Items where Schools and Departments is "School of Communication & Creativity" and Year is 2023
Article
Bastos, M. T. ORCID: 0000-0003-0480-1078 & Recuero, R. (2023).
The Insurrectionist Playbook: Jair Bolsonaro and the National Congress of Brazil.
Social Media + Society, 9(4),
article number 2056305123.
doi: 10.1177/20563051231211881
Bastos, M. T. ORCID: 0000-0003-0480-1078 & Tuters, M. (2023).
Meaningful disinformation: narrative rituals and affective folktales.
Big Data & Society, 10(2),
article number 2053951723.
doi: 10.1177/20539517231215361
Browning, J. ORCID: 0000-0001-7013-7959 & Lim, L. (2023).
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim.
Journal of the Royal Musical Association, 148(1),
pp. 1-34.
doi: 10.1017/rma.2023.3
Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2023).
Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments.
Acta Acustica, 7(40),
article number 40.
doi: 10.1051/aacus/2023033
Chen, Z. T. ORCID: 0000-0003-2450-277X, Whyke, T. W., Lopez-Mugica, J. & Peng, A. Y. (2023).
Cashing the pink RMB through docile bodies: queering paradox of erotic entrepreneurs on Chinese social media platforms.
Humanities and Social Sciences Communications, 10(1),
article number 491.
doi: 10.1057/s41599-023-02006-0
Chen, T. ORCID: 0000-0003-2450-277X (2023).
Book Review: A Feminist Reading of China’s Digital Public Sphere.
Global Media and China,
doi: 10.1177/20594364231160106
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form.
Critique: Studies in Contemporary Fiction, 65(4),
pp. 680-695.
doi: 10.1080/00111619.2023.2231845
Franks, S. ORCID: 0000-0002-9449-2725 (2023).
Wigginton, Nancy [known as Nan Winton] (1925–2019), broadcaster and newsreader.
Oxford Dictionary of National Biography,
doi: 10.1093/odnb/9780198614128.013.90000380954
Gibbs, J. ORCID: 0000-0002-5825-4463 (2023).
The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames.
English, 72(279),
pp. 215-216.
doi: 10.1093/english/efae002
Gilardi, F., White, A., Chen, Z. T. ORCID: 0000-0003-2450-277X , Cheng, S., Song, W. & Zhao, Y. (2023).
From copycat to copyright: intellectual property amendments and the development of Chinese online video industries.
International Journal of Cultural Policy, 29(2),
pp. 152-168.
doi: 10.1080/10286632.2022.2040494
Gill, R. ORCID: 0000-0002-2715-1867 & Coffey, J. (2023).
Femininity work: The gendered politics of women managing violence in bar work.
Gender, Work and Organization, 30(5),
pp. 1694-1708.
doi: 10.1111/gwao.13006
Gioti, A. M., Einbond, A. ORCID: 0000-0003-1734-6641 & Born, G. (2023).
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning.
Computer Music Journal, 46(4),
pp. 1-43.
doi: 10.1162/comj_a_00658
Mason, T. & Bawden, D. ORCID: 0000-0002-0478-6456 (2023).
Times New Plural - The multiple temporalities of contemporary life and the infosphere.
Journal of the Association for Information Science and Technology, 74(10),
pp. 1159-1169.
doi: 10.1002/asi.24812
McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023).
Chinese older adults' social media use: a study of WeChat from a social practice perspective.
Information Technology & People, 38(1),
pp. 363-379.
doi: 10.1108/itp-10-2022-0787
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
AI may force a sharpening of educational conceptions of ‘creativity’ as relate to employability in the ‘creative industries’.
Times Higher Education(3 July),
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
Music departments should resist the siren song of pop schools.
Times Higher Education(11 Aug),
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
Self-regulation is not enough to uphold academic freedom.
Times Higher Education(22 Jul),
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
Review of Richard Stokes, The Complete Songs of Hugo Wolf: Life, Letters. Lieder.
London Review of Books,
Panievsky, A. ORCID: 0000-0001-9296-7670 (2023).
