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Number of items at this level: 191.

A

Abbas, Z. (2018). Information behaviour of law students; the impact of mobile devices on information seeking behaviour and provision in the 21st century. (Unpublished Doctoral thesis, City, University of London)

Abdullah, A.D. (2011). The Iraqi Media Under the American Occupation: 2003 - 2008. (Unpublished Doctoral thesis, City University London)

Alabdali, Ohoud (2019). Measuring the development of Saudi Arabia as an information society. (Unpublished Doctoral thesis, City, University of London)

Alvarez, J. (1993). Compositional strategies in music for solo instruments and electroacoustic sounds. (Unpublished Doctoral thesis, City University London)

Anderson, E.L. (2011). Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Anderson, Elizabeth (2011). Materials, meaning and metaphor: Unveiling spatio-temporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Ansdell, G. (1999). Music therapy as discourse and discipline : a study of 'music therapist's dilemma'. (Unpublished Doctoral thesis, City University London)

Antonopoulos, Spyridon (2014). The Life and Works of Manuel Chrysaphes the Lampadarios, and the Figure of Composer in Late Byzantium. (Unpublished Doctoral thesis, City, University of London)

Aristopoulos, M. (2017). A portfolio of recombinant compositions for the videogame Apotheon. (Unpublished Doctoral thesis, City, University of London)

Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London)

B

Bailie, J. E. C. (2017). Transcribing Reality: how the nature of audio and visual media have affected culture, perception, and the role of the artist.. (Unpublished Doctoral thesis, City, University of London)

Barrett, N.L. (1997). Structuring processes in electroacoustic composition. (Unpublished Doctoral thesis, City University London)

Bell, Jonathan (2016). Audio-scores, a resource for composition and computer-aided performance. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London)

Bhogal, Jagdev (2011). Investigating ontology based query expansion using a probabilistic retrieval model. (Unpublished Doctoral thesis, City University London)

Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)

Billing, S. (2006). Bacewicz : the violin concertos. (Unpublished Doctoral thesis, City University London)

Bleisch, S. (2011). Evaluating the appropriateness of visually combining quantitative data representations with 3D desktop virtual environments using mixed methods. (Unpublished Doctoral thesis, City University London)

Blue, A. (2010). Stretching the Limits: journalism and gender politics in women’s sport. (Unpublished Doctoral thesis, City University London)

Bohrer, J.C.S. (2002). Intonational strategies in ensemble singing. (Unpublished Doctoral thesis, City University London)

Bora, Birce (2015). Representation of Turkey in the British print media: to be or not to be European. (Unpublished Doctoral thesis, City University London)

Brooke, H. (2016). Citizen or subject? Freedom of information and the informed citizen in a democracy. (Unpublished Doctoral thesis, City, University of London)

Brownell, A. (2010). The English piano in the Classical Period: Its Music, Performers, and Influences. (Unpublished Doctoral thesis, City University London)

C

Chapkanov, B (2022). Harmony and Tonality in the Late Piano Music of Franz Liszt – Functional and Transformational Analytical Perspectives. (Unpublished Doctoral thesis, City, University of London)

Chapula, C.A.M. (1992). Soft systems approach to information problems at the structural level of health care. (Unpublished Doctoral thesis, City University London)

Chen, B. (1992). Scientific communication, information flows in industry - exemplified by pharmaceutical information in China & the UK. (Unpublished Doctoral thesis, City University London)

Cole, W.D. (2018). Expanded musical form. (Unpublished Doctoral thesis, City, University of London)

Conyers, A.D. (1989). The use of external information by managers in larger industrial companies with special reference to the role of electronic external information services. (Unpublished Doctoral thesis, City University London)

Cross, I. (1989). The cognitive organisation of musical pitch. (Unpublished Doctoral thesis, City University London)

Crowdus, Miranda (2016). Hip hop in South Tel Aviv: third space, convergent dispossession(s), and intercultural communication in urban borderlands. (Unpublished Doctoral thesis, City, University of London)

