Items where Schools and Departments is "School of Communication & Creativity" and Year is 2024
Article
Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F. (2024).
Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election.
Journal of Elections, Public Opinion and Parties,
doi: 10.2139/ssrn.5039468
Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024).
Addressing Workplace Sexual Harassment Through Organizational Policy Messaging.
Communication Studies,
doi: 10.1080/10510974.2024.2406045
Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024).
How News Organizations Cultivate and Maintain Sexist Newsrooms via Gendered Journalistic Norms, Sexual Harassment, and the Boys’ Club.
Women's Studies in Communication, 47(3),
pp. 268-291.
doi: 10.1080/07491409.2024.2342842
Camaj, L., Hellmueller, L. ORCID: 0000-0002-6609-9395, Vallejo Vera, S. & Lindner, P. (2024).
The Democratic Value of Strategic Game Reporting and Uncivil Talk: A Computational Analysis of Facebook Conversations During U.S. Primary Debates.
Journalism & Mass Communication Quarterly, 101(2),
pp. 428-450.
doi: 10.1177/10776990231226403
Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024).
Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater.
Journal of Current Chinese Affairs, 53(3),
pp. 402-427.
doi: 10.1177/18681026241255134
Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024).
Undergraduate public relations education in the United Kingdom: Quo Vadis?.
Public Relations Inquiry, 13(3),
pp. 379-405.
doi: 10.1177/2046147x241230055
Cottrell, S. ORCID: 0000-0003-4019-798X (2024).
Musical Instruments and Palimpsestic Identity.
Journal of Musicological Research, 43(2-3),
pp. 141-158.
doi: 10.1080/01411896.2024.2376343
Davies, D. ORCID: 0000-0002-3584-5789 (2024).
The infrastructure humanities.
Interventions, 26(8),
pp. 1326-1342.
doi: 10.1080/1369801x.2024.2400351
Dodd, S. ORCID: 0000-0002-0478-6456 & Bawden, D.
ORCID: 0000-0002-0478-6456 (2024).
Stories Not Statistics: A Qualitative Narrative Exploration of the Value of Public Libraries in the United Kingdom.
The Library Quarterly, 94(2),
pp. 159-179.
doi: 10.1086/729227
Dodds, T., Arafat, R. ORCID: 0000-0002-6778-0107 & Yeung, W. N. (2024).
Bound by Exile: Exploring Kinship Dynamics and Role Perceptions among Diaspora Journalists.
Journalism Studies,
pp. 1-20.
doi: 10.1080/1461670x.2024.2366344
Einbond, A. ORCID: 0000-0003-1734-6641, Carpentier, T., Schwarz, D. & Bresson, J. (2024).
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics.
Computer Music Journal, 46(4),
pp. 43-61.
doi: 10.1162/comj_a_00664
Elhosary, M. ORCID: 0009-0001-5709-8630 (2024).
Vulnerability or resilience tweets? A comparative analysis of media outlets versus non-governmental organizations visual representations of the 2023 Morocco earthquake survivors.
International Communication Gazette,
doi: 10.1177/17480485241267710
Elhosary, M. ORCID: 0009-0001-5709-8630, Abbas, L. & Fahmy, S. S. (2024).
“Woman, Life, Freedom”: A Visual Rhetoric Analysis of #MahsaAmini on X.
International Journal of Communication, 18,
pp. 5559-5584.
Findlay, R. ORCID: 0000-0001-8596-6880 (2024).
Revisiting Fashion at the Edge: An interview with Caroline Evans.
International Journal of Fashion Studies, 11(2),
pp. 319-327.
doi: 10.1386/infs_00115_7
Franks, S. ORCID: 0000-0002-9449-2725 & Seaton, J. (2024).
Introduction: Where Next for Public Service Broadcasting?.
The Political Quarterly, 95(1),
pp. 8-11.
doi: 10.1111/1467-923x.13381
Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024).
It’s immersive, but is it inclusive?.
Representology: the Journal of Media and Diversity, 6(6),
pp. 40-47.
George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda.
Social science computer review,
doi: 10.1177/08944393241269394
Harb, Z. ORCID: 0000-0002-7630-1171 (2024).
Covering Gaza: Rethinking Objectivity in Times of Human Tragedies.
