City Research Online

Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2022). Spherical correlation as a similarity measure for 3D radiation patterns of musical instruments. Paper presented at the 16ème Congrès Français d’Acoustique, 11-15 Apr 2022, Marseille, France.

Challenger, T. (2022). Improvised practice and tools for the unknown. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Chapkanov, B (2022). Harmony and Tonality in the Late Piano Music of Franz Liszt – Functional and Transformational Analytical Perspectives. (Unpublished Doctoral thesis, City, University of London)

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Curran-Troop, H., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. ORCID: 0000-0001-8496-6192 (2022). “Stay woke. Make moves” Branding for a feminist future amidst pandemic precarity. In: Gwynne, J. (Ed.), The Cultural Politics of Femvertising. (pp. 141-162). London, UK: Palgrave Macmillan. doi: 10.1007/978-3-030-99154-8

Curran-Troop, H. & Prins, A. (2022). Glitch Feminism. European Journal of Cultural Studies, 25(3), pp. 950-953. doi: 10.1177/13675494221078876

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022). The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology. In: Freyer, P. & Jones, N. (Eds.), Clive Barker and his legacy: Theatre Workshop, Theatre Games. . Palgrave Macmillan.

García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 (2022). Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A.view all authors (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. (pp. 263-273). Cham, Switzerland: Springer. doi: 10.1007/978-3-031-08195-8_25

Gill, R. ORCID: 0000-0002-2715-1867 (2022). Being watched and feeling judged on social media. Feminist Media Studies, 21(8), pp. 1387-1392. doi: 10.1080/14680777.2021.1996427

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2022). Get Unstuck: Pandemic positivity imperatives and self-care for women. Cultural Politics, 18(1), pp. 44-63. doi: 10.1215/17432197-9516926

Harb, Z. ORCID: 0000-0002-7630-1171 (2022). Ethics in British Journalism: A reflective overview. Recherches en Communication, 54, pp. 29-44. doi: 10.14428/rec.v54i54.67233

Haustein, P. (2022). LOVE AT FIRST SOUND: Engaging with Western classical concert audiences through improvisation. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Musical Daydreaming and Kinds of Consciousness. In: Kussner, M., Taruffi, L. & Floridou, G. (Eds.), Music and Mental Imagery. SEMPRE Studies in the Psychology of Music. (pp. 167-177). London UK: Routledge. doi: 10.4324/9780429330070-18

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Participation and Playing A/Part. In: Moran, N. & Kim, Y. (Eds.), Proceedings of the13th Conference on Interdisciplinary Musicology, CIM22: ‘Participation’. 13th Conference on Interdisciplinary Musicology, 8-10 Jun 2022, Edinburgh, UK.

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Aftermaths Without End. Cambridge Journal of Postcolonial Literary Inquiry, 9(3), pp. 431-434. doi: 10.1017/pli.2021.21

Kaner, M. J. (2022). Composing narratives: Reimagining musical storytelling in new vocal and instrumental works. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Messeder, G. (2022). ‘Obrigada, Shukran’: Brazilian Musical Encounters in Beirut. (Unpublished Doctoral thesis, City, University of London)

Moise, R. ORCID: 0000-0002-2578-9832 (2022). The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric. Styles of Communication, 13(2), pp. 38-56. doi: 10.31178/sc.13.2.03

Moise, R. ORCID: 0000-0002-2578-9832 (2022). Diaspora diplomacy and modes of engagement: the case of Romanian Diaspora in the UK. Journal of Communication Management, 27(2), pp. 173-190. doi: 10.1108/jcom-09-2022-0108

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2022). An Exploratory Study of Communication Freelancers and Online Communities. A Mixed Methods Approach. Romanian Journal of Communication and Public Relations, 24(2), pp. 23-44. doi: 10.21018/rjcpr.2022.2.342

