City Research Online

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Al-Daragi, A. (2016). Tensions between didacticism, entertainment and translatorial practices: deletion and omission in the Arabic translations of Harry Potter. (Unpublished Doctoral thesis, City, University of London)

Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/s1355771816000194

Armstrong, N. (2016). Partial objects

Armstrong, N. (2016). The way to go out

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Bawden, D. (2016). Aslib: a de facto national library/information organization. Alexandria: the journal of national and international information issues, 26(1), pp. 15-17.

Bawden, D. (2016). The noblest pleasure: theories of understanding in the information sciences. In: Sonnenwald, D. H. (Ed.), Theory Development in the Information Sciences. (pp. 281-299). USA: University of Texas Press.

Bawden, D. (2016). The once and future editorial. Journal of Documentation, 72(1), pp. 2-4. doi: 10.1108/jd-11-2015-0138

Bawden, D. (2016). "A point along a line": moving knowledge organization to the next level. Knowledge Organization: international journal devoted to concept theory, classification, indexing, and knowledge representation, 43(3), pp. 210-211.

Bawden, D. & Robinson, L. (2016). Information and the gaining of understanding. Journal of Information Science, 42(3), pp. 294-299. doi: 10.1177/0165551515621691

Bawden, D. & Robinson, L. (2016). Information's magic numbers: the numerology of information science. In: Sugimoto, C. (Ed.), Theories of Information and Scholarly Communication. (pp. 180-196). Berlin: de Gruyter.

Bawden, D. & Robinson, L. (2016). Into the infosphere: theory, literacy, and education for new forms of document. In: Ivanović, M. & Tanacković, S. (Eds.), Ogledi o informacijskim znanostima: Zbornik radova u Čast Tatjane Aparac-Jelušić. (pp. 177-186). Osijek, Crotia: Universities of Osijek and Zadar.

Bawden, D. & Robinson, L. (2016). Library and Information Science. In: Jensen, K. B. & Pooley, J. (Eds.), The International Encyclopedia of Communication Theory and Philosophy. (pp. 1068-1073). UK: Wiley.

Bawden, D. & Robinson, L. (2016). "A different kind of knowing": speculations on understanding in light of the Philosophy of Information. Paper presented at the Conceptions of Library and Information Science - CoLIS9, 27-29 Jun 2016, Uppsala, Sweden.

Bell, Jonathan (2016). Audio-scores, a resource for composition and computer-aided performance. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Browning, J. ORCID: 0000-0001-7013-7959 (2016). Assembled landscapes: The sites and sounds of some recent shakuhachi recordings. Journal of Musicology, 33(1), pp. 70-91. doi: 10.1525/jm.2016.33.1.70

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Crowdus, Miranda (2016). Hip hop in South Tel Aviv: third space, convergent dispossession(s), and intercultural communication in urban borderlands. (Unpublished Doctoral thesis, City, University of London)

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Dimitrakopoulou, S. (2016). (Il)legitimate performance: copying, authorship, and the canon. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Dovey, J., Pratt, A.C., Moreton, S. , Virani, T.E., Merkel, J. & Lansdowne, J.view all authors (2016). The Creative Hubs Report: 2016. UK: British Council.

Dunne, J. ORCID: 0000-0001-9831-4195 (2016). Dramaturging Personal Narratives; Who Am I and Where Is Here?. Stanislavski Studies, 4(1), pp. 79-81. doi: 10.1080/20567790.2016.1155367

Dunne, J. ORCID: 0000-0001-9831-4195 (2016). Research resources: the Beckett collection, University of Reading. Stanislavski Studies, 4(2), pp. 217-219. doi: 10.1080/20567790.2016.1234019

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Einbond, A. (2016). Musique instrumentale concrète: Timbral transcription in What the Blind See and Without Words. In: Bresson, J., Agon, C. & Assayag, G. (Eds.), The OM Composer's Book. (pp. 155-171). France: Editions Delatour/Ircam-Centre Pompidou.

Einbond, A., Schwarz, D., Borghesi, R. & Schnell, N.view all authors (2016). Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. Proceedings of the International Computer Music Conference, pp. 140-146.