Middle East Journal of Culture and Communication, 17(3),
pp. 231-238.
doi: 10.1163/18739865-0170300
Harb, Z. ORCID: 0000-0002-7630-1171 & Arafat, R.
ORCID: 0000-0002-6778-0107 (2024).
The Adoption of Artificial Intelligence Technologies in Arab Newsrooms: Potentials and Challenges.
Emerging Media, 2(3),
pp. 371-381.
doi: 10.1177/27523543241291068
Hellmueller, L. ORCID: 0000-0002-6609-9395, Camaj, L., Vallejo Vera, S. & Lindner, P. (2024).
The Impact of Journalistic Cultures on Social Media Discourse: US Primary Debates in Cross-Lingual Online Spaces.
Digital Journalism,
doi: 10.1080/21670811.2024.2402371
Herbert, R. ORCID: 0000-0002-7878-9991 & Walduck, J.
ORCID: 0000-0002-2603-3404 (2024).
Music, marbling and multisensory trancing.
The Senses and Society,
doi: 10.1080/17458927.2024.2398916
Jacob, C., Kerrigan, P. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
The Chat-Chamber Effect: Trusting the AI Hallucination.
Big Data and Society,
Matos, C. ORCID: 0000-0001-6304-3591 (2024).
Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina.
International Journal of Media and Cultural Politics, 19(2-3),
pp. 237-254.
doi: 10.1386/macp_00085_1
Mulupi, D. & Blumell, L. ORCID: 0000-0003-4608-9269 (2024).
Gatekeeping Rape Culture: Kenyan News Coverage of Sexual Abuse and Femicide.
African Journalism Studies, 44(2),
pp. 153-170.
doi: 10.1080/23743670.2024.2328524
Pei, X., Chen, Z. T. ORCID: 0000-0003-2450-277X & Zhang, L. (2024).
Comprehending ICT for gender empowerment in an aging context: digitalization of marginalized female elderly in the Global South during COVID-19.
Information Technology for Development, 30(2),
pp. 291-307.
doi: 10.1080/02681102.2023.2300669
Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2024).
Building Bridges II: Papers from the FanLIS 2024 Symposium.
Proceedings from the Document Academy, 11(1),
article number 1.
doi: 10.35492/docam/11/1/1
Raemy, P., Hellmueller, L. ORCID: 0000-0002-6609-9395 & Vos, T. P. (2024).
Understanding Journalistic Culture as Context and Result of Negotiation.
International Journal of Communication, 18,
pp. 4909-4928.
Rodgers, J. ORCID: 0000-0002-3365-6909 (2024).
A single wooden house standing in Stalingrad: Alexander Werth’s ‘Russian Commentary’ on the BBC during the Second World War.
Historical Journal of Film, Radio and Television, 44(3),
pp. 609-623.
doi: 10.1080/01439685.2024.2370636
Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Williams, E. , Walduck, J., von Jungenfeld, R. & Newman, H. (2024).
Playing with data differently: engaging with autism and gender through participatory arts/music and a performative framework for analysis.
Frontiers in Psychology, 15,
article number 1324036.
doi: 10.3389/fpsyg.2024.1324036
Singer, J. ORCID: 0000-0002-5777-9065 (2024).
Journalistic “Innovation” Is Hard to Hate, but Actual Change Is Just Hard.
Media and Communication, 12,
article number 7459.
doi: 10.17645/mac.7459
Singer, J. B. ORCID: 0000-0002-5777-9065 (2024).
Book Review: Journalism, Technology and Cultural Practice: A History by Martin Conboy.
Media International Australia,
doi: 10.1177/1329878x241234983
Tully, M. & Singer, J. ORCID: 0000-0002-5777-9065 (2024).
Fact-checking the Covid-19 Infodemic in Sub-Saharan Africa.
African Journalism Studies, 44(2),
pp. 97-115.
doi: 10.1080/23743670.2024.2308896
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
Journalism Studies, 25(11),
pp. 1249-1271.
doi: 10.1080/1461670x.2024.2372437
Walsh, M. ORCID: 0000-0002-3845-6674 & Singer, J. B.
ORCID: 0000-0002-5777-9065 (2024).
