City Research Online

Article

Einbond, A. ORCID: 0000-0003-1734-6641, Carpentier, T., Schwarz, D. & Bresson, J.view all authors (2022). Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics. Computer Music Journal, 46(4), pp. 43-61. doi: 10.1162/comj_a_00664

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Is classical colonial?. The Critic, pp. 42-43.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Performing arts need a research and practice excellence framework. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The UK government must ensure core subjects are taught in every region. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). University departments need a broad range of active performing artists. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). We need a statutory qualification for practitioners in higher education. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Why cancel Tchaikovsky?. London Review of Books,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Why is post-colonial guilt only applied to Western classical traditions? Radio 3’s World of Classical reviewed. The Spectator,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The autoethnography masturbation outcry strikes a chord in music. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The political polyvalency of modernism. Spectator,

Book Section

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Musical Daydreaming and Kinds of Consciousness. In: Kussner, M., Taruffi, L. & Floridou, G. (Eds.), Music and Mental Imagery. SEMPRE Studies in the Psychology of Music. (pp. 167-177). London UK: Routledge. doi: 10.4324/9780429330070-18

Pace, I. ORCID: 0000-0002-0047-9379 (2022). New Music: Performance Institutions and Practices. In: McPherson, G & Davidson, J (Eds.), The Oxford Handbook of Music Performance. . Oxford, UK: Oxford University Press.

Composition

Armstrong, N. ORCID: 0000-0002-1927-7371 (2022). The Book of the Sediments

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Lancashire Rock (2022) for clarinet, percussion and piano

Conference or Workshop Item

Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2022). Spherical correlation as a similarity measure for 3D radiation patterns of musical instruments. Paper presented at the 16ème Congrès Français d’Acoustique, 11-15 Apr 2022, Marseille, France.

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Participation and Playing A/Part. In: Moran, N. & Kim, Y. (Eds.), Proceedings of the13th Conference on Interdisciplinary Musicology, CIM22: ‘Participation’. 13th Conference on Interdisciplinary Musicology, 8-10 Jun 2022, Edinburgh, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2022). Sound as Synthesis: technological listening and intra-faces of sound. In: Electroacoustic Music Studies Network (EMS). EMS21 Conference, 10-13 Nov 2021, Leicester, UK. doi: 10.5281/zenodo.5981500

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Contribution to Round Table on 'The Legacy of Richard Taruskin'. Paper presented at the Performance Studies Conference, 2 Jul 2022, University of Surrey, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Musicology and Academic Freedom. Paper presented at the Music and the University Conference, 7 Jul 2022, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Response to Panel on 'Classical Music in Higher Education'. Paper presented at the Music and the University Conference, 8 Jul 2022, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The Two Traditions of 'Experimental Music': Implications for the Later Conceptual history. Paper presented at the Xperimus 2022 Conference, 16 Apr 2022, Porto, Portugal.

Thesis

Challenger, T. (2022). Improvised practice and tools for the unknown. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Chapkanov, B (2022). Harmony and Tonality in the Late Piano Music of Franz Liszt – Functional and Transformational Analytical Perspectives. (Unpublished Doctoral thesis, City, University of London)

Haustein, P. (2022). LOVE AT FIRST SOUND: Engaging with Western classical concert audiences through improvisation. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Kaner, M. J. (2022). Composing narratives: Reimagining musical storytelling in new vocal and instrumental works. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Messeder, G. (2022). ‘Obrigada, Shukran’: Brazilian Musical Encounters in Beirut. (Unpublished Doctoral thesis, City, University of London)

Roustom, K. (2022). Two violin concerti: A study in non-duality. (Unpublished Doctoral thesis, City, University of London)

van der Klis, J. M. (2022). Busoni’s ‘Beiträge zu einer Hochschule des Clavierspiels’ and the performance of Bach on the modern piano. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)