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García-Favaro, L. & Gill, R. (2016). “Emasculation nation has arrived”: sexism rearticulated in online responses to Lose the Lads’ Mags campaign. Feminist Media Studies, 16(3), pp. 379-397. doi: 10.1080/14680777.2015.1105840

Gato, Gonçalo (2016). Algorithm and Decision in Musical Composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Gill, R. (2016). Post-postfeminism? New feminist visibilities in postfeminist times. Feminist Media Studies, 16(4), pp. 610-630. doi: 10.1080/14680777.2016.1193293

Gill, R. & De Benedictis, S. (2016). Austerity Neoliberalism. Open Democracy,

Gill, R. & Donaghue, N. (2016). Resilience, apps and reluctant individualism: Technologies of self in the neoliberal academy. Women's Studies International Forum, 54, pp. 91-99. doi: 10.1016/j.wsif.2015.06.016

Gill, R., Kelan, E. K. & Scharff, C. M. (2016). A Postfeminist Sensibility at Work. Gender, Work & Organization, 24(3), pp. 226-244. doi: 10.1111/gwao.12132

Gill, R. & Orgad, S. S. (2016). The confidence cult(ure). Australian Feminist Studies, 30(86), pp. 324-344. doi: 10.1080/08164649.2016.1148001

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Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth-Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14),

Harper, A. (2016). 'Dux Content: Life Style' and 'The New Hi-Tech Underground'. In: Beyer, T. & Burkhalter, T. (Eds.), Seismographic Sounds - Visions of a New World. (pp. 478-483). Bern: Norient.

Haynes, D. (2016). Social media, risk and information governance. Business Information Review, 33(2), pp. 90-93. doi: 10.1177/0266382116651781

Haynes, D., Bawden, D. & Robinson, L. (2016). A regulatory model for personal data on social networking services in the UK. International Journal of Information Management, 36(6), pp. 872-882. doi: 10.1016/j.ijinfomgt.2016.05.012

Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London)

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Inoguchi, Ikuko (2016). Concepts of time in the works of John Cage, George Crumb, and Toru Takemitsu and implications for performance. (Unpublished Doctoral thesis, City University London)

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Lopez Jorge, M. (2016). Imagery and the composition of music: an insight into an original compositional method inspired by mental imagery. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Loya, S. (2016). Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke. Notes, 73(2), pp. 289-292. doi: 10.1353/not.2016.0128

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/s147940981600015x

Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409

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Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: Umunna, M. & Disu, O. (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0

Moise, R. ORCID: 0000-0002-2578-9832 (2016). Review: Public Relations: A Revolutionary Discipline. Styles of Communication, 8(1),

Moise, R. ORCID: 0000-0002-2578-9832 (2016). The Social Value of Public Relations in the Romanian Book Sector. Styles of Communication, 8(1), pp. 37-54.

Monson, O., Donaghue, N. & Gill, R. (2016). Working hard on the outside: a multimodal critical discourse analysis of The Biggest Loser Australia. Social Semiotics, 26(5), pp. 524-540. doi: 10.1080/10350330.2015.1134821

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.

Myerson, J. (2016). The Price of Oil BBC Radio 4.

Myerson, J. (2016). Reykjavik BBC Radio 4.

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Nathan, M., Kemeny, T., Pratt, A.C. & Spenser, G.view all authors (2016). Creative economy employment in the US, Canada and the UK: a comparative analysis. London, UK: NESTA.

Nooshin, L. (2016). 'Happy Families? Convergence, Antagonism and Disciplinary Identities or "We’re all God knows what now" (Cook 2016)'. Paper presented at the City Debate, 'Are we all Ethnomusicologists now?', City University London.

Nooshin, L. (2016). Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal. In: Bohlman, P., Goffredo, P. & Jackson, T. (Eds.), Jazz Worlds/World Jazz. (pp. 125-149). USA: Chicago University Press.

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Pace, I. (2016). Composition and Performance can be, and often have been, Research. Tempo, 70(275), pp. 60-70. doi: 10.1017/s0040298215000637

Pace, I. (2016). Ethnographically sourced experiences of Ethnomusicology – a further response to the debate

Pace, I. (2016). How to negotiate the tricky territory of ‘fascist music’. The Conversation,

Pace, I. (2016). Michael Finnissy at 70: The piano music (1). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (2). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (3). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (4). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (5). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (6). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (7). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (8). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (9). .

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Michael Parkin - The Courting Rites of Cranes (CD recording) Prima Facie Records.