D

Davidson, J.W. (1991). The perception of expressive movement in music performance. (Unpublished Doctoral thesis, City University London)

Dean-Lewis, T. (2001). Playing outside : excursions from the tonality in jazz improvisation. (Unpublished Doctoral thesis, City University London)

Desain, P.W.M. (1991). Structure and expressive timing in music performance. (Unpublished Doctoral thesis, City, University of London)

Dimitrakopoulou, S. (2016). (Il)legitimate performance: copying, authorship, and the canon. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Dixon, M.D. (1982). Statistical studies of patents literature. (Unpublished Doctoral thesis, City University London)

Dogan, T. (2018). Communication strategies of the AK Party in Turkey. (Unpublished Doctoral thesis, City, University of London)

Dos Santos Agostinho, G. (2021). The design of note-based algorithmic systems through the use of mental models. (Unpublished Doctoral thesis, City, University of London)

Dysers, C. (2019). Loop aesthetics: repetition in the work of Bernhard Lang. (Unpublished Doctoral thesis, City, University of London)

d'Escrivan Rincon, J.C. (1991). Creative Intuition as a Compositional Strategy in Electroacoustic Music. (Unpublished Doctoral thesis, City University London)

E

Efthimiadis, E.N. (1992). Interactive query expansion and relevance feedback for document retrieval systems. (Unpublished Doctoral thesis, City University London)

Entwistle, V. (1994). Information flows affecting coverage of medical research in the UK quality press. (Unpublished Doctoral thesis, City University London)

Evans, F.M. (1996). Aural image and the language of electroacoustic music. (Unpublished Doctoral thesis, City University London)

F

Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London)

Field, A. E. (1999). Electroacoustic Composition. (Unpublished Doctoral thesis, City University London)

Frengel, Mike (2005). Process and form: perspectives on the application of predetermined systems to sectional forms in music composition. (Unpublished Doctoral thesis, City University, London)

G

Gaber, I. (2013). A Crisis in Political Communications? Reflections of a Critical Practitioner. (Unpublished Doctoral thesis, City University London)

Gardner, Thomas (2011). The effect of electronically mediated sound on group musical interaction: A case study of the practice and development of the Automatic Writing Circle. (Unpublished Doctoral thesis, City University London)

Gartner, R. (2018). Intermediary XML schemas. (Unpublished Doctoral thesis, City, University of London)

Gato, Gonçalo (2016). Algorithm and Decision in Musical Composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Georgiou, Christina (2011). The historical editing of Mozart’s keyboard sonatas: History, Context and Practice. (Unpublished Doctoral thesis, City University London)

Goldberg, Tatjana (2015). Maud Powell, Marie Hall and Alma Moodie: A gendered re-evaluation of three violinists. (Unpublished Doctoral thesis, City University London)

Goldstein-Jackson, K. (1991). Westward Television, TSW - Television South West and West Country Television: A study of the independent broadcasting authority's contract procedure in the south west of England. (Unpublished Doctoral thesis, City, University of London)

Green, Owen (2013). User serviceable parts: Practice, technology, sociality and method in live electronic musicking. (Unpublished Doctoral thesis, City University London)

Griffiths, D.M. (1989). The social and economic history of The Standard and Fleet Street 1653-1900. (Unpublished Doctoral thesis, City University London)

Guitry, Amy Beth (2010). The Baroque flute as a modern voice : Extended techniques and their practical integration through performance and improvisation. (Unpublished Doctoral thesis, City University London)

H

Hadhum, Haider S. (2012). The media in transition: The rise of an "independent" press in Post-Invasion Iraq and the American role in shaping the Iraqi press 2003 - 2005. (Unpublished Doctoral thesis, City University London)

Haider, J. (2008). Open Access and Closed Discourses: Constructing Open Access as a 'Development' Issue. (Unpublished Doctoral thesis, City University London)

