Items where Schools and Departments is "Media, Culture & Creative Industries" and Year is 2024
Article
Bastos, M. 
ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F. (2024).
Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election.
Journal of Elections, Public Opinion and Parties,
doi: 10.2139/ssrn.5039468
Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024).
Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater.
Journal of Current Chinese Affairs, 53(3),
pp. 402-427.
doi: 10.1177/18681026241255134
Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024).
Undergraduate public relations education in the United Kingdom: Quo Vadis?.
Public Relations Inquiry, 13(3),
pp. 379-405.
doi: 10.1177/2046147x241230055
Cottrell, S. ORCID: 0000-0003-4019-798X (2024).
Musical Instruments and Palimpsestic Identity.
Journal of Musicological Research, 43(2-3),
pp. 141-158.
doi: 10.1080/01411896.2024.2376343
Davies, D. ORCID: 0000-0002-3584-5789 (2024).
The infrastructure humanities.
Interventions, 26(8),
pp. 1326-1342.
doi: 10.1080/1369801x.2024.2400351
Dodd, S. ORCID: 0000-0002-0478-6456 & Bawden, D. ORCID: 0000-0002-0478-6456 (2024).
Stories Not Statistics: A Qualitative Narrative Exploration of the Value of Public Libraries in the United Kingdom.
The Library Quarterly, 94(2),
pp. 159-179.
doi: 10.1086/729227
Einbond, A. ORCID: 0000-0003-1734-6641, Carpentier, T., Schwarz, D. & Bresson, J. (2024).
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics.
Computer Music Journal, 46(4),
pp. 43-61.
doi: 10.1162/comj_a_00664
Findlay, R. ORCID: 0000-0001-8596-6880 (2024).
Revisiting Fashion at the Edge: An interview with Caroline Evans.
International Journal of Fashion Studies, 11(2),
pp. 319-327.
doi: 10.1386/infs_00115_7
George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda.
Social science computer review,
doi: 10.1177/08944393241269394
Jacob, C., Kerrigan, P. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
The Chat-Chamber Effect: Trusting the AI Hallucination.
Big Data and Society,
Matos, C. ORCID: 0000-0001-6304-3591 (2024).
Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina.
International Journal of Media and Cultural Politics, 19(2-3),
pp. 237-254.
doi: 10.1386/macp_00085_1
Pei, X., Chen, Z. T. ORCID: 0000-0003-2450-277X & Zhang, L. (2024).
Comprehending ICT for gender empowerment in an aging context: digitalization of marginalized female elderly in the Global South during COVID-19.
Information Technology for Development, 30(2),
pp. 291-307.
doi: 10.1080/02681102.2023.2300669
Sarkar, A. & Yang, X. ORCID: 0000-0001-9879-7035 (2024).
Streaming K-dramas and C-dramas: The Different Paths of Korean and Chinese Online Television Distribution Overseas.
Television & New Media,
doi: 10.1177/15274764241281689
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
Journalism Studies, 25(11),
pp. 1249-1271.
doi: 10.1080/1461670x.2024.2372437
Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T. (2024).
Exploring smartphone-related digital divide among South Korean older adults.
Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1),
pp. 29-43.
doi: 10.51680/ev.37.1.3
Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024).
Genre in transnational television: A case of Netflix Originals Korean dramas.
Television & New Media, 26(2),
pp. 243-258.
doi: 10.1177/15274764241265040
Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024).
Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK.
Communication & Society, 37(4),
pp. 125-141.
doi: 10.15581/003.37.4.125-141
Book Section
Howes, H. ORCID: 0000-0002-7105-0414 (2024).
Knocked Up.
In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.),
Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women.
. London, UK: Bloomsbury Continuum.
Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024).
Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences.
In: Nurse, L., O'Neill, M. & Moran, L. (Eds.),
Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe.
(pp. 141-161). Bristol, UK: Policy Press.
Other
George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda.
doi: 10.2139/ssrn.4899259
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
doi: 10.2139/ssrn.4897367
Thesis
Curran-Troop, H. (2024). “Create, Curate, and Empower” Contemporary Feminist Creative Work and Precarity in London’s Creative and Cultural Industries. (Unpublished Doctoral thesis, City, University of London)
Di Giuseppe, Laura (2024). Publishing translated fiction in the UK: a comparative analysis of publishing models and key players. (Unpublished Doctoral thesis, City, University of London)
Penev, I. K. (2024). Towards a Syncretic Interpretation of Franz Liszt's 'Apres une Lecture du Dante': Philosophical, Analytic, and Performative Perspectives. (Unpublished Doctoral thesis, City, University of London)
Szeto, K. (2024). The Blended Cataloguer in the Post-Digital Library Data Curator, Knowledge Creator, Information Policymaker. (Unpublished Doctoral thesis, City, University of London)