City Research Online

Article

Boylan, P. The Grand Leicester Musical Festival of 1827. Leicestershire Historian, 50, pp. 46-54.

Cattani, G., Colucci, M. & Ferriani, S. ORCID: 0000-0001-9669-3486 (2022). From the Margins to the Core of Haute Couture: The Entrepreneurial Journey of Coco Chanel. Enterprise and Society: the international journal of business and history, 24(2), pp. 546-588. doi: 10.1017/eso.2021.58

Christensen, J. F., Lambrechts, A. ORCID: 0000-0002-0497-1475 & Tsakiris, M. (2019). The Warburg Dance Movement Library-The WADAMO Library: A Validation Study. Perception, 48(1), pp. 26-57. doi: 10.1177/0301006618816631

Christensen, J.F., Gaigg, S. B. & Calvo-Merino, B. (2017). I can feel my heartbeat: Dancers have increased interoceptive accuracy. Psychophysiology, 55(4), article number e13008. doi: 10.1111/psyp.13008

Curran-Troop, H. ORCID: 0000-0002-9471-6346 (2023). ‘We live in a capitalist world, we need to survive!’: Feminist cultural work, platform capitalism, and pandemic precarity. European Journal of Cultural Studies, 27(3), pp. 371-388. doi: 10.1177/13675494231193821

Dean, C., Donnellan, C. & Pratt, A.C. (2010). Tate Modern: pushing the limits of regeneration. City, Culture and Society, 1(2), pp. 79-87. doi: 10.1016/j.ccs.2010.08.003

Formilan, G., Cattani, G. & Ferriani, S. ORCID: 0000-0001-9669-3486 (2021). Trajectories of Consecration: Signature Style and the Pace of Category Spanning. Research in the Sociology of Organizations, 75, pp. 39-63. doi: 10.1108/s0733-558x20210000075005

Pace, I. ORCID: 0000-0002-0047-9379 (2020). O novo estado da arte dos estudos em performance. Revista Vórtex, 8(2), pp. 1-22. doi: 10.33871/23179937.2020.8.2.18

Parker, E. & Saker, M. ORCID: 0000-0002-7414-2840 (2020). Art museums and the incorporation of virtual reality: Examining the impact of VR on spatial and social norms. Convergence: The International Journal of Research into New Media Technologies, 26(5-6), pp. 1159-1173. doi: 10.1177/1354856519897251

Pratt, A.C. (2008). Creative cities: The cultural industries and the creative class. Geografiska Annaler Series B-Human Geography, 90(2), pp. 107-117. doi: 10.1111/j.1468-0467.2008.00281.x

Pratt, A.C. (2015). Resilience, locality and the cultural economy. City, Culture and Society, 6(3), pp. 61-67. doi: 10.1016/j.ccs.2014.11.001

Pratt, A.C. (2009). The creative and cultural economy and the recession. Geoforum, 40(4), pp. 495-496. doi: 10.1016/j.geoforum.2009.05.002

Pratt, A.C. (2012). The cultural and creative industries: organisational and spatial challenges to their governance. Die Erde, 143(4), pp. 317-334.

Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), pp. 123-130. doi: 10.1016/j.ccs.2011.08.002

Pratt, A.C. & Hutton, T. A. (2013). Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis. Cities, 33, pp. 86-95. doi: 10.1016/j.cities.2012.05.008

Purnell, K. & Danilova, N. (2018). Dancing at the frontline: Rosie Kay’s 5SOLDIERS de-realises and re-secures war. Critical Studies on Security, 6(3), pp. 370-375. doi: 10.1080/21624887.2018.1432535

Stychin, C. (1994). Identities, Sexualities and the Postmodern Subject: An Analysis of Artistic Funding by the National Endowment for the Arts. Cardozo Arts and Entertainment Law Journal, 12(1), pp. 79-132.