Hammond, C. (2012). To Conceal or Reveal: left-hand pianism with particular reference to Ravel's Concerto pour la main gauche and Britten's Diversions. (Unpublished Doctoral thesis, City University London)

Hancock-Beaulieu, M. (1989). Subject searching behaviour at the library catalogue and at the shelves: evaluating the impact of an online public access catalogue. (Unpublished Doctoral thesis, City University London)

Harries, Guy (2011). The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance. (Unpublished Doctoral thesis, City University London)

Hasikou, Anastasia (2017). The social history of music development in the Greek Cypriot population during 1878-1945. (Unpublished Doctoral thesis, City, University of London)

Hassiotis, K. (2010). A critical edition of the 48 studies for oboe, op. 31 by Franz Wilhelm Ferling (1796-1874), based on original historical evidence and viewed within the context of the evolution of didactic material for oboe, with particular reference to nineteenth-century performing practices.. (Unpublished Doctoral thesis, City University London)

Hauge, P. (1997). English music theory c.1590-c.1690 : the modal systems, changing concepts, and the development of new classification systems. (Unpublished Doctoral thesis, City University London)

Haynes, D. (2015). Risk and Regulation of Access to Personal Data on Online Social Networking Services in the UK. (Unpublished Doctoral thesis, City University London)

Henriksen, F.E. (2002). Space in electroacoustic music: composition, performance and perception of musical space. (Unpublished Doctoral thesis, City University London)

Herman, E.A. (2005). The information needs of contemporary academic researchers. (Unpublished Doctoral thesis, City University London)

Hermida, A. (2014). Open journalism: dynamics of change and continuity in news work in the 21st century. (Doctoral thesis, City University London)

Hildreth, C.R. (1993). An Evaluation of Structured Navigation for Subject Searching in Online Catalogues. (Unpublished Doctoral thesis, City University London)

Holmes, P.A. (2011). The performer’s experience: psychological, philosophical and educational perspectives. (Unpublished Doctoral thesis, City University London)

Hong, M.J. (1992). Access to legal information in Korea. (Unpublished Doctoral thesis, City University London)

Honing, H. (1991). Music and the representation of structure: From issues to microworlds. (Unpublished Doctoral thesis, City, University of London)

Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London)

Hunter,, F.N. (1982). Grub Street and academia : the relationship between journalism and education, 1880-1940, with special reference to the London University Diploma for Journalism, 1919-1939. (Unpublished Doctoral thesis, City University London)

I

Ingleton, H (2015). Composing Paradoxes Feminist Process in Sound Arts and Experimental Musics. (Unpublished Doctoral thesis, City, University of London)

Inoguchi, Ikuko (2016). Concepts of time in the works of John Cage, George Crumb, and Toru Takemitsu and implications for performance. (Unpublished Doctoral thesis, City University London)

Inskip, C. (2010). Upbeat and Quirky, With a Bit of a Build: Communicating Meaning and Meeting Information Needs in the Music Industry. (Unpublished Doctoral thesis, City University London)

Ishii, H. (2006). Composing electroacoustic music relating to traditional Japanese music. (Unpublished Doctoral thesis, City University London)

J

Jawad, A.S. (1984). Literary journalism in England and Egypt : A comparative study of the essay and the review. (Unpublished Doctoral thesis, City University London)

Johnston, L. (2016). Reporting the Syria conflict on television (2011-2014): how the use of user generated content (UGC) has shaped BBC World News TV coverage and affected journalistic practices. (Unpublished Doctoral thesis, City, University of London)

Jones, K. (1980). Computer assisted application of stochastic structuring techniques in musical composition and control of digital sound synthesis systems. (Unpublished Doctoral thesis, City University London)

K

Kamaras, D. (2004). News production in Greece : journalists, newspapers and the Internet. (Unpublished Doctoral thesis, City University London)