Noppe, N., Price, L. ORCID: 0000-0001-7747-4210, Chiu, K. , Miller, J. N., Wang, E. N., Vaswani, S. M., Merry, S. K., Pollock, D. E, Black, S. R., Hartwell, R., Jacobs, N., Thomas, P. A., Emmanouloudis, A., Hellman, E. & Spitz, A.view all authors (2022). What if academic publishing worked like fan publishing? Imagining the Fantasy Research Archive of Our Own. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2253

Nystrom, E. ORCID: 0000-0003-3628-540X (2022). Sound as Synthesis: technological listening and intra-faces of sound. In: Electroacoustic Music Studies Network (EMS). EMS21 Conference, 10-13 Nov 2021, Leicester, UK. doi: 10.5281/zenodo.5981500

O'Driscoll, G. & Bawden, D. ORCID: 0000-0002-0478-6456 (2022). Health information equity: Rebalancing healthcare collections for racial diversity in UK public service contexts. Education for Information, 38(4), pp. 315-336. doi: 10.3233/efi-220051

Pace, I. ORCID: 0000-0002-0047-9379 (2022). New Music: Performance Institutions and Practices. In: McPherson, G & Davidson, J (Eds.), The Oxford Handbook of Music Performance. . Oxford, UK: Oxford University Press.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Why cancel Tchaikovsky?. London Review of Books,

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2022). Toward circular governance in the culture and creative economy: Learning the lessons from the circular economy and environment. City, Culture and Society, 29, article number 100450. doi: 10.1016/j.ccs.2022.100450

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2). CICERONE Project: Amsterdam, The Netherlands.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3). Amsterdam, The Netherlands: CICERONE Project.

Price, L. ORCID: 0000-0001-7747-4210 (2022). Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography. Humanities, 11(4), article number 100. doi: 10.3390/h11040100

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. ORCID: 0000-0001-5202-8206 (2022). Building bridges: Papers from the FanLIS 2021 symposium. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2233

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. ORCID: 0000-0001-5202-8206 (2022). Fan Futures—Beyond the Archive: Papers from the FanLIS 2022 Symposium. Proceedings from the Document Academy, 9(1), article number 1. doi: 10.35492/docam/9/1/1

Priego, E. ORCID: 0000-0003-4418-369X (2022). Cartooning with Compassion: A Conversation with Megan Herbert. The Comics Grid : Journal of Comics Scholarship, 1(1), pp. 1-17. doi: 10.16995/cg.8705

Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887

Roustom, K. (2022). Two violin concerti: A study in non-duality. (Unpublished Doctoral thesis, City, University of London)

Scott, M., Wright, K. & Bunce, M. ORCID: 0000-0002-4924-8993 (2022). Humanitarian journalists: Covering crises from a boundary zone (pp. 1-127). London: Routledge. doi: 10.4324/9781003356806

Sharp, M., Farrugia, D., Coffey, J. , Threadgold, S., Adkins, L. & Gill, R. ORCID: 0000-0002-2715-1867view all authors (2022). Queer subjectivities in hospitality labor. Gender, Work And Organisation, 29(5), pp. 1511-1525. doi: 10.1111/gwao.12844

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X & Lopez-Mugica, J. (2022). An analysis of cultural dissemination and national image construction in Chinese influencer Li Ziqi's vlogs and its impact on international viewer perceptions on YouTube. Journal of Chinese Sociology, 9(1), article number 14. doi: 10.1186/s40711-022-00173-2

Yeh, D. ORCID: 0000-0001-8324-5342 (2022). Chiang Yee and the Hsiungs: Solidarity, Conviviality and the Economy of Racial Representation. In: Bevan, P., Witchard, A. & Zheng, D. (Eds.), Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950. . Hong Kong, China: Hong Kong University Press.

Yeh, D. ORCID: 0000-0001-8324-5342 (2022). Racialization and Racisms in and beyond Covid, Colour and the Global South. New Diversities, 24(1), pp. 91-101.

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21

van der Klis, J. M. (2022). Busoni’s ‘Beiträge zu einer Hochschule des Clavierspiels’ and the performance of Bach on the modern piano. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)