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Items where Schools and Departments is "Music" and Year is 2014

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Number of items: 25.

A

Antonopoulos, Spyridon (2014). The Life and Works of Manuel Chrysaphes the Lampadarios, and the Figure of Composer in Late Byzantium. (Unpublished Doctoral thesis, City, University of London)

Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/S0040298213001393

E

Einbond, A., Trapani, C., Agostini, A., Ghisi, D. and Schwarz, D. (2014). Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. Paper presented at the International Computer Music Conference, ICMC 2014, 14-20 September, 2014, Athens, Greece.

K

Karpeyev, Alexander (2014). New light on Nikolay Medtner as pianist and teacher. (Unpublished Doctoral thesis, City University London)

L

Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: Deaville, J. and Saffle, M. (Eds.), Liszt Legacies. . Pendragon. ISBN 1576471691

M

Mbaye, J. F. (2014). Hip Hop Politics: Recognising a Southern Complexity. In: Parnell, S. and Oldfield, S. (Eds.), The Routledge Handbook on Cities of the Global South. (pp. 396-412). London, UK: Routledge. ISBN 9780415818650

Mera, M., Mathez, B. and Thatcher, T. (2014). Morriña *

Mera, M. and Stumpf, S. (2014). Eye-tracking Film Music. Music and the Moving Image, 7(3), pp. 3-23.

Molitor, C. (2014). Und lass Dir…, *

N

Nooshin, L. (2014). Two Revivalist Moments in Iranian Classical Music. In: Bithell, C. and Hill, J. (Eds.), The Oxford Handbook of Music Revival. (pp. 275-297). Oxford University Press. ISBN 0199765030

P

Pace, I. (2014). Alan Doggett, first conductor of Joseph and Jesus Christ Superstar, and the Paedophile Information Exchange *

Pace, I. (2014). Beyond Werktreue: Ideologies of New Music Performance and Performers. Paper presented at the Lecture, 14-01-2014, Royal College of Music.

Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/S0040298213001940

Pace, I. (2014). Clifford Hindley: Pederasty and Scholarship *

Pace, I. (2014). New article on abuse and classical music by Damian Thompson in the Spectator, and some wider reflections on classical music and abuse *

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere 29 March 2014, Borealis Festival, Bergen - Alistair Zaldua, Spagyria (2013) for piano Borealis Festival. *

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere 30 May 2014 - Adam de la Cour, Holy Toledo (2013-14) City University Concerts Series. *

Pace, I. ORCID: 0000-0002-0047-9379 (2014). World Premiere Performance 2 August 2014 - Ralph Bateman Studies York Late Music Festival. *

Pace, I. (2014). Yefim Golyshev, Arnold Schoenberg, and the Origins of Twelve-Tone Music *

Picknett, Michael (2014). Devising music: applying creative approaches from dance and theatre to music composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

R

Rennie, T. (2014). Socio-Sonic: An ethnographic methodology for electroacoustic composition. Organised Sound, 19(02), pp. 117-124. doi: 10.1017/S1355771814000053

Richardson, Joanne (2014). The piano quintet: Influence of medium on genre. (Unpublished Doctoral thesis, City University London)

V

Vishnick, Martin Lawrence (2014). A Survey of Extended Techniques on the Classical Six-String Guitar with Appended Studies in New Morphological Notation. (Unpublished Doctoral thesis, City University London)

W

Wiley, C. (2014). Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development. Learning at City Journal, 4(2), pp. 39-49.

Wiley, C. (2014). Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution. International Journal of Assessment and Evaluation, 20,

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