Pace, I. (2016). My contribution to the debate ‘Are we all ethnomusicologists now?’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). On Canons (and teaching Le sacre du printemps)

Pace, I. (2016). Quilting Points and Ethnomusicology

Pace, I. (2016). Responses to Simon Zagorski-Thomas’s talk on ‘Dead White Composers’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Spinning Research

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere 7 May 2016 - York Late Music - Andrew Toovey, First Out (2016) York Late Music Concerts.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Lauren Redhead, For Luc Brewaeys (2016) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Luc Brewaeys, The Dale of Tranquility - Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Patrícia de Almeida, Vacuum Corporis (Piano Piece 4) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance, 7 May 2016 - Michael Finnissy, Beethoven's Robin Adair (2016), co-commissioned by York Late Music and Transit Festival York Spring Festival.

Pratt, A.C. (2016). Music rights: towards a material geography of musical practices in the 'Digital Age'. In: Hracs, B., Seman, M. & Virani, T. E. (Eds.), The Production and Consumption of Music in the Digital Age. (pp. 206-222). USA: Routledge.

Pratt, A.C. (2016). Three stages in the life of the creative economy. British Council.

Pratt, A.C., Matheson-Pollock, H. & Virani, T.E. (2016). Outside the Voucher: Evaluating the Creative Voucher Scheme. In: Shiach, M. & Virani, T.E. (Eds.), Cultural Policy, Innovation and the Creative Economy. (pp. 217-229). Palgrave Macmillan UK.

Pratt, A.C. & McKieran, J. (2016). Getting inside the creative voucher: The Platform 7 experience. (1st ed.) In: Shiach, M. & Virani, T.E. (Eds.), Cultural Policy, Innovation and the Creative Economy. (pp. 217-229). Palgrave Macmillan UK.

Price, L. & Robinson, L. (2016). "Being in a Knowledge Space": information behaviour of cult media fan communities. Journal of Information Science, 43(5), pp. 649-664. doi: 10.1177/0165551516658821

Priego, E. ORCID: 0000-0003-4418-369X (2016). Ms Marvel: Metamorphosis and Transfiguration of the 'Minority' Superhero. The Winnower, pp. 1-7. doi: 10.15200/winn.146299.94394

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Rennie, T. (2016). Recording, Representation & Responsibility: questions of authorship and agency when field recording for electroacoustic composition. Paper presented at the EMS15: The Art of Electroacoustic Music, 23-26 Jun 2016, Sheffield, UK.

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Saleh, K (2016). The Role of Translation Competence of Medical Experts in the Translation of English-Kurdish Medical Abstracts. (Unpublished Doctoral thesis, City, University of London)

Sandoval, M. (2016). Fighting Precarity with Co-operation? Worker Co-operatives in the Cultural Sector. New Formations: a journal of culture/theory/politics, 88(88), pp. 51-68. doi: 10.3898/newf.88.04.2016

Sandoval, M. (2016). What would Rosa do? Co-operatives and radical politics. Soundings: A Journal of Politics and Culture, 63(63),

Schoeman, Ben (2016). The Piano Works of Stefans Grové (1922-2014): A Study of Stylistic Influences, Technical Elements and Canon Formation in South African Art Music. (Unpublished Doctoral thesis, City, University of London)

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Vilar, P., Šauperl, A., Semlič Rajh, Z. , Robinson, L. & Bawden, D.view all authors (2016). Information competencies of historians as archive users: A Slovenia/UK comparison. Paper presented at the European Conference on Information Literacy (ECIL 2016), 10-13 Oct 2016, Prague, Czech Republic.

Virani, T.E. & Pratt, A.C. (2016). Intermediaries and the knowledge exchange process: the case of the creative industries and Higher Education. In: Communian, R. & Gilmore, A. (Eds.), Higher Education and the Creative Economy: Beyond the campus. Regions and Cities. (pp. 41-58). Abingdon, Oxon; New York, NY: Routledge.

Vuohelainen, M. (2016). Introduction. In: Vuohelainen, M. (Ed.), The Complete Judith Lee Adventures, by Richard Marsh. (pp. vii-xxv). Kansas City: Valancourt Books.

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Wheelwright, J. (2016). The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan. In: Declercq, C. & Walker, J. (Eds.), Languages and the First World War: Representation and Memory. (pp. 164-177). London: Palgrave Macmillan. doi: 10.1057/9781137550361_11

Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.

Wilford, Stephen (2016). Bledi Cockneys: music, identity and mediation in Algerian London. (Unpublished Doctoral thesis, City, University of London)

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Yim, Annie (2016). A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances. (Unpublished Doctoral thesis, City University London)