City Research Online

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Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0

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Pace, I. (2016). Composition and Performance can be, and often have been, Research. Tempo, 70(275), pp. 60-70. doi: 10.1017/s0040298215000637

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Between Academia and Audiences - Some Critical and Methodological Reflections from a Performer Scholar. Paper presented at the Royal Musical Association Conference, 5 Sep 2016, London, K.

Pace, I. (2016). Ethnographically sourced experiences of Ethnomusicology – a further response to the debate

Pace, I. (2016). How to negotiate the tricky territory of ‘fascist music’. The Conversation,

Pace, I. (2016). Michael Finnissy at 70: The piano music (1). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (2). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (3). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (4). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (5). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (6). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (7). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (8). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (9). .

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Michael Parkin - The Courting Rites of Cranes (CD recording) Prima Facie Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Musical Performance as a Scholarly Practice - Critical Reflections from a Performer-Scholar, and a Case Study of the Dukas Piano Sonata. Keynote Paper presented at the Conference The Old in the New, 24 Nov 2016, Lisbon.

Pace, I. (2016). My contribution to the debate ‘Are we all ethnomusicologists now?’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). On Canons (and teaching Le sacre du printemps)

Pace, I. (2016). Quilting Points and Ethnomusicology

Pace, I. (2016). Responses to Simon Zagorski-Thomas’s talk on ‘Dead White Composers’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Spinning Research

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere 7 May 2016 - York Late Music - Andrew Toovey, First Out (2016) York Late Music Concerts.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Lauren Redhead, For Luc Brewaeys (2016) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Luc Brewaeys, The Dale of Tranquility - Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Patrícia de Almeida, Vacuum Corporis (Piano Piece 4) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance, 7 May 2016 - Michael Finnissy, Beethoven's Robin Adair (2016), co-commissioned by York Late Music and Transit Festival York Spring Festival.