City Research Online

2023

Nooshin, L. ORCID: 0000-0001-8737-5224 (2023). The Sonic Intimacies of Khosrow Sinai’s A Lost Requiem (1983). In: Wilford, S., Tragaki, D. & Cottrell, S. (Eds.), Ethnomusicology and Its Intimacies. . Routledge.

Nooshin, L. ORCID: 0000-0001-8737-5224 & Salavati, K. (2023). Tehran City Symphonies: The Sounds of Conflicted Modernities, Silent Spaces and Highway Pleasures. In: Ghorbankarimi, M., Langford, M. & Khosroshah, Z. (Eds.), The I.B.Tauris Handbook of Iranian Cinema. . Bloomsbury.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Academic Music in the United Kingdom and the Dalliance with Practice - Lecture at Faculty of Music, Oxford University, 25 April 2023. Paper presented at the Oxford University, 25 Apr 2023.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Curricula should not be decolonised based on partial historical knowledge. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences. Journal of the Royal Musical Association, 147(2), pp. 594-616. doi: 10.1017/rma.2022.28

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Sources, Aesthetics, and Performance in Rădulescu’s Piano Sonatas. In: Bauer, A., Cagney, L. & Mason, W. (Eds.), The Oxford Handbook of Spectral music. (C6S1-C6N74). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780190633547.013.6

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Tár - an exploration of the flawed musicians behind decadent music. The Conversation,

2022

Armstrong, N. ORCID: 0000-0002-1927-7371 (2022). The Book of the Sediments

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Contribution to Round Table on 'The Legacy of Richard Taruskin'. Paper presented at the Performance Studies Conference, 2 Jul 2022, University of Surrey, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Is classical colonial?. The Critic, pp. 42-43.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Lancashire Rock (2022) for clarinet, percussion and piano

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Musicology and Academic Freedom. Paper presented at the Music and the University Conference, 7 Jul 2022, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Performing arts need a research and practice excellence framework. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Response to Panel on 'Classical Music in Higher Education'. Paper presented at the Music and the University Conference, 8 Jul 2022, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The Two Traditions of 'Experimental Music': Implications for the Later Conceptual history. Paper presented at the Xperimus 2022 Conference, 16 Apr 2022, Porto, Portugal.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The UK government must ensure core subjects are taught in every region. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). University departments need a broad range of active performing artists. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). We need a statutory qualification for practitioners in higher education. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Why is post-colonial guilt only applied to Western classical traditions? Radio 3’s World of Classical reviewed. The Spectator,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The autoethnography masturbation outcry strikes a chord in music. Times Higher Education,

Pace, I. ORCID: 0000-0002-0047-9379 (2022). The political polyvalency of modernism. Spectator,

2021

Pace, I. ORCID: 0000-0002-0047-9379 (2021). 9/11 inspired an outpouring of classical music – too much of it thoughtless and emotionless. The Conversation,

2020

Pace, I. ORCID: 0000-0002-0047-9379 (2020). Music and trauma – why the two have a fraught relationship. The Conversation,

Pace, I. ORCID: 0000-0002-0047-9379 (2020). O novo estado da arte dos estudos em performance. Revista Vórtex, 8(2), doi: 10.33871/23179937.2020.8.2.18

2019

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Introduction to Panel on Rethinking Contemporary Musicologies: Disciplinary Shifts and the Risks of Deskilling. Paper presented at the Royal Musical Association Conference, 12 Sep 2019, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Sensational Diaries, Creative Confessionals or Synthetic Exegeses? How 'Academic' Composers and Performers tell their Stories. Paper presented at the Royal Musical Association 2019 Conference, 12 Sep 2019, Manchester UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). A Short History of Key Noise. Keynote Paper presented at the Hands-On Research Conference, 1 Nov 2019, University of Aveiro, Portugal.

2018

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Spin, Self-Promotion, Institutional Recognition and Critical Performance: Notes from the Diary of a Performer-Scholar. Keynote Paper presented at the Beyond "Mesearch", 17 Apr 2018, London, UK.

2017

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Ideological Constructions of ‘Experimental Music’ and Anglo-American Nationalism in the Historiography of post-1945 Music. Paper presented at the City, University of London, Mar 2017, London, UK.

2016

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Between Academia and Audiences - Some Critical and Methodological Reflections from a Performer Scholar. Paper presented at the Royal Musical Association Conference, 5 Sep 2016, London, K.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Musical Performance as a Scholarly Practice - Critical Reflections from a Performer-Scholar, and a Case Study of the Dukas Piano Sonata. Keynote Paper presented at the Conference The Old in the New, 24 Nov 2016, Lisbon.

1998

Rimmer, V. (1998). Dance, History and Deconstruction: Giselle and Beach Birds for Camera as Contrasting Sites for a Discussion of Issues of Meaning in Dance. (Unpublished Doctoral thesis, City, University of London)

1995

Hensel, S. (1995). Dance therapy: Source and route to holistic action in the Erziehungsbeistandschaft. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

1993

Donaldson, A. (1993). The choreutic parameter: A key determinant of choreographic structural style. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)