Kang, Ja Yeon (2011). Robert Schumann's notion of the cycle in Lieder Und Gesange Aus Goethes Wilhelm Meister, Op. 98a And Waldszenen, Op.82. (Unpublished Doctoral thesis, City University London)

Karamuftuoglu, H. Murat (1998). Knowledge Based Information Retrieval: A Semiotic Approach. (Unpublished Doctoral thesis, City, University of London)

Karpeyev, Alexander (2014). New light on Nikolay Medtner as pianist and teacher. (Unpublished Doctoral thesis, City University London)

Karydis, D. (2006). Beethoven's annotations to Cramer's twenty-one piano studies : context and analysis of performance. (Unpublished Doctoral thesis, City University London)

Keeble, R. (1996). The Gulf War myth: a study of the press coverage of the 1991 Gulf conflict. (Unpublished Doctoral thesis, City University London)

Khalili Shavarini, Nazanin (2011). Analysis of spatio-social relations in a photographic archive (Flickr). (Unpublished Doctoral thesis, City University London)

Khosravi, Peiman (2012). Spectral spatiality in the acousmatic listening context. (Unpublished Doctoral thesis, City University London)

Khudair, A.A. (2005). Health Sciences Libraries: Information Services and ICTs. (Unpublished Doctoral thesis, City University London)

Kreiling, J. (2017). Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

L

Lane, C.M. (2000). Space, motion and metaphor in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

Lawrence, Mark (2013). Veljo Tormis, Estonian composer. (Unpublished Doctoral thesis, City University London)

Lee, C.A. (1992). The analysis of therapeutic improvisatory music with people living with the virus HIV and AIDS. (Unpublished Doctoral thesis, City University London)

Lee, Deborah (2017). Modelling music: a theoretical approach to the classification of notated Western art music. (Unpublished Doctoral thesis, City, University of London)

Li, C. (2007). Piano performance : strategies for score memorisation. (Unpublished Doctoral thesis, City University London)

Liao, Shiow-Man (2004). A comparative study of organisational structure changes in higher education institutions libraries between UK and Taiwan. (Unpublished Doctoral thesis, City University)

Lim, Lemy Sungyoun (2010). The Reception of Women Pianists in London, 1950-60. (Unpublished Doctoral thesis, City University London)

Lloyd, David (2009). Evaluating human-centered approaches for geovisualization. (Unpublished Doctoral thesis, City University London)

Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London)

Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)

Lopes, R.R.V. (1995). A model and prototype for a community-related information retrieval system for public libraries in Brazil. (Unpublished Doctoral thesis, City University London)

Lopez Jorge, M. (2016). Imagery and the composition of music: an insight into an original compositional method inspired by mental imagery. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Loufopoulos, A. (2004). Nature in electroacoustic music. (Unpublished Doctoral thesis, City University London)

M

Mabrook, R. (2019). Virtual reality and journalistic culture: an actor-network theory approach. (Unpublished Doctoral thesis, City, University of London)

Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Majid, M. Shaheen (2000). Effectiveness of Malaysian Agricultural Libraries. (Unpublished Doctoral thesis, City, University of London)

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Mayor, Charlie (2012). The classification of gene products in the molecular biology domain: Realism, objectivity, and the limitations of the Gene Ontology. (Unpublished Doctoral thesis, City University London)

McIntosh, S.M. (1993). Gamaka and Alamkara : concepts of vocal ornamentation with reference to Bara Khayal. (Unpublished Doctoral thesis, City University London)

Metaxaki, M. (2005). Considerations for pedalling Debussy's piano music. (Unpublished Doctoral thesis, City University London)

Michael, C. (2017). Contemplating identity and genre in Greek popular song: The Theatrical Compositions of Manos Hadjidakis Between 1944 and 1966. (Unpublished Doctoral thesis, City, University of London)

Miranda- Perez, R. (1992). Jose Rolon: a study of his life and music. (Unpublished Doctoral thesis, City University London)

