City Research Online

Article

Anton, A. & Moise, R. ORCID: 0000-0002-2578-9832 (2021). Communication Freelancers, Facebook Groups and COVID-19. A Qualitative Analysis. Research Report. Styles of Communication, 13(1), pp. 76-82. doi: 10.31178/sc.13.1.04

Berget, G., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Pharo, N. (2021). Modelling the information seeking and searching behaviour of users with impairments: Are existing models applicable?. Journal of Documentation, 77(2), pp. 381-400. doi: 10.1108/jd-04-2020-0049

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Decomposed: the political ecology of music. Ethnomusicology Forum, 30(1), pp. 172-175. doi: 10.1080/17411912.2021.1923549

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Sound and More-than-human Sociality in Catherine Clover’s Oh! Ah ah pree trra trra. Organised Sound: an international journal of music and technology, 26(2), pp. 179-189. doi: 10.1017/s1355771821000352

Chen, T. ORCID: 0000-0003-2450-277X (2021). Flying with two wings or coming of age of copyrightisation? A historical and socio-legal analysis of copyright and business model developments in the Chinese music industry. Global Media and China, 6(2), pp. 191-206. doi: 10.1177/2059436421998466

Chen, T. ORCID: 0000-0003-2450-277X & Chen, L-M. (2021). Chinese "female force" in an "American Factory": Women's identity formation in an English reading club. Asian Journal of Women's Studies, 27(2), pp. 161-183. doi: 10.1080/12259276.2021.1913850

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Dreisiebner, S., Polzer, A. K., Robinson, L. ORCID: 0000-0001-5202-8206 , Libbrecht, P., Bote-Vericad, J-J., Urbano, C., Mandl, T., Vilar, P., Zumer, M., Juric, M., Pehar, F. & Stricevic, I.view all authors (2021). Facilitation of information literacy through a multilingual MOOC considering cultural aspects. Journal of Documentation, 77(3), pp. 777-797. doi: 10.1108/jd-06-2020-0099

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2021). Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler. Studies in Theatre and Performance, 41(3), pp. 339-357. doi: 10.1080/14682761.2021.1964849

Haynes, D. & Robinson, L. ORCID: 0000-0001-5202-8206 (2021). Delphi study of risk to individuals who disclose personal information online. Journal of Information Science, 49(1), pp. 93-106. doi: 10.1177/0165551521992756

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, 58(3), pp. 645-659. doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, 24(4), pp. 586-602. doi: 10.1080/1369801x.2021.1892515

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Nineteenth-Century Programme Music: Creation, Negotiations, Reception. Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37), pp. 89-94.

Matos, C. O. ORCID: 0000-0001-6304-3591 (2021). Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia. Revista de Comunicação Dialógica(6), pp. 94-116. doi: 10.12957/rcd.2022.62083

Molitor, C. ORCID: 0000-0002-3777-833X (2021). Composition as Hyperobject. APRIA (Artez PLatform for Research Interventions of the Arts), 3(2), pp. 57-64. doi: 10.37198/apria.03.02.a7

Molitor, C. ORCID: 0000-0002-3777-833X & Magnusson, T. (2021). Curating experience: Composition as cultural technology - a conversation. Journal of New Music Research, 50(2), pp. 184-189. doi: 10.1080/09298215.2021.1898646

Nystrom, E. ORCID: 0000-0003-3628-540X (2021). Strange Posthuman Attractors: algorithmic improvisation as acousmatic poiēsis. Organised Sound: an international journal of music and technology, 26(1), pp. 31-41. doi: 10.1017/s1355771821000030

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Roll over, Beethoven. The Spectator, 9 Oct, pp. 42-49.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). Creative hubs: A critical evaluation. City, Culture and Society, 24(1), article number 100384. doi: 10.1016/j.ccs.2021.100384

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). The creative economy and sustainable development. City, Culture and Society, 25, article number 100393. doi: 10.1016/j.ccs.2021.100393

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2021). Tag analysis as a tool for investigating information behaviour: comparing fan-tagging on Tumblr, Archive of Our Own and Etsy. Journal of Documentation, 77(2), pp. 320-358. doi: 10.1108/jd-05-2020-0089

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

Smith, J. ORCID: 0000-0002-5198-4076 (2021). Voices, Combat, and Music. Journal of Sound and Music in Games, 2(2), pp. 42-62. doi: 10.1525/jsmg.2021.2.2.42

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

Whyke, T. W., Lopez-Mugica, J. & Chen, T. ORCID: 0000-0003-2450-277X (2021). The Rite of Passage and Digital Mourning in Fang Fang's Wuhan Diary. Global Media and China, 6(4), pp. 443-459. doi: 10.1177/20594364211041683

Book Section

Einbond, A. ORCID: 0000-0003-1734-6641, Bresson, J., Schwarz, D. & Carpentier, T.view all authors (2021). Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics. In: Proceedings of the International Computer Music Conference 2021. (pp. 148-153). San Francisco, USA: International Computer Music Association, Inc..

Gill, R. ORCID: 0000-0002-2715-1867 (2021). Neoliberal Beauty. In: Leeds Craig, M. (Ed.), The Routledge Companion to Beauty Politics. (pp. 9-18). Abingdon, UK: Routledge.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Lateness in Context. In: Cormac, J. (Ed.), Liszt in Context. Composer in Context. (pp. 271-281). Cambridge: Cambridge University Press. doi: 10.1017/9781108378253.034

Mera, M. ORCID: 0000-0002-0031-0629 (2021). Listening–Feeling–Becoming: Cinema Surveillance. In: Cenciarelli, C. (Ed.), The Oxford Handbook of Cinematic Listening. (pp. 407-426). Oxford, UK: Oxford University Press. doi: 10.1093/oxfordhb/9780190853617.013.23

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2021). The Citizen Diplomats and their Pathways to Diplomatic Power. In: Pedro Sebastiao, S. & Spinola de Carvalho, S. (Eds.), Diplomacy, Organisations and Citizens. (pp. 219-254). Springer. doi: 10.1007/978-3-030-81877-7_13

Nooshin, L. ORCID: 0000-0001-8737-5224 (2021). Affective listening, sonic intimacy and the power of quiet voices in Rakhshan Banietemad’s the May Lady: Towards a cinema of empathy. In: Ghorbankarimi, M. (Ed.), ReFocus: The Films of Rakhshan Banietemad. . Edinburgh, UK: Edinburgh University Press.

Composition

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Matière: Le Palais de la mort

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Pitter-Pottering

Conference or Workshop Item

Moise, R. ORCID: 0000-0002-2578-9832 (2021). Diaspora Diplomacy and Modes of Engagement. Romanian Diaspora in UK. Paper presented at the MARPE Diplo Conference, 31 May - 1 Jun 2021, Lisbon, Portugal.

Report

Secker, J. ORCID: 0000-0002-3047-1212, Reimers, S., Foley, G. , Hanley, T., Kogan, P. & Ney, S.view all authors (2021). Learning Online with International Politics. London, UK: Centre for Distance Education, University of London International Programmes.

Thesis

Dos Santos Agostinho, G. (2021). The design of note-based algorithmic systems through the use of mental models. (Unpublished Doctoral thesis, City, University of London)

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)

Percival, R. (2021). Top B, or Not Top B, and Is That the Question? Creating a new repertoire of idiomatic and challenging arrangement for historical wind instruments. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Stickney, P. F. (2021). Giant steps for harp: New approaches to the pedals. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)