City Research Online

Article

Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),

Bastos, M. T. (2013). A cultural form for the technological society. MATRIZes, 7(1), pp. 183-195. doi: 10.11606/issn.1982-8160.v7i1p193-195

Bawden, D. (2013). Knowledge, documentation and a London location. Journal of Documentation, 69(1), pp. 4-5. doi: 10.1108/00220411311295298

Bawden, D. & Robinson, L. (2013). No such thing as society? On the individuality of information behavior. Journal of the American Society for Information Science and Technology, 64(12), pp. 2587-2590. doi: 10.1002/asi.22971

Crawford-Franklin, C. & Robinson, L. (2013). "Even in an age of wonders": radio as an information resource in 1920s America. Journal of Documentation, 69(3), pp. 417-434. doi: 10.1108/jd-08-2012-0108

Devine, K. (2013). Imperfect Sound Forever: Loudness Wars, Listening Formations and the History of Sound Reproduction. Popular Music, 32(2), pp. 159-176. doi: 10.1017/s0261143013000032

Indergaard, M., Pratt, A.C. & Hutton, T. A. (2013). Creative cities after the fall of finance. Cities, 33, pp. 1-4. doi: 10.1016/j.cities.2012.09.007

Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Mera, M. (2013). Review of Peter Franklin, Seeing Through Music: Gender and Modernisms in Classic Hollywood Film. Music, Sound and the Moving Image, 7(2), pp. 195-218. doi: 10.3828/msmi.2013.9

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Pratt, A.C. (2013). “…the point is to change it”: Critical realism and human geography. Dialogues in Human Geography, 3(1), pp. 26-29. doi: 10.1177/2043820613485048

Pratt, A.C. & Hutton, T. A. (2013). Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis. Cities, 33, pp. 86-95. doi: 10.1016/j.cities.2012.05.008

Robinson, L. & Bawden, D. (2013). 'So wide and varied': The origins and character of British information science. Journal of Information Science, 39(6), pp. 754-763. doi: 10.1177/0165551513492257

Robson, A. & Robinson, L. (2013). Building on models of information behaviour: linking information seeking and communication. Journal of Documentation, 69(2), pp. 169-193. doi: 10.1108/00220411311300039

Savage, M., Devine, F., Cunningham, N. , Taylor, M., Li, Y., Hjellbrekke, J., Le Roux, B., Friedman, S. & Miles, A.view all authors (2013). A New Model of Social Class? Findings from the BBC's Great British Class Survey Experiment. Sociology - The Journal of the British Sociological Association, 47(2), pp. 219-250. doi: 10.1177/0038038513481128

Velarde, G., Weyde, T. & Meredith, D. (2013). An approach to melodic segmentation and classification based on filtering with the Haar wavelet. Journal of New Music Research, 42(4), pp. 325-345. doi: 10.1080/09298215.2013.841713

Wheelwright, J. (2013). Paxman/Adie reviews. The Independent,

Wheelwright, J. (2013). Withering Review. The Independent,

Book

Pace, I. (2013). Michael Finnissy's "The History of Photography in Sound": A Study of Sources, Techniques and Interpretation. London, UK: Divine Art.

Book Section

Ashford, D. (2013). Xaragmata: Translations from the Pelasgian. In: Xaragmata: translations from the Pelagsian. . London: Veer Books.

Einbond, A. (2013). Subtractive Synthesis: noise and digital (un)creativity. In: Cassidy, A. & Einbond, A. (Eds.), Noise in and as music. (pp. 57-75). Huddersfield, UK: University of Huddersfield Press.

Lingas, A. (2013). From Earth to Heaven: The Changing Musical Soundscape of Byzantine Liturgy. In: Experiencing Byzantium: Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011. (pp. 311-358). Abingdon, UK: Ashgate Publishing.

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030

Pratt, A.C. (2013). The Cultural and Creative Industries: new engines for the city? In: Wang, W. (Ed.), Culture: City. (pp. 36-42). Lars Muller Publishers.

Pratt, A.C. (2013). Promoting sustainable development through culture: current status, challenges and prospects. In: Korean national commission for UNESCO (Ed.), 2013 International Forum on Culture and Development: Unveiling New Prospects for Development through Culture. . Korean national commission for UNESCO.

Robinson, L. & Bawden, D. (2013). Mind the gap: transitions between concepts of information in varied domains. In: Ibekwe-SanJuan, F. & Dousa, T. M. (Eds.), Theories of Information, Communication and Knowledge. (pp. 121-141). Springer.