Monopoli, M. (2005). User-based evaluation of academic digital libraries : case studies, Social Science Information Gateway, Art, Design Architecture & Media Gateway and the Electronic Journals Service of the University of Patras, Greece. (Unpublished Doctoral thesis, City University London)

Morriss, Agnieszka (2016). The BBC Polish Service during World War II. (Unpublished Doctoral thesis, City, University of London)

Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London)

N

Narsesian, S. (2010). Football Fans, Their Information, The Web And The Personal Home Page. (Unpublished Doctoral thesis, City University London)

Needham-Beck, Sarah (2017). Cardiorespiratory fitness in contemporary dance training and performance. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Nel, F. P. (2016). Pressed to change: systematically reconsidering journalistic boundaries in the newsroom, boardroom and classroom. (Unpublished Doctoral thesis, City, University of London)

Nelson, S.J. (2001). Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance. (Unpublished Doctoral thesis, City University London)

Newkey-Burden, George (2011). The Making of a Victorian Newspaper during a Period of Social Change. (Unpublished Doctoral thesis, City University London)

Nooshin, L. (1996). The Processes of Creation and Recreation in Persian Classical Music. (Unpublished Doctoral thesis, Goldsmiths' College)

Nyström, Erik (2013). Topology of spatial texture in the acousmatic medium. (Unpublished Doctoral thesis, City University London)

O

Ostroff, N (2009). The Influence of Weimar Culture on Pop Music in the 1970s and ‘80s. (Unpublished Doctoral thesis, City, University of London)

P

Papadopoulos, M. (1996). Motion in music: a study of movement and time through musical interpretation. (Unpublished Doctoral thesis, City University London)

Papakonstantinou, Stylianos (2012). Technological framework for ubiquitous interactions using context–aware mobile devices. (Unpublished Doctoral thesis, City University London)

Papapetrou, Andreas (2015). Acts of making and receiving: A compositional practice. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University of London)

Parry, Aneurin Stefan (2000). Limits of Abstraction in Electroacoustic Music. (Unpublished Doctoral thesis, City University London)

Parsonage, Catherine Jane (2002). The evolution of jazz in Britain c. 1880-1927: antecedents, processes and developments. (Unpublished Doctoral thesis, City University London)

Pasoulas, Aki (2011). The perception of timescales in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Peat, Richard (2007). Representing children in opera. (Unpublished Doctoral thesis, City University)

Pick, Edward (2013). Tonality in Schoenberg's music with particular reference to the Piano Concerto. (Unpublished Doctoral thesis, City University London)

Picknett, Michael (2014). Devising music: applying creative approaches from dance and theatre to music composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Poirier, Elizabeth Suzanne Rachel (2012). Slow information in theory and practice: a qualitative exploration into the implications of a Slow perspective of human information behaviour. (Unpublished Doctoral thesis, City University, London)

Price, L. (2017). Serious Leisure In The Digital World: Exploring The Information Behaviour Of Fan Communities. (Unpublished Doctoral thesis, City, University of London)

R

Rakitzis, Vasileios (2015). Alfred Cortot's response to the music for solo piano of Franz Schubert: a study in performance practice. (Unpublished Doctoral thesis, City, University of London)

Raspopina, A. (2021). RT and Russian viewpoint on major global events: public diplomacy, propaganda and post-truth. (Unpublished Doctoral thesis, City, University of London)

Richardson, Joanne (2014). The piano quintet: Influence of medium on genre. (Unpublished Doctoral thesis, City University London)

Robson, A. (2013). Modelling information behaviour: linking information seeking and communication. (Unpublished Doctoral thesis, City University London)

Rodgers, G. (2020). Listening to yourself listen: spatial experience in music for acoustic instruments and electronic sound. (Unpublished Doctoral thesis, City, University of London)

Rogalsky, M.R. (2006). Idea and community : the growth of David Tudor's Rainforest, 1965-2006. (Unpublished Doctoral thesis, City University London)

Rosas Cobian, Michael (1997). Electroacoustic music composition: myth, symbol and image. (Unpublished Doctoral thesis, City University, London)

