Items where Schools and Departments is "Media, Culture & Creative Industries" and Year is 2022
Bennett, T. ORCID: 0000-0003-0078-9315 (2022).
A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business.
Journal of Cultural Analysis and Social Change, 7(1),
article number 6.
doi: 10.20897/jcasc/12257
Chen, Z. T. ORCID: 0000-0003-2450-277X
(2022).
Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd..
doi: 10.4135/9781529602098
Curran-Troop, H., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J.
ORCID: 0000-0001-8496-6192 (2022).
“Stay woke. Make moves” Branding for a feminist future amidst pandemic precarity.
In: Gwynne, J. (Ed.),
The Cultural Politics of Femvertising.
(pp. 141-162). London, UK: Palgrave Macmillan.
doi: 10.1007/978-3-030-99154-8
Curran-Troop, H. & Prins, A. (2022). Glitch Feminism. European Journal of Cultural Studies, 25(3), pp. 950-953. doi: 10.1177/13675494221078876
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
All that is solid falls from the sky: Modernity and the volume of world literature.
Cambridge Journal of Postcolonial Literary Inquiry, 9(1),
pp. 1-25.
doi: 10.1017/pli.2021.33
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
Green unpleasant land: Creative responses to rural England's colonial connections.
Journal of Postcolonial Writing, 58(2),
pp. 286-287.
doi: 10.1080/17449855.2022.2066520
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
"The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction.
In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.),
Drawing the past.
(pp. 56-78). University Press of Mississippi.
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
Infrastructural Forms: Comics, Cities, Conglomerations.
In:
The Routledge Companion to Literary Urban Studies.
(pp. 163-176). London, UK: Routledge.
doi: 10.4324/9781003124931-14
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams.
Critique - Studies in Contemporary Fiction, 63(4),
pp. 385-400.
doi: 10.1080/00111619.2020.1841724
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022).
The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology.
In: Freyer, P. & Jones, N. (Eds.),
Clive Barker and his legacy: Theatre Workshop, Theatre Games.
. Palgrave Macmillan.
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks.
In: Findlay, R.
ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.),
Insights on Fashion Journalism.
. Taylor & Francis.
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Russh and the ‘all-Australian’ girl?.
Feminist Theory, 23(3),
pp. 312-326.
doi: 10.1177/14647001221085911
García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C.
ORCID: 0000-0002-2497-8455 (2022).
Embodied pedagogies, the arts and reflexive systems in enactive management education.
In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A. (Eds.),
Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies.
Lecture Notes in Networks and Systems.
(pp. 263-273). Cham, Switzerland: Springer.
doi: 10.1007/978-3-031-08195-8_25
Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2022).
Get Unstuck: Pandemic positivity imperatives and self-care for women.
Cultural Politics, 18(1),
pp. 44-63.
doi: 10.1215/17432197-9516926
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Civic Interaction, Urban Memory, and the Istanbul International Film Festival.
In: Schwan, A. & Thomson, T. (Eds.),
The Palgrave Handbook of Digital and Public Humanities.
(pp. 441-458). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1007/978-3-031-11886-9_23
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
“They Drew an Entire People after Them”.
Interventions, 24(4),
pp. 586-602.
doi: 10.1080/1369801x.2021.1892515
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Aftermaths Without End.
Cambridge Journal of Postcolonial Literary Inquiry, 9(3),
pp. 431-434.
doi: 10.1017/pli.2021.21
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022).
Science Fiction and Climate Change: A Sociological Approach.
Green Letters: Studies in Ecocriticism, 26(2),
pp. 190-193.
doi: 10.1080/14688417.2022.2037865
Moise, R. ORCID: 0000-0002-2578-9832 (2022).
The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric.
Styles of Communication, 13(2),
pp. 38-56.
doi: 10.31178/sc.13.2.03
Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2022).
An Exploratory Study of Communication Freelancers and Online Communities. A Mixed Methods Approach.