Twiner, A., Lucassen, M. ORCID: 0000-0001-6958-3468 & Tatlow-Golden, M. (2022). Supporting children's understanding around emotions through creative, dance-based movement: A pilot study. Learning, Culture and Social Interaction, 37, article number 100659. doi: 10.1016/j.lcsi.2022.100659

Book Section

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: Carlucci, D. & Spender, J.C. (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

Littler, J. (2011). What’s wrong with ethical consumption? In: Lewis, T & Potter, E (Eds.), Ethical Consumption: A Critical Introduction. (pp. 27-39). Routledge.

Nooshin, L. ORCID: 0000-0001-8737-5224 & Salavati, K. (2023). Tehran City Symphonies: The Sounds of Conflicted Modernities, Silent Spaces and Highway Pleasures. In: Ghorbankarimi, M., Langford, M. & Khosroshah, Z. (Eds.), The I.B.Tauris Handbook of Iranian Cinema. . Bloomsbury.

Pratt, A.C. (2015). Creative Industries and Development: culture in development, or the cultures of development? In: Jones, C., Lorenzen, M. & Sapsed, J. (Eds.), The Oxford Handbook of Creative Industries. (pp. 503-515). Oxford: Oxford University Press.

Pratt, A.C. (2013). Promoting sustainable development through culture: current status, challenges and prospects. In: Korean national commission for UNESCO (Ed.), 2013 International Forum on Culture and Development: Unveiling New Prospects for Development through Culture. . Korean national commission for UNESCO.

Yeh, D. (2015). Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie. In: Witchard, A. (Ed.), British Modernism and Chinoiserie. . Edinburgh University Press.

Conference or Workshop Item

Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. In: IFKAD 2014 Knowledge and Management Models for Sustainable Growth. IFKAD 2014 – International Forum on Knowledge Asset Dynamics, 11-06-2014 - 13-06-2014, Matera, Italy.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

Lewis, M. ORCID: 0000-0002-4429-3402, Sturdee, M. ORCID: 0000-0002-8417-191X, Lengyel, D. ORCID: 0000-0002-9836-2143 , Toselli, M. ORCID: 0000-0001-8415-1540, Miers, J. ORCID: 0000-0001-7329-5119, Owen, V. ORCID: 0000-0002-8823-4228, Davis, J. U. ORCID: 0000-0003-2043-823X, Gaudl, S. E. ORCID: 0000-0003-3116-3761, Xiao, L. ORCID: 0009-0001-5385-1453, Priego, E. ORCID: 0000-0003-4418-369X, Snooks, K. ORCID: 0000-0002-3859-6554, Turmo Vidal, L. ORCID: 0000-0002-1769-0138, Blevis, E. ORCID: 0000-0003-0195-2225, Privato, N. ORCID: 0009-0003-8316-312X, Piedade, P. ORCID: 0000-0002-7349-0237, Ford, C. ORCID: 0000-0002-6895-2441, Bryan-Kinns, N. ORCID: 0000-0002-1382-2914, Severes, B. ORCID: 0000-0001-8751-1783, Kaipainen, K. ORCID: 0000-0002-7261-8868, Claisse, C. ORCID: 0000-0003-4002-6136, Huq, R. M. ORCID: 0000-0002-8817-5416, Eladhari, M. P. ORCID: 0000-0002-1444-5997, Troisi, A. ORCID: 0000-0002-6868-4424, Henriques, A. O. ORCID: 0000-0002-8326-1630, Grek, A. ORCID: 0009-0004-9624-5105, Mcmurchy, G. ORCID: 0009-0008-9399-6359, Lc, R. ORCID: 0000-0001-7310-8790, Nabil, S. ORCID: 0000-0003-1232-1269, Jardine, J. ORCID: 0000-0001-6204-3901, Collins, R. ORCID: 0000-0003-1629-4712, Vlasov, A. ORCID: 0000-0001-9227-1892, Knight, Y. ORCID: 0000-0002-7305-3686, Cremaschi, M. ORCID: 0009-0003-9062-3972, Carderelli-Gronau, S. ORCID: 0000-0003-3925-3235, Núñez-Pacheco, C. ORCID: 0000-0001-7454-8659, Reyes-Cruz, G. ORCID: 0000-0001-5363-5489 & Riviere, J-P. ORCID: 0000-0002-3529-1034view all authors (2024). Traveling Arts x HCI Sketchbook: Exploring the Intersection Between Artistic Expression and Human-Computer Interaction. In: Floyd Mueller, F. & Kyburz, P. (Eds.), Extended Abstracts of the CHI Conference on Human Factors in Computing Systems. CHI '24: CHI Conference on Human Factors in Computing Systems, 11-16 May 2024, Honolulu, USA. doi: 10.1145/3613905.3644069