Rosenfelder, Ruth (2003). Hidden voices : women's music in London's Lubavitch and Satmar Hasidic communities. (Unpublished Doctoral thesis, City, University of London)

Roustom, K. (2022). Two violin concerti: A study in non-duality. (Unpublished Doctoral thesis, City, University of London)

Rowden, C. (2001). Massenet, Marianne and Mary : Republican morality and Catholic tradition at the opera. (Unpublished Doctoral thesis, City University London)

Rowlands, Barbara Ann (2015). The Emperor's New Clothes: Media Representations Of Complementary and Alternative Medicine: 1990-2005. (Unpublished Doctoral thesis, City University London)

Rowlands, I. (1998). Mapping the knowledge base of information policy: clusters of documents, people and ideas. (Unpublished Doctoral thesis, City University London)

Rubin, J.E. (2001). The art of the klezmer: improvisation and ornamentation in the commercial recordings of New York clarinettists Naftule Brandwein and Dave Tarras 1922-1929. (Unpublished Doctoral thesis, City University London)

S

Sadeh, T. (2010). A Model of Scientists’ Information Seeking and a User-Interface Design. (Unpublished Doctoral thesis, City University London)

Sallis, P.J. (1979). A meta-information structure for representing arguments in science text. (Unpublished Doctoral thesis, City University London)

Seddon, Ambrose (2013). Recurrence in acousmatic music. (Unpublished Doctoral thesis, City University London)

Seddon, Laura (2011). The instrumental music of British Women Composers in the Early Twentieth Century. (Unpublished Doctoral thesis, City University London)

Sefchovich, J.R.S. (2003). Compositional strategies in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Serbutt, Christopher L. (2020). The changing place of information: An examination and evaluation of how the context in which an object is set affects the information which it conveys.. (Unpublished Doctoral thesis, City, University of London)

Simmons, A. (2020). Morphology of the score: the organisation of music in the films of Michael Giacchino and Pixar Animation Studios. (Unpublished Doctoral thesis, City, University of London)

Simon, H.R. (1982). Research and publication trends in systematic zoology 1758-1970. (Unpublished Doctoral thesis, City University London)

Spagnolo, Simone (2015). Each tale chases another. Metaphorical representations, non-linearity and openness of narrative structure in Italian opera from post-WWII to It makes no difference. (Unpublished Doctoral thesis, City University London)

Sparks, P.R. (1989). A history of the Neapolitan mandoline from its origins until the early nineteenth century, with a thematic index of published and manuscript music for the instrument. (Unpublished Doctoral thesis, City University London)

Stanley, D. (1989). English Gypsy Singing. (Unpublished Doctoral thesis, City University London)

Stansbie, Adam (2013). The Acousmatic Musical Performance: An Ontological Investigation. (Unpublished Doctoral thesis, City University London)

Steiner, T.J. (1992). Composition: interaction and collaboration. (Unpublished Doctoral thesis, City University London)

Suckling, C (2015). The realisation of recitative by the Cello in Handelian Opera. (Unpublished Doctoral thesis, City, University of London)

Swindells, R. (2004). Klasik, kawih, kreasi : musical transformation and the gamelan degung of Bandung, West Java, Indonesia. (Unpublished Doctoral thesis, City University London)

Sylvanus, E. (2018). Nollywood film music: shades of identity. (Unpublished Doctoral thesis, City, University of London)

T

Taylor, J.E. (1999). A comparison and analysis of European Union news coverage in the UK and Danish newspaper press. (Unpublished Doctoral thesis, City University London)

Tekfi, Chaffai (1990). Design of a computer information system for the Algerian National Archives. (Unpublished Doctoral thesis, The City University)

Thomas, J.M. (2005). Electroacoustic composition indicative of human agency. (Unpublished Doctoral thesis, City University London)

