, 20,

Book Section

Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: Deaville, J. & Saffle, M. (Eds.), Liszt Legacies. . Pendragon.

Mbaye, J. F. (2014). Hip Hop Politics: Recognising a Southern Complexity. In: Parnell, S. & Oldfield, S. (Eds.), The Routledge Handbook on Cities of the Global South. (pp. 396-412). London, UK: Routledge.

Nooshin, L. (2014). Two Revivalist Moments in Iranian Classical Music. In: Bithell, C. & Hill, J. (Eds.), The Oxford Handbook of Music Revival. (pp. 275-297). Oxford University Press. doi: 10.1093/oxfordhb/9780199765034.013.016

Composition

Mera, M., Mathez, B. & Thatcher, T. (2014). Morriña

Molitor, C. (2014). Und lass Dir…,

Conference or Workshop Item

Einbond, A., Trapani, C., Agostini, A. , Ghisi, D. & Schwarz, D. (2014). Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. Paper presented at the International Computer Music Conference, ICMC 2014, 14-20 September, 2014, Athens, Greece.

Pace, I. (2014). Beyond Werktreue: Ideologies of New Music Performance and Performers. Paper presented at the Lecture, 14-01-2014, Royal College of Music.

Internet Publication

Pace, I. (2014). Alan Doggett, first conductor of Joseph and Jesus Christ Superstar, and the Paedophile Information Exchange

Pace, I. (2014). Clifford Hindley: Pederasty and Scholarship

Pace, I. (2014). New article on abuse and classical music by Damian Thompson in the Spectator, and some wider reflections on classical music and abuse

Pace, I. (2014). Yefim Golyshev, Arnold Schoenberg, and the Origins of Twelve-Tone Music

Performance

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere 29 March 2014, Borealis Festival, Bergen - Alistair Zaldua, Spagyria (2013) for piano Borealis Festival.

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere 30 May 2014 - Adam de la Cour, Holy Toledo (2013-14) City University Concerts Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere Performance 2 August 2014 - Ralph Bateman Studies York Late Music Festival.

Thesis

Antonopoulos, Spyridon (2014). The Life and Works of Manuel Chrysaphes the Lampadarios, and the Figure of Composer in Late Byzantium. (Unpublished Doctoral thesis, City, University of London)

Karpeyev, Alexander (2014). New light on Nikolay Medtner as pianist and teacher. (Unpublished Doctoral thesis, City University London)

Picknett, Michael (2014). Devising music: applying creative approaches from dance and theatre to music composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Richardson, Joanne (2014). The piano quintet: Influence of medium on genre. (Unpublished Doctoral thesis, City University London)

Vishnick, Martin Lawrence (2014). A Survey of Extended Techniques on the Classical Six-String Guitar with Appended Studies in New Morphological Notation. (Unpublished Doctoral thesis, City University London)

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