Items where Schools and Departments is "Media, Culture & Creative Industries" and Year is 2024
Article
Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F. (2024).
Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election.
Journal of Elections, Public Opinion and Parties,
pp. 1-25.
doi: 10.1080/17457289.2025.2514194
Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024).
Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater.
Journal of Current Chinese Affairs, 53(3),
pp. 402-427.
doi: 10.1177/18681026241255134
Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024).
Undergraduate public relations education in the United Kingdom: Quo Vadis?.
Public Relations Inquiry, 13(3),
pp. 379-405.
doi: 10.1177/2046147x241230055
Davies, D. ORCID: 0000-0002-3584-5789 (2024).
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form.
Critique: Studies in Contemporary Fiction, 65(4),
pp. 680-695.
doi: 10.1080/00111619.2023.2231845
Davies, D. ORCID: 0000-0002-3584-5789 (2024).
The infrastructure humanities.
Interventions, 26(8),
pp. 1326-1342.
doi: 10.1080/1369801x.2024.2400351
Dodd, S. ORCID: 0000-0002-0478-6456 & Bawden, D.
ORCID: 0000-0002-0478-6456 (2024).
Stories Not Statistics: A Qualitative Narrative Exploration of the Value of Public Libraries in the United Kingdom.
The Library Quarterly, 94(2),
pp. 159-179.
doi: 10.1086/729227
Findlay, R. ORCID: 0000-0001-8596-6880 (2024).
Revisiting Fashion at the Edge: An interview with Caroline Evans.
International Journal of Fashion Studies, 11(2),
pp. 319-327.
doi: 10.1386/infs_00115_7
Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M. (2024). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, 33(2), pp. 141-158. doi: 10.1080/09548963.2023.2168515
Gibbs, J. ORCID: 0000-0002-5825-4463 (2024).
The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames.
English, 72(279),
pp. 215-216.
doi: 10.1093/english/efae002
Jilani, S. ORCID: 0000-0002-0024-4801 (2024).
Becoming in a colonial world: approaching subjectivity with Fanon.
Textual Practice, 38(10),
pp. 1583-1600.
doi: 10.1080/0950236x.2023.2243908
Matos, C. ORCID: 0000-0001-6304-3591 (2024).
Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina.
International Journal of Media and Cultural Politics, 19(2),
pp. 237-254.
doi: 10.1386/macp_00085_1
McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2024).
From rag market to creative economy: interview with Angela McRobbie.
Journal of Cultural Economy 1753-0369, 17(5),
pp. 700-706.
doi: 10.1080/17530350.2022.2112263
Pei, X., Chen, Z. T. ORCID: 0000-0003-2450-277X & Zhang, L. (2024).
Comprehending ICT for gender empowerment in an aging context: digitalization of marginalized female elderly in the Global South during COVID-19.
Information Technology for Development, 30(2),
pp. 291-307.
doi: 10.1080/02681102.2023.2300669
Peng, A. Y., Liu, F. & Chen, T. ORCID: 0000-0003-2450-277X (2024).
Co-constructing a gender-state entanglement in canonical Three Kingdoms fandom: A discourse-historical approach.
Asian Studies Review, 48(2),
pp. 410-429.
doi: 10.1080/10357823.2023.2245130
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
Journalism Studies, 25(11),
pp. 1249-1271.
doi: 10.1080/1461670x.2024.2372437
Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T. (2024).
Exploring smartphone-related digital divide among South Korean older adults.
Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1),
pp. 29-43.
doi: 10.51680/ev.37.1.3
Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024).
Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK.
Communication & Society, 37(4),
pp. 125-141.
doi: 10.15581/003.37.4.125-141
Book Section
Howes, H. ORCID: 0000-0002-7105-0414 (2024).
Knocked Up.
In: Howes, H.
ORCID: 0000-0002-7105-0414 (Ed.),
Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women.
. London, UK: Bloomsbury Continuum.
Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024).
Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences.
In: Nurse, L., O'Neill, M. & Moran, L. (Eds.),
Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe.
(pp. 141-161). Bristol, UK: Policy Press.
Conference or Workshop Item
Song, I. ORCID: 0000-0002-1240-709X (2024).
Multiculturalism as a Promoter of Cultural Homogenisation? Reinterpreting the Case of Itaewon, Seoul, South Korea.
In:
AMPS Proceedings Series.
Local Cultures Global Spaces, 5-7 Dec 2023, Online.
Other
George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda.
doi: 10.2139/ssrn.4899259
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
doi: 10.2139/ssrn.4897367
Thesis
Curran-Troop, H. (2024). “Create, Curate, and Empower” Contemporary Feminist Creative Work and Precarity in London’s Creative and Cultural Industries. (Unpublished Doctoral thesis, City, University of London)
Di Giuseppe, Laura (2024). Publishing translated fiction in the UK: a comparative analysis of publishing models and key players. (Unpublished Doctoral thesis, City, University of London)
Szeto, K. (2024). The Blended Cataloguer in the Post-Digital Library Data Curator, Knowledge Creator, Information Policymaker. (Unpublished Doctoral thesis, City, University of London)