Platform speech: Journalists and political campaigners reflect on Facebook and disintermediation in three UK general elections.
Journalism,
doi: 10.1177/14648849241273619
Wilczek, B., Haim, M. & Thurman, N. (2024). Transforming the value chain of local journalism with artificial intelligence. AI Magazine, 45(2), pp. 200-211. doi: 10.1002/aaai.12174
Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T. (2024).
Exploring smartphone-related digital divide among South Korean older adults.
Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1),
pp. 29-43.
doi: 10.51680/ev.37.1.3
Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024).
Genre in transnational television: A case of Netflix Originals Korean dramas.
Television & New Media, 26(2),
pp. 243-258.
doi: 10.1177/15274764241265040
Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024).
Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK.
Communication & Society, 37(4),
pp. 125-141.
doi: 10.15581/003.37.4.125-141
Book Section
Arafat, R. ORCID: 0000-0002-6778-0107 (2024).
Reporting on the Syrian conflict from exile Examining advocacy strategies in diaspora journalists' online news.
In: Galal, E., Shehata, M. & Pedersen, V. P. (Eds.),
Middle Eastern Diasporas and Political Communication.
(pp. 161-181). Abingdon, USA: Routledge.
doi: 10.4324/9781003365419-10
Howes, H. ORCID: 0000-0002-7105-0414 (2024).
Knocked Up.
In: Howes, H.
ORCID: 0000-0002-7105-0414 (Ed.),
Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women.
. London, UK: Bloomsbury Continuum.
Nooshin, L. ORCID: 0000-0001-8737-5224 (2024).
Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK.
In: Lopes da Cunha, M. M. R., Shannon, J., Møller Sørensen, S. & Danielson, V. (Eds.),
Music and Cultural Diplomacy in the Middle East: Geopolitical Re-Configurations for the 21st Century.
(pp. 123-146). Palgrave Macmillan.
doi: 10.1007/978-3-031-36279-8_6
Qureshi, F. & Price, L. ORCID: 0000-0001-7747-4210 (2024).
Hidden Histories and Radical Reading Lists: Restorative Justice at SOAS Library.
In: Keith, B. W., Taylor, L. & Renwick, S. (Eds.),
Liberatory Librarianship: Stories of Community, Connection, and Justice.
(pp. 101-113). Chicago, IL: ALA Editions.
Smith, J. ORCID: 0000-0002-5198-4076 (2024).
Early music in the ‘early game’.
In: Cook, J., Kolassa, A., Robinson, A. & Whittaker, A. (Eds.),
History as Fantasy in Music, Sound, Image, and Media.
Music and Visual Culture.
(pp. 83-101). New York, USA: Routledge.
doi: 10.4324/9781003291725
Smith, J. ORCID: 0000-0002-5198-4076 (2024).
"I must be beautiful”: becoming human through adaptive vocal soundscapes.
In: Galloway, K. & Hambleton, E. (Eds.),
Music and Sonic Environments in Video Games Listening to and Performing Ludic Soundscapes.
Routledge Music and Screen Media Series.
. Routledge.
Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024).
Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences.
In: Nurse, L., O'Neill, M. & Moran, L. (Eds.),
Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe.
(pp. 141-161). Bristol, UK: Policy Press.
Conference or Workshop Item
Nystrom, E. ORCID: 0000-0003-3628-540X (2024).
Unformation and Information, more or less (than) human.
Paper presented at the Noisefloor, 27-29 May 2024, Escola Superior de Musica de Lisboa.
Other
George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda.
doi: 10.2139/ssrn.4899259
Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2024).
Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter.
doi: 10.2139/ssrn.4897367
Thesis
Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024).
Immersive but not Inclusive: Challenges Faced by Underrepresented Groups in Immersive Audio.
(Unpublished Doctoral thesis, University of Surrey)
Penev, I. K. (2024). Towards a Syncretic Interpretation of Franz Liszt's 'Apres une Lecture du Dante': Philosophical, Analytic, and Performative Perspectives. (Unpublished Doctoral thesis, City, University of London)
Szeto, K. (2024). The Blended Cataloguer in the Post-Digital Library Data Curator, Knowledge Creator, Information Policymaker. (Unpublished Doctoral thesis, City, University of London)