Items where Schools and Departments is "Media, Culture & Creative Industries" and Year is 2021
Article
Anton, A. & Moise, R. 
ORCID: 0000-0002-2578-9832 (2021).
Communication Freelancers, Facebook Groups and COVID-19. A Qualitative Analysis. Research Report.
Styles of Communication, 13(1),
pp. 76-82.
doi: 10.31178/sc.13.1.04
Berget, G., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Pharo, N. (2021).
Modelling the information seeking and searching behaviour of users with impairments: Are existing models applicable?.
Journal of Documentation, 77(2),
pp. 381-400.
doi: 10.1108/jd-04-2020-0049
Chen, T. ORCID: 0000-0003-2450-277X & Chen, L-M. (2021).
Chinese "female force" in an "American Factory": Women's identity formation in an English reading club.
Asian Journal of Women's Studies, 27(2),
pp. 161-183.
doi: 10.1080/12259276.2021.1913850
Chen, T. ORCID: 0000-0003-2450-277X (2021).
Flying with two wings or coming of age of copyrightisation? A historical and socio-legal analysis of copyright and business model developments in the Chinese music industry.
Global Media and China, 6(2),
pp. 191-206.
doi: 10.1177/2059436421998466
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Against the System: Postcolonialism, Humanism, and the Humanities.
Moving Worlds: a journal for transcultural writings, 20(2),
pp. 113-128.
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad.
Interventions, 23(6),
pp. 922-940.
doi: 10.1080/1369801x.2020.1816851
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Witnesses, graphic storytellers, activists: an interview with the KADAK collective.
Journal of Graphic Novels and Comics, 12(6),
pp. 1399-1409.
doi: 10.1080/21504857.2021.2017310
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black.
The Cambridge Journal of Postcolonial Literary Inquiry, 8(1),
pp. 1-23.
doi: 10.1017/pli.2020.23
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines.
The Cambridge Journal of Postcolonial Literary Inquiry, 8(3),
pp. 301-322.
doi: 10.1017/pli.2021.18
Dreisiebner, S., Polzer, A. K., Robinson, L. ORCID: 0000-0001-5202-8206 , Libbrecht, P., Bote-Vericad, J-J., Urbano, C., Mandl, T., Vilar, P., Zumer, M., Juric, M., Pehar, F. & Stricevic, I. (2021).
Facilitation of information literacy through a multilingual MOOC considering cultural aspects.
Journal of Documentation, 77(3),
pp. 777-797.
doi: 10.1108/jd-06-2020-0099
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2021).
Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler.
Studies in Theatre and Performance, 41(3),
pp. 339-357.
doi: 10.1080/14682761.2021.1964849
Gill, R. ORCID: 0000-0002-2715-1867 (2021).
Being watched and feeling judged on social media.
Feminist Media Studies, 21(8),
pp. 1387-1392.
doi: 10.1080/14680777.2021.1996427
Howes, H. ORCID: 0000-0002-7105-0414 (2021).
The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages.
Medium Ævum, 90(1),
pp. 159-160.
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021).
Fragments from the history of loss: the nature industry and the postcolony.
Green Letters: Studies in Ecocriticism, 25(1),
pp. 99-101.
doi: 10.1080/14688417.2021.1888480
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021).
Narrating the Mesh: Form and Story in the Anthropocene.
Green Letters: Studies in Ecocriticism, 25(4),
pp. 441-444.
doi: 10.1080/14688417.2021.2012365
Lee, D. ORCID: 0000-0002-5768-9262, Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2021).
Orthogonality, dependency and music: an exploration of the relationship between music facets.
Journal of the Association for Information Science and Technology, 72(5),
pp. 570-582.
doi: 10.1002/asi.24426
Matos, C. O. ORCID: 0000-0001-6304-3591 (2021).
Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia.
Revista de Comunicação Dialógica(6),
pp. 94-116.
doi: 10.12957/rcd.2022.62083
Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021).
Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding.
Australian Feminist Studies, 36(109),
pp. 297-312.
doi: 10.1080/08164649.2021.2018992
Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021).
Creative hubs: A critical evaluation.
City, Culture and Society, 24(1),
article number 100384.
doi: 10.1016/j.ccs.2021.100384
Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021).
The creative economy and sustainable development.
City, Culture and Society, 25,
article number 100393.
doi: 10.1016/j.ccs.2021.100393
Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2021).
Tag analysis as a tool for investigating information behaviour: comparing fan-tagging on Tumblr, Archive of Our Own and Etsy.
Journal of Documentation, 77(2),
pp. 320-358.
doi: 10.1108/jd-05-2020-0089
Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021).
Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World.
Frontiers in Human Dynamics, 3,
article number 601239.
doi: 10.3389/fhumd.2021.601239
Sparling, S. ORCID: 0000-0001-5754-5050 (2021).
Motivation to Act.
Journal of Arts Entrepreneurship Education, 3(2),
pp. 16-37.
doi: 10.46776/jaee.v3.91
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021).
'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'.
Gothic Studies, 23(2),
pp. 181-200.
doi: 10.3366/gothic.2021.0093
Whyke, T. W., Lopez-Mugica, J. & Chen, T. ORCID: 0000-0003-2450-277X (2021).
The Rite of Passage and Digital Mourning in Fang Fang's Wuhan Diary.
Global Media and China, 6(4),
pp. 443-459.
doi: 10.1177/20594364211041683
Yeh, D. ORCID: 0000-0001-8324-5342 (2021).
Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries.
British Journal of Chinese Studies, 11,
pp. 53-70.
Book Section
Gill, R. ORCID: 0000-0002-2715-1867 (2021).
Neoliberal Beauty.
In: Leeds Craig, M. (Ed.),
The Routledge Companion to Beauty Politics.
(pp. 9-18). Abingdon, UK: Routledge.
Howes, H. ORCID: 0000-0002-7105-0414 (2021).
Blood and Water.
In:
Transformative Waters in Medieval Devotional Literature.
(pp. 175-217). Suffolk, UK: Boydell & Brewer.
Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021).
Accelerating movement across the intentional arc: developing the strategic sensographer.
In: Adams, J. & Owens, A. (Eds.),
Beyond Text Learning Through Arts-Based Research Practices.
(pp. 52-67). Bristol, UK: Intellect Books.
Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2021).
The Citizen Diplomats and their Pathways to Diplomatic Power.
In: Pedro Sebastiao, S. & Spinola de Carvalho, S. (Eds.),
Diplomacy, Organisations and Citizens.
(pp. 219-254). Springer.
doi: 10.1007/978-3-030-81877-7_13
Conference or Workshop Item
Moise, R. ORCID: 0000-0002-2578-9832 (2021).
Diaspora Diplomacy and Modes of Engagement. Romanian Diaspora in UK.
Paper presented at the MARPE Diplo Conference, 31 May - 1 Jun 2021, Lisbon, Portugal.
Report
Secker, J. ORCID: 0000-0002-3047-1212, Reimers, S., Foley, G. , Hanley, T., Kogan, P. & Ney, S. (2021).
Learning Online with International Politics.
London, UK: Centre for Distance Education, University of London International Programmes.
Thesis
Dos Santos Agostinho, G. (2021). The design of note-based algorithmic systems through the use of mental models. (Unpublished Doctoral thesis, City, University of London)
Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)
Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)
Percival, R. (2021). Top B, or Not Top B, and Is That the Question? Creating a new repertoire of idiomatic and challenging arrangement for historical wind instruments. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)
Stickney, P. F. (2021). Giant steps for harp: New approaches to the pedals. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)