Strategic Rituals of Loyalty: When Israeli Journalists Face Digital Hate.
Digital Journalism, 11(10),
pp. 1940-1961.
doi: 10.1080/21670811.2022.2118144
Peng, A., Chen, T. ORCID: 0000-0003-2450-277X & Chen, S. (2023).
A Wen-wu Approach to Male Teenage Chinese Sports Fans’ Heteronormative Interpretation of Masculinity.
Feminist Review, 134(1),
pp. 69-85.
doi: 10.1177/01417789231155896
Peng, A. Y., Liu, F. & Chen, T. ORCID: 0000-0003-2450-277X (2023).
Co-constructing a gender-state entanglement in canonical Three Kingdoms fandom: A discourse-historical approach.
Asian Studies Review, 48(2),
pp. 410-429.
doi: 10.1080/10357823.2023.2245130
Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2023).
Halliday Journals and Holodecks: Audiences and Information in Sci-Fi Fandoms: Papers from the FanLIS 2023 Symposium.
Proceedings from the Document Academy, 10(1),
article number 1.
doi: 10.35492/docam/10/1/1
Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023).
Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19.
The International Journal of Management Education, 21(2),
article number 100811.
doi: 10.1016/j.ijme.2023.100811
Vinhas, O. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023).
The WEIRD Governance of Fact-Checking and the Politics of Content Moderation.
New Media and Society,
doi: 10.1177/14614448231213942
Vinhas, O. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023).
When fact-checking is not WEIRD: Negotiating consensus outside Western, Educated, Industrialized, Rich, and Democratic (WEIRD) countries.
Harvard International Journal of Press Politics, 30(1),
pp. 256-276.
doi: 10.1177/19401612231221801
Volkmer, I., Heinrich, A. & Hellmueller, L. ORCID: 0000-0002-6609-9395 (2023).
Journalism in a globalized risk arena: Between networks, interdependencies and power relations.
International Communication Gazette, 85(8),
pp. 605-611.
doi: 10.1177/01427237231219093
Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X, Lopez-Mugica, J. & Wang, A. (2023).
Unboxing the Chinese Blind Boxes among China's grown-up missing children: Probabilistic and elastic prosumption through mediated collection, exchange and resale of figurines.
Global Media and China, 8(1),
pp. 93-111.
doi: 10.1177/20594364221140812
Williams, E., Glew, S., Newman, H. , Kapka, A., Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Walduck, J., Foster, A., Cooke, P., Pethybridge, R., Shaughnessy, C. & Hugh‐Jones, S. (2023).
Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review.
Journal of Child Psychology and Psychiatry, 64(12),
pp. 1735-1764.
doi: 10.1111/jcpp.13900
Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T. (2023).
Drinking in style? Literature review of luxury wine consumption.
British Food Journal, 125(2),
pp. 679-695.
doi: 10.1108/bfj-06-2021-0661
Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023).
Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective.
Journal of Macromarketing, 43(3),
pp. 403-417.
doi: 10.1177/02761467231178550
Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023).
Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK.
International Journal of Arts Management, 25(2),
Zhong, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023).
Local News as Propaganda: Precarization and Media Control in Qinghai News.
Journalism Practice,
pp. 1-18.
doi: 10.1080/17512786.2023.2240760
Book Section
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
The Broken Promise of Infrastructure (Introduction).
In:
The Broken Promise of Infrastructure.
(pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
Intolerable fictions.
In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A. (Eds.),
Comics and Migration: Representation and Other Practices.
. Routledge India.
doi: 10.4324/9781003254621-18
Fakhraeirad, A., Nooshin, L. ORCID: 0000-0001-8737-5224 & Rezaie, A. (2023).
A Sonic Tale of Two Cities: Memory, Trauma, and Auditory Scars in Tehran and Abadan-Khorramshahr.
In: Chehabi, H. & Siamdoust, N. (Eds.),
Music and Society in Iran.
. Boston, USA: Ilex Foundation.
Hall, T., Armstrong, N. ORCID: 0000-0002-1927-7371 & Hoadley, R. (2023).