Seago, K. (2013). Transcultural Translation: Let’s Engage. In: Steyn, J. & Stamselberg, N. (Eds.), Breaching Borders: Art, Migrants and the Metaphor of Waste. (pp. 123-139). London: IB Tauris.

Vuohelainen, M. (2013). Introduction. In: Vuohelainen, M. (Ed.), The Complete Adventures of Sam Briggs, by Richard Marsh. (pp. vii-xxvii). Kansas City: Valancourt Books.

Vuohelainen, M. (2013). '“You Know Not of What You Speak”: Language, Identity and Xenophobia in Richard Marsh’s The Beetle: A Mystery (1897)’. In: Tromp, M., Bachman, M. & Kaufman, H. (Eds.), Fear, Loathing and Victorian Xenophobia. (pp. 312-330). Ohio State University Press.

Wiley, C. (2013). Mythological Motifs in the Biographical Accounts of Haydn’s Later Life. In: Chesser, R. & Wyn, D. (Eds.), The Land of Opportunity Joseph Haydn and Britain. (pp. 195-211). British Library Board.

Composition

Armstrong, N. (2013). Nature pieces

Conference or Workshop Item

Ali, R., Dykes, J. & Wood, J. (2013). Framework for Studying Spatially Ordered Treemaps. Paper presented at the 26th International Cartographic Conference: From Pole to Pole, 25 - 30 August 2013, Dresden, Germany.

Haynes, D. (2013). The Future of Regulation. Paper presented at the iFutures, 25 Jul 2013, Sheffield, UK.

Internet Publication

Pace, I. (2013). The Fetish of the 'Contemporary'

Pace, I. (2013). Hierarchies in New Music: Composers, Performers, and 'Works'

Pace, I. (2013). Marcel Gazelle and the Culture of the Early Yehudi Menuhin School

Pace, I. (2013). Musicology is not Musical PR

Pace, I. (2013). Robert Waddington, Former Dean of Manchester Cathedral, and Chetham's School of Music

Pace, I. (2013). The culture of music education lends itself to abuse Times Educational Supplement.

Monograph

Boylan, P. (2013). Introduction to the theoretical and philosophical basis of modern management. London, UK: City University London, Department of Creative Practice & Enterprise - Centre for Cultural Policy & Management.

Lingas, A. (2013). Tikey Zes: The Divine Liturgy of St John Chrysostom (1991). Portland, USA: Cappella Romana.

Performance

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - David Felder, Rocket Summer Albany Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - Michael Finnissy, The History of Photography in Sound (5 CD set) Divine Art Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere 12 January 2013, Teatro Académico, Coimbra, Portugal - Patricia de Almeida, Reditus ad Vitam (2012) Teatro Académico de Gil Vicente.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere 3 August 2013, York Late Music Festival - Frederic Rzewski, Illusions perdus for solo piano York Late Music Festival.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere, 24 March 2013 - Lauren Redhead - i am but one small instrument London Ear Festival.

Report

Pratt, A.C. (2013). Local capacity building for the creative economy. Paris, France: United Nations Development Programme (UNDP).

Thesis

Green, Owen (2013). User serviceable parts: Practice, technology, sociality and method in live electronic musicking. (Unpublished Doctoral thesis, City University London)

Lawrence, Mark (2013). Veljo Tormis, Estonian composer. (Unpublished Doctoral thesis, City University London)

Nyström, Erik (2013). Topology of spatial texture in the acousmatic medium. (Unpublished Doctoral thesis, City University London)

Pick, Edward (2013). Tonality in Schoenberg's music with particular reference to the Piano Concerto. (Unpublished Doctoral thesis, City University London)

Robson, A. (2013). Modelling information behaviour: linking information seeking and communication. (Unpublished Doctoral thesis, City University London)

Seddon, Ambrose (2013). Recurrence in acousmatic music. (Unpublished Doctoral thesis, City University London)

Stansbie, Adam (2013). The Acousmatic Musical Performance: An Ontological Investigation. (Unpublished Doctoral thesis, City University London)

Tkachenko, Paul (2013). The real deal: professional klezmer musicians on a London world music scene. (Unpublished Doctoral thesis, City University London)

Yiu, R. (2013). A composer's imagining of musical tradition and the reinvention of heritage. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)