City Research Online

Abbas, Z. (2018). Information behaviour of law students; the impact of mobile devices on information seeking behaviour and provision in the 21st century. (Unpublished Doctoral thesis, City, University of London)

Armstrong, N. ORCID: 0000-0002-1927-7371 (2018). thread—surface

Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J.view all authors (2018). Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall), pp. 43-60. doi: 10.7560/vlt8205

Barker, M-J., Gill, R. ORCID: 0000-0002-2715-1867 & Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Sexualities, 21(8), pp. 1337-1345. doi: 10.1177/1363460718781342

Bawden, D. ORCID: 0000-0002-0478-6456 (2018). 'In this book-making age': Edward Kemp as writer and communicator of horticultural knowledge. Garden History, 46(supple), pp. 136-154.

Bawden, D. & Robinson, L. (2018). Curating the infosphere: Luciano Floridi's Philosophy of Information as the foundation for Library and Information Science. Journal of Documentation, 74(1), pp. 2-17. doi: 10.1108/jd-07-2017-0096

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2018). Identifying good practices in information literacy education; creating a multi-lingual, multi-cultural MOOC. In: Kurbanoglu, S., Boustany, J., Spiranec, S. , Grassian, E., Mizrachi, D. & Roy, L.view all authors (Eds.), Information Literacy in the Workplace. ECIL 2017. 5th European Conference on Information Literacy, ECIL 2017, 18-21 September, 2017, Saint Malo, France. doi: 10.1007/978-3-319-74334-9_73

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). "Never again the in the history of humanity": information education for onlife. Paper presented at the International Symposium on the Future of Education in Information Science, 10-11 Sep 2018, Pisa, Italy.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Supporting truth and promoting understanding: knowledge organization and the curation of the infosphere. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Cole, W.D. (2018). Expanded musical form. (Unpublished Doctoral thesis, City, University of London)

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018). Charles Jean-Baptiste Soualle and the Saxophone. Journal of the American Musical Instrument Society, XLIV, pp. 179-208.

Cottrell, S.J. & Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. & Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. doi: 10.1093/oxfordhb/9780190219505.001.0001

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, 55(1), pp. 94-107. doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

Dunne, J. ORCID: 0000-0001-9831-4195 (2018). Good night, sleep tight (remix). International Journal of Performance Arts and Digital Media, 14(2), pp. 215-223. doi: 10.1080/14794713.2018.1505385

Dunne, J. ORCID: 0000-0001-9831-4195 (2018). Imagined Theatres: Writings for a Theoretical Stage. Drama Research, 9(1),

Dunne, J. ORCID: 0000-0001-9831-4195 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Is the World After All Just a Dream? In: Proceedings from the Document Academy.

Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), 23-.

Einbond, A. ORCID: 0000-0003-1734-6641 (2018). Disembodiment: Reproduction, Transcription, And Trace. Tempo, 73(287), pp. 83-90. doi: 10.1017/s0040298218000694

Favaro, L. & Gill, R. ORCID: 0000-0002-2715-1867 (2018). Feminism rebranded: women’s magazines online and ‘the return of the F-word’. Dígitos: Revista de Comunicación Digital(4), pp. 37-66. doi: 10.7203/rd.v0i4.129

Gartner, R. (2018). Intermediary XML schemas. (Unpublished Doctoral thesis, City, University of London)

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Beyond individualism: the psychosocial life of the neoliberal university. In: Spooner, M. & McNinch, J. (Eds.), A Critical Guide to Higher Education & the Politics of Evidence: Resisting Colonialism, Neoliberalism, & Audit Culture. (pp. 193-216). Regina, Canada: University of Regina Press.

Gill, R. (2018). Confidence is the new sexy: remaking intimate relationality. In: Fine, R., Kaplan, Y, Peled, S & Yoav, Rview all authors (Eds.), Eros Family and Community. (pp. 255-276). Hildesheim, Germany: Georg Olms Publishing.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Discourse analysis in media and communications research. In: Kearney, M. C. & Kackman, M. (Eds.), The Craft of Criticism: Critical Media Studies in Practice. . London: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Not all creatives are created equal. Nature Human Behaviour, 2(8), pp. 526-527. doi: 10.1038/s41562-018-0392-6

Gill, R. & Kanai, A. (2018). Mediating neoliberal capitalism: Affect, subjectivity and inequality. Journal of Communication, 68(2), pp. 318-326. doi: 10.1093/joc/jqy002

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. (2018). The shifting terrain of sex and power: From the 'sexualisation of culture' to Me Too. Sexualities, 21(8), pp. 1313-1324. doi: 10.1177/1363460718794647

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2018). The amazing bounce-backable woman: Resilience and the psychological turn in neoliberalism. Sociological Research Online, 23(2), pp. 477-495. doi: 10.1177/1360780418769673

Haynes, D. ORCID: 0000-0001-9191-9247 (2018). Metadata: the political dimension. Alexandria, 27(3), pp. 198-206. doi: 10.1177/0955749018778984

Herbert, R. ORCID: 0000-0002-7878-9991 & Dibben, N. (2018). Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials. Psychology of Music, 46(3), pp. 375-391. doi: 10.1177/0305735617713118

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Lee, D. & Robinson, L. (2018). The heart of music classification: towards a model of classifying musical medium. Journal of Documentation, 74(2), pp. 258-277. doi: 10.1108/jd-08-2017-0120

Lee, D., Robinson, L. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Global knowledge organization, "super-facets" and music; universal music classification in the digital age. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Lingas, A. ORCID: 0000-0003-0083-3347 (2018). The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine. Ethnomusicology Forum, 27(2), pp. 243-245. doi: 10.1080/17411912.2018.1508359

Loya, S. ORCID: 0000-0002-9156-2804 (2018). Liszt’s National Compositions in the Year of the Franco-Prussian War. In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.), Confronting the National in the Musical Past. (pp. 31-48). London: Routledge.