Romanian Journal of Communication and Public Relations, 24(2),
pp. 23-44.
doi: 10.21018/rjcpr.2022.2.342
Noppe, N., Price, L. ORCID: 0000-0001-7747-4210, Chiu, K. , Miller, J. N., Wang, E. N., Vaswani, S. M., Merry, S. K., Pollock, D. E, Black, S. R., Hartwell, R., Jacobs, N., Thomas, P. A., Emmanouloudis, A., Hellman, E. & Spitz, A. (2022).
What if academic publishing worked like fan publishing? Imagining the Fantasy Research Archive of Our Own.
Transformative Works and Cultures, 37,
doi: 10.3983/twc.2022.2253
O'Driscoll, G. & Bawden, D. ORCID: 0000-0002-0478-6456 (2022).
Health information equity: Rebalancing healthcare collections for racial diversity in UK public service contexts.
Education for Information, 38(4),
pp. 315-336.
doi: 10.3233/efi-220051
Pratt, A.C. ORCID: 0000-0003-2215-9648 (2022).
Toward circular governance in the culture and creative economy: Learning the lessons from the circular economy and environment.
City, Culture and Society, 29,
article number 100450.
doi: 10.1016/j.ccs.2022.100450
Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2022).
Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2).
CICERONE Project: Amsterdam, The Netherlands.
Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2022).
Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3).
Amsterdam, The Netherlands: CICERONE Project.
Price, L. ORCID: 0000-0001-7747-4210 (2022).
Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography.
Humanities, 11(4),
article number 100.
doi: 10.3390/h11040100
Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L.
ORCID: 0000-0001-5202-8206 (2022).
Building bridges: Papers from the FanLIS 2021 symposium.
Transformative Works and Cultures, 37,
doi: 10.3983/twc.2022.2233
Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L.
ORCID: 0000-0001-5202-8206 (2022).
Fan Futures—Beyond the Archive: Papers from the FanLIS 2022 Symposium.
Proceedings from the Document Academy, 9(1),
article number 1.
doi: 10.35492/docam/9/1/1
Priego, E. ORCID: 0000-0003-4418-369X (2022).
Cartooning with Compassion: A Conversation with Megan Herbert.
The Comics Grid : Journal of Comics Scholarship, 1(1),
pp. 1-17.
doi: 10.16995/cg.8705
Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887
Sharp, M., Farrugia, D., Coffey, J. , Threadgold, S., Adkins, L. & Gill, R. ORCID: 0000-0002-2715-1867 (2022).
Queer subjectivities in hospitality labor.
Gender, Work And Organisation, 29(5),
pp. 1511-1525.
doi: 10.1111/gwao.12844
Tamás, R. (2022). Why does imagining the end of the world feel easier than saving it?.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022).
'"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'.
Women's Writing, 29(2),
pp. 216-237.
doi: 10.1080/09699082.2022.2052458
Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X & Lopez-Mugica, J. (2022).
An analysis of cultural dissemination and national image construction in Chinese influencer Li Ziqi's vlogs and its impact on international viewer perceptions on YouTube.
Journal of Chinese Sociology, 9(1),
article number 14.
doi: 10.1186/s40711-022-00173-2
Yeh, D. ORCID: 0000-0001-8324-5342 (2022).
Chiang Yee and the Hsiungs: Solidarity, Conviviality and the Economy of Racial Representation.
In: Bevan, P., Witchard, A. & Zheng, D. (Eds.),
Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950.
. Hong Kong, China: Hong Kong University Press.
Yeh, D. ORCID: 0000-0001-8324-5342 (2022).
Racialization and Racisms in and beyond Covid, Colour and the Global South.
New Diversities, 24(1),
pp. 91-101.
Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022).
Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization.
In:
Socially Responsible Consumption and Marketing in Practice.
(pp. 349-358). Springer Nature Singapore.
doi: 10.1007/978-981-16-6433-5_21