Notations and Score-making.
In:
The SuperCollider Book.
. Massachusetts, USA: MIT Press.
Harb, Z. ORCID: 0000-0002-7630-1171 (2023).
Journalists as messengers of hate speech: The case of Lebanon.
In: Strippel, C., Paasch-Colberg, S., Emmer, M. & Trebbe, J. (Eds.),
Challenges and perspectives of hate speech research.
Digital Communication Research, 12.
(pp. 45-53). Berlin: GESIS - Leibniz-Institut für Sozialwissenschaften.
doi: 10.48541/dcr.v12.3
Lonsdale, S. ORCID: 0000-0002-4058-7681 (2023).
Patriotic Hens, Tomato Turbans and Mock Fish: The Daily Mail Food Bureau, Rationing and National Identity During the First World War.
In: Fakazis, E. & Fursich, E. (Eds.),
The Political Relevance of Food Media: Beyond Reviews and Recipes.
(pp. 183-198). London: Routledge.
Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023).
Film Making as a Creative Ecosystem: The Case of Soho in London.
In:
Global Creative Ecosystems.
(pp. 21-38). Springer International Publishing.
doi: 10.1007/978-3-031-33961-5_2
Conference or Workshop Item
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
Music, Musicology and the Surrender of Aesthetics to the Ideals of Social Justice.
Paper presented at the The Pursuit of Beauty, 14-16 Sep 2023, Cambridge, United Kingdom.
Pace, I. ORCID: 0000-0002-0047-9379 (2023).
Why Classical Music Matters.
Paper presented at the Living Freedom Summer School, 28-30 Jun 2023, London, UK.
Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023).
The weird governance of fact-checking: from watchdogs to content moderators.
In:
AoIR Selected Papers of Internet Research.
The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA.
doi: 10.5210/spir.v2023i0.13513
Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023).
When fact-checking is not weird: challenges in fact-checking beyond the western world.
In:
AoIR Selected Papers of Internet Research.
The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland.
doi: 10.5210/spir.v2022i0.13104
Report
Karpińska, A., Ilczuk, D., Cholewicka, E. , Bennett, T. ORCID: 0000-0003-0078-9315 & Pratt, A.C.
ORCID: 0000-0003-2215-9648 (2023).
Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8).
Amsterdam, The Netherlands: CICERONE Project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294).
Amsterdam, The Netherlands: CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994).
Amsterdam, The Netheralnds: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2023).
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2023).
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372).
Amsterdam, The Netherlands: The Ciccerone Project.
Software
Armstrong, N. ORCID: 0000-0002-1927-7371 (2023).
Fosc v0.9.0
GitHub.
Thesis
Beveridge, L. (2023). The Impact of Dyslexia on the Online Information-Seeking Behaviour of Undergraduate Students. (Unpublished Doctoral thesis, City, University of London)
Black, E. (2023). From fusion to stratification: Plurality of textural ideas. How can we examine textural relationships in instrumental composition?. (Unpublished Doctoral thesis, City, University of London)
Cavanagh, J. (2023). Measuring Impact Using Contribution Analysis: Case Study of LIS Erasmus+ Projects In the Western Balkans. (Unpublished Doctoral thesis, City, University of London)
Chadburn, L. (2023). Captions, Characters, Self-Portraits: Compositional Approaches to the Disembodied Speaking Voice and the Voice-Text-Music Relationship. (Unpublished Doctoral thesis, City, University of London)
Jeffreys, A. (2023). Making, Dwelling, and ‘Discontinuous Continuities’: Finding Musical Form within the Inner Life of Materials. (Unpublished Doctoral thesis, City, University of London)
Lassiter, E. (2023). Co-composing an Endarkened Acoustemology: Sonic approaches towards breaking hegemonic hierarchy. (Unpublished Doctoral thesis, City, University of London)
Wong, A CK. (2023). The History, Development and Global Dissemination of the Hang/Handpan. (Unpublished Doctoral thesis, City, University of London)
Working Paper
Matos, C. ORCID: 0000-0001-6304-3591 (2023).
Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights.
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