Monograph

Oakley, K., Sperry, B. & Pratt, A.C. (2008). The art of innovation: How fine arts graduates contribute to innovation. London: NESTA.

Report

Pratt, A.C. ORCID: 0000-0003-2215-9648, Boren, T., Daubeuf, C. & Le Gall, A.view all authors (2019). A review of tariff barriers and trade costs affecting the Creating Industries across European borders. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, D'Ovidio, M., Greco, L. , Boren, T., Kloosterman, R. & Henriksson, T.view all authors (2019). CICERONE - Format case study selection. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Daubeuf, C., Airaghi, E. & Pletosu, T.view all authors (2020). Enumerating the role of incentives in CCI production chains. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R., Mbaye, J. F. , Greco, L., Miguel, M. P., Janowska, A., Pareja-Estaway, M., Iiczuk, D., Gmeiner, R., K., O., Tomova, B. & Andreeva, D.view all authors (2019). The CICERONE project methodology. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., D'ovidio, M. , Greco, L., Boren, T. & de Vries, J.view all authors (2019). Overview of CCI research gaps. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., Greco, L. & D'Ovidio di Ricerca, M.view all authors (2019). Creative and cultural industries and global production network approaches so far. Amsterdam: Cicerone Project.

Thesis

Ando, Taku (2014). Kinesthetic Imagery and Choreographic Praxis. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

Auvinen, T. (2000). Unmanageable opera?: the artistic-economic dichotomy and its manifestations in the organisational structures of five opera organisations. (Unpublished Doctoral thesis, City University London)

Bereson, R. (1997). Opera considered as state ceremony. (Unpublished Doctoral thesis, City University London)

Bounhiss, M. (2010). Sustainable Development, Cultural Heritage and Community Empowerment: Current Trends and Practices in Moroccan Culture. (Unpublished Doctoral thesis, City University London)

Bucar, M. (2015). Aesthetic negativity and choreographic practice. (Unpublished Doctoral thesis, City, University of London)

Carroll, E. (2002). Lifelong learning in the arts : policy and practice in Ireland. (Unpublished Doctoral thesis, City University London)

Chang, B. (2002). Cultural change and identity shift in relation to cultural policy in post war Taiwan, with particular reference to theatre. (Unpublished Doctoral thesis, City University London)

Clements, P. (2003). The arts, culture and exclusion : with reference to New Labour cultural policy 1997-2002 this is a critical examination of the social function and evaluation of the arts in Britain and the extent to which they legitimate social difference or integrate the socially excluded. (Unpublished Doctoral thesis, City University London)

Conibere, Nicola (2015). Audiences, choreography, publics: the politics & practice of spectatorship. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Donaldson, A. (1993). The choreutic parameter: A key determinant of choreographic structural style. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Donini, Stefania (2021). Discourses about audiences: spatial strategies and public programming in the Barbican Centre’s foyers. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Evans, G.L. (1997). Planning for the arts - an urban renaissance? A critique of arts policy and town planning and their relationship. (Unpublished Doctoral thesis, City University London)