Mizrachi, D., Salaz, A., Kurbanoglu, S. , Boustany, J., Todorova, T., Yantao, P., Zhang, J., Zivkovic, D., Pesut, D., Kortelainen, T., Bar-Ilan, J., Aharony, N., Collina, E., Krumina, L., Geagea, H., Ghinculov, S., Landoy, A., Gastinger, A., de la Vega, A., Terra, A., Johnston, N., Repanovici, A., Vilar, P., Schneider, R., Dogan, G., Kurbanoglu, S., Jamal, P., Bawden, D. ORCID: 0000-0002-0478-6456, Secker, J., Morrison, C.M., Salaz, A., Mizrachi, D., Boustany, J. & ARFIS Research Group, .view all authors (2018). Academic reading format preferences and behaviors among university students worldwide: A comparative survey analysis. PLoS ONE, 13(5), article number e0197444. doi: 10.1371/journal.pone.0197444

Nooshin, L. ORCID: 0000-0001-8737-5224 (2018). “Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality. Ethnomusicology, 62(3), pp. 341-374. doi: 10.5406/ethnomusicology.62.3.0341

Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.

Nowrin, S. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Information security behaviour of smartphone users: an empirical study on the students of University of Dhaka, Bangladesh. Infomation and Learning Science, 119(7/8), pp. 444-455. doi: 10.1108/ils-04-2018-0029

Nowrin, S., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Multi-lingual and multi-cultural information literacy; perspectives, models and good practice. Global Knowledge, Memory and Communication, 68(3), pp. 207-222. doi: 10.1108/gkmc-05-2018-0050

Nystrom, E. ORCID: 0000-0003-3628-540X (2018). Topographic Synthesis: Parameter distribution in spatial texture. In: Proceedings of the 2018 International Computer Music Conference.

Ocepek, M. G., Bullard, J., Hartel, J. , Forcier, E., Polkinghorne, S. & Price, L. ORCID: 0000-0001-7747-4210view all authors (2018). Fandom, food, and folksonomies: The methodological realities of studying fun life-contexts. Proceedings of the Association for Information Science and Technology, 55(1), pp. 712-715. doi: 10.1002/pra2.2018.14505501089

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Autoethnography as Critically Engaged Practice: Methodological Concerns and Case Studies relating to Notation, Genre, and Aesthetic. Keynote Paper presented at the Orpheus Institute Research Summit, 29 Nov 2018, Ghent, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Das hat Rrrrasss

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The RAE and REF: Resources and Critiques

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Three Concert Series - History of Contemporary Piano Music, York Late Music Festival York Late Music Festival.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The Tory Government distrusts the arts and humanities – but what about academics?

Pace, I. ORCID: 0000-0002-0047-9379 (2018). World Premiere Performance - Samuel Andreyev, Piano Pieces I-IV (2011-16) - 25 May 2018. With UK Premieres of piano works of Betsy Jolas. City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). World Premiere Performance 27 November 2018 - Patrícia de Almeida, Desperatio (Piano Piece No. 5) (2017-18) with film by Daniel Antero City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). auseinandergerissene Hälften

Pace, I. ORCID: 0000-0002-0047-9379 & Limbrick, S. (2018). Floating, Drifting (CD Recording) Louth Contemporary Music.

Pace, I. ORCID: 0000-0002-0047-9379 & Tunnell, C. (2018). Horatiu Radulescu - first recording of L'Exil Intérieur for Cello and Piano, opus 98, with Catherine Tunnell - on Mode Records MOD-CD-313 Mode Records.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Artists in the city: SPACE in '68 and beyond. Planning Perspectives, 33(3), pp. 484-485. doi: 10.1080/02665433.2018.1492080

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Beyond Resilience: Learning from the cultural economy. In: Cooke, P. & Lazzeretti, L. (Eds.), The Role of Art and Culture for Regional and Urban Resilience. . Oxford, UK: Routledge. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Gentrification, artists and the cultural economy. In: Lees, L. & Philips, M. (Eds.), Handbook of Gentrification Studies. (pp. 346-362). Cheltenham, UK: Edward Elgar.

Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). International good practice in information literacy education. Knjižnica : Revija za Področje Bibliotekarstva in Informacijske Znanosti, 62(1-2), pp. 169-185.

Seago, K. (2018). ”Philip Marlowe in drag.” The construct of the hard-boiled detective in feminist appropriation and in translation. Ars aeterna, 9(2), pp. 39-52. doi: 10.1515/aa-2017-0008

Seago, K. (2018). Translating violence in crime fiction. Perspectives: Studies in Translatology, 26(6), pp. 916-929. doi: 10.1080/0907676x.2017.1407347

Seago, K. (2018). Translation (written forms). In: Greenhill, P., Rudy, J. T., Hamer, N. & Bosc, L.view all authors (Eds.), The Routledge Companion to Media and Fairy-Tale Cultures. (pp. 299-308). New York: Routledge.

Seago, K. ORCID: 0000-0002-0010-5836 & Hopkinson, A. (2018). Crime fiction. In: van Wyke, B. & Washbourne, K. (Eds.), The Routledge Handbook of Literary Translation. . New York: Routledge. doi: 10.4324/9781315517131

Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-32. doi: 10.7368/91217

Sylvanus, E. (2018). Nollywood film music: shades of identity. (Unpublished Doctoral thesis, City, University of London)

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), article number 66. doi: 10.3390/h7030066

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.