Thumpakattu, Joshy (2021). The BBC’s Portrayal of India: An Analysis of how the International News Coverage of India Changed in the Digital Era. (Unpublished Doctoral thesis, City, University of London)

Tkachenko, Paul (2013). The real deal: professional klezmer musicians on a London world music scene. (Unpublished Doctoral thesis, City University London)

Toms, K. (2021). Obscenity versus objectification: a feminist reading of Leveson and its aftermath. (Unpublished Doctoral thesis, City, University of London)

Townend, J. (2014). Defamation, privacy & the ‘chill:’ A socio-­‐legal study of the relationship between media law and journalistic practice in England and Wales, 2008-­‐13. (Unpublished Doctoral thesis, City, University of London)

Trewin, A.M. (1995). Rhythms of the gods: the musical symbolics of power and authority in the Tibetan Buddhist Kingdom of Ladakh. (Unpublished Doctoral thesis, City University London)

Turner, Paul (1999). Theory and practice in the analysis of information policy in the digital age: a casestudy on the formulation of the European Directive on the legal protection of databases.. (Unpublished Doctoral thesis, City University)

Tury, S. (2014). The information-seeking behaviour of distance learners: a case study of the university of London International programmes. (Unpublished Doctoral thesis, City University London)

V

Vinao, A. (1987). Magic realism in music : Four electroacoustic compositions. (Unpublished Doctoral thesis, City University London)

Vishnick, Martin Lawrence (2014). A Survey of Extended Techniques on the Classical Six-String Guitar with Appended Studies in New Morphological Notation. (Unpublished Doctoral thesis, City University London)

Voss, A. (1992). Magic, astrology and music: the background to Marsilio Ficino's astrological music therapy and his role as a Renaissance magus. (Unpublished Doctoral thesis, City University London)

W

Walduck, J.S. (1997). Role-taking in free improvisation and collaborative composition. (Unpublished Doctoral thesis, City University London)

Walker, S.E. (1995). Eclecticism, postmodernism, subversion: new perspectives on English experimental music. (Unpublished Doctoral thesis, City University London)

Waterhouse, R.T. (2014). Satanic abuse, false memories, weird beliefs and moral panics. (Unpublished Doctoral thesis, City University London)

Weissenbrunner, K. (2017). Experimental turntablism - live performances with second hand technology: Analysis and methodological considerations. (Unpublished Doctoral thesis, City, Universtiy of London)

Weller, T.D. (2007). Information in nineteenth century England : exploring contemporary socio-cultural perceptions and understandings. (Unpublished Doctoral thesis, City University London)

Wells, R. (2017). The case of UK Government recommendations on red and processed meat consumption and cancer prevention. Towards a theory of mediatized food policy?. (Unpublished Doctoral thesis, City, University of London)

Weng, Chih-Hung (2007). Symbolism and Chinese culture: conceptual and practical resources in the composition of electroacoustic music. (Unpublished Doctoral thesis, City University London)

Wheelwright, J. (2014). Writing in the borderlands: A critical review of literary journalism and historiography, 1989-2011. (Unpublished Doctoral thesis, City University London)

Wiley, C. (2008). 'Rewriting Composers’ Lives: Critical Historiography and Musical Biography. (Unpublished Doctoral thesis, Royal Holloway, University of London)

Wilford, Stephen (2016). Bledi Cockneys: music, identity and mediation in Algerian London. (Unpublished Doctoral thesis, City, University of London)

Windsor, W.L. (1995). A perceptual approach to the description and analysis of acousmatic music. (Unpublished Doctoral thesis, City University London)

Y

Yim, Annie (2016). A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances. (Unpublished Doctoral thesis, City University London)

Yiu, R. (2013). A composer's imagining of musical tradition and the reinvention of heritage. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Z

Zhang, Q. (1990). Agricultural libraries and information centres in China: cooperation, resource-sharing and networking. (Unpublished Doctoral thesis, City University London)

This list was generated on Thu Dec 1 04:40:09 2022 UTC.