Frengel, Mike (2005). Process and form: perspectives on the application of predetermined systems to sectional forms in music composition. (Unpublished Doctoral thesis, City University, London)

Gardiner, C.E. (1988). The West End theatre audience 1981-1986. (Unpublished Doctoral thesis, City University London)

Hannesson, H.F. (1998). Symphony orchestras in Scandinavia and Britain : a comparative study of funding, cultural models and chief executive self-perception of policy and organisation. (Unpublished Doctoral thesis, City University London)

Henschen, K. (2002). The Monument: The Shoah and German Memory. (Unpublished Doctoral thesis, City University London)

Hughes, H.L. (1988). The inter-relationship between tourism and opera performances at Buxton Festival, in Derbyshire. (Unpublished Doctoral thesis, City University London)

Jawad, A.S. (1984). Literary journalism in England and Egypt : A comparative study of the essay and the review. (Unpublished Doctoral thesis, City University London)

Kamaras, D. (2004). News production in Greece : journalists, newspapers and the Internet. (Unpublished Doctoral thesis, City University London)

Kim, J (2018). Museums and cultural heritage: to examine the loss of cultural heritage during colonial and military occupations with special reference to the Japanese occupation of Korea, and the possibilities for return and restitution. (Unpublished Doctoral thesis, City, University of London)

Lefebvre Sell, Naomi (2013). dharmakaya: An investigation into the impact of mindful meditation on dancers’ creative processes in a choreographic environment. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

Lehman, E.V. (2001). Models of self governance and workplace democracy: a comparison of select orchestras in Germany, the U.S. and U.K. (Unpublished Doctoral thesis, City University London)

Moody, E. (1989). The art market and the state in Britain: a critical examination of the relationship between the contemporary British state subvention system for visual arts and various art markets. (Unpublished Doctoral thesis, City University London)

O'Neill, Mark (2011). Museums and social justice: A theory of pratice. (Unpublished Doctoral thesis, City University London)

Oakley, K. (2010). Creative Industries and the Politics of New Labour. (Unpublished Doctoral thesis, City University London)

Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London)

Quigg, A.M. (2007). Workplace bullying in the arts : when creative becomes coercive. (Unpublished Doctoral thesis, City University London)

Rezazadeh-Khamnei, F. (1990). The administration of the arts in Great Britain, the United States of America and Italy. (Unpublished Doctoral thesis, City University London)

Ridgeway, C.G. (2002). Orchestral training in the United Kingdom. (Unpublished Doctoral thesis, City University London)

Robertson, I.A. (2000). The emerging art markets of greater China : 1989-1999. (Unpublished Doctoral thesis, City University London)

Rubidge, Sarah (2000). Identity in Flux: A Theoretical and Choreographic Enquiry into the Identity of The Open Dance Work. (Unpublished Doctoral thesis, City University London)

Summerton, J.L. (1990). Designer crafts practice in context. (Unpublished Doctoral thesis, City University London)

Tandon, Rekha (2005). Classicism on the threshold of modernity: expanding the physical parameters of Odissi Dance for contemporary audiences. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

Walden, J.C. (2007). Reading art otherwise. (Unpublished Doctoral thesis, City University London)

Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London)

White, N.J. (1999). In the absence of memory?: Jewish fate and dramatic representation; production and critical reception of Holocaust drama on the London stage 1945-1989. (Unpublished Doctoral thesis, City University London)

Wong, A CK. (2023). The History, Development and Global Dissemination of the Hang/Handpan. (Unpublished Doctoral thesis, City, University of London)

Ásmundsdóttir, L. M. (2023). Webs of Creative Openness: Collaborative creativity within artistic practices. (Unpublished Doctoral thesis, City, University of London)

Working Paper

Pratt, A.C., Mattocks, K. & Kesimoglou, A. (2014). The Enigma that is Platform-7: CWL Creative Voucher, The Silent Cacophony case study (Creative Works London Working Paper No 8). London: Creative Works London.