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Items where Schools and Departments is "Music" and Year is 2017

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Number of items: 40.

A

Aristopoulos, M. (2017). A portfolio of recombinant compositions for the videogame Apotheon. (Unpublished Doctoral thesis, City, University of London)

B

Bailie, J. E. C. (2017). Transcribing Reality: how the nature of audio and visual media have affected culture, perception, and the role of the artist.. (Unpublished Doctoral thesis, City, University of London)

C

Cottrell, S.J. (2017). Musicianly lives musically told: Oral history, classical music and Desert Island Discs. In: Brown, J., Cook, N. and Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy (211). (pp. 257-284). Oxford: Oxford University Press. ISBN 9780197266175

Cottrell, S.J. (2017). Performing Civility: International Competitions in Classical Music. By Lisa McCormick. Music and Letters, 98(2), pp. 322-324. doi: 10.1093/ml/gcx032

E

Einbond, A. (2017). Mapping the Klangdom Live: Cartographies for piano with two performers and electronics. Computer Music Journal, 41(1), pp. 61-75. doi: 10.1162/COMJ_a_00397

Elmsley (né Lambert), A., Weyde, T. and Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/JCMS.2017.04

H

Hasikou, Anastasia (2017). The social history of music development in the Greek Cypriot population during 1878-1945. (Unpublished Doctoral thesis, City, University of London)

J

Jansson, A., Humphrey, E., Montecchio, N., Bittner, R., Kumar, A. and Weyde, T. ORCID: 0000-0001-8028-9905 (2017). Singing voice separation with deep U-Net convolutional networks. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

K

Kedyte, V., Panteli, M., Weyde, T. ORCID: 0000-0001-8028-9905 and Dixon, S. (2017). Geographical Origin Prediction of Folk Music Recordings from the United Kingdom. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

Kreiling, J. (2017). Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

L

Lingas, A. (2017). Hymnography with(out) Music as Scripture and Prayer. In: Moody, I. and Takala-Roszczenko, M. (Eds.), Creating Liturgically: Hymnography and Music. (pp. 17-28). Joensuu, Finland: International Society for Orthodox Church Music. ISBN 9789529988365

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 299-300. doi: 10.1093/ml/gcx036

Lingas, A. (2017). Singing the Lord’s Song in a Foreign Land—Teaching Orthodox Liturgical Music in Non-Orthodox Contexts. In: Bezzarides, A. and Prodromou, E. (Eds.), Eastern Orthodox Christianity and American Higher Education: Theological, Historical, and Contemporary Reflections. (pp. 279-314). USA: University of Notre Dame Press. ISBN 9780268101268

M

Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. and Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge. ISBN 1138855340

Michael, C. (2017). Contemplating identity and genre in Greek popular song: The Theatrical Compositions of Manos Hadjidakis Between 1944 and 1966. (Unpublished Doctoral thesis, City, University of London)

Molitor, C. (2017). Auricularis Superior *

N

Needham-Beck, Sarah (2017). Cardiorespiratory fitness in contemporary dance training and performance. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Nooshin, L. (2017). ‘BME’ Perspectives on Music Higher Education. Paper presented at the ‘BME’ Perspectives on Music Higher Education, 2 May 2017, Cambridge, UK.

Nooshin, L. (2017). The Elephant and the Blind Men: Myth-Making, Musical Tracking and the Creative Process. Keynote Paper presented at the Tracking the Creative Process in Music, 14-16 Sep 2017, Huddersfield, UK.

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2017). Morphology of the Amorphous: Spatial texture, motion and words. Organised Sound, 22(03), pp. 336-344. doi: 10.1017/S1355771817000498

P

Pace, I. (2017). Darla Crispin and Bob Gilmore, eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014). Tempo, 71(281), pp. 107-115. doi: 10.1017/S004029821700047X

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Eleven Concert Series of Complete Piano Works of Michael Finnissy, February 2016-January 2017 City, University of London; Royal Holloway, University of London; Goldsmiths College, University of London; Hollywell Music Room, Oxford. *

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Homage to David Tudor - Recreation of combined programmes of avant-garde pianist David Tudor, Jacqueline du Pré Music Building, Oxford Oxford University. *

Pace, I. (2017). Luigi Dallapiccola and Musical Modernism in Fascist Italy. By Ben Earle. Music and Letters, 98(1), pp. 163-167. doi: 10.1093/ml/gcx013

Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. .

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Anna Bull (on Stella Duffy and everyday creativity) *

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Charlotte C. Gill article on music and notation – full list of signatories *

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Stella Duffy on the arts, elitism, and communities *

Pace, I. (2017). Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989. Tempo, 71(282), pp. 101-103. doi: 10.1017/S0040298217000766

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Marc Yeats, william mumler’s spirit photography (2016) City University Concert Series. *

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premieres - new commissions from Howard Skempton, John White, David Power, Edward Caine, Steve Crowther - Late Music Concerts, York, 6 May 2017 York Late Music Concerts. *

Pace, I. (2017). The insidious class divide in music teaching. The Conversation,

Pace, I. (2017). The new state of play in performance studies. Music and Letters, 98(2), pp. 281-292. doi: 10.1093/ml/gcx040

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). Sadie Harrison, Return of the Nightingales - CD Recording Prima Facie. *

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Luc Brewaeys, completed Michael Finnissy, The Dale of Tranquillity (2004, completed 2017) City University Concert Series. *

W

Weissenbrunner, K. (2017). Experimental turntablism - live performances with second hand technology: Analysis and methodological considerations. (Unpublished Doctoral thesis, City, Universtiy of London)

This list was generated on Tue Jan 21 04:27:00 2020 UTC.