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Number of items at this level: 88.

2024

Arafat, R. ORCID: 0000-0002-6778-0107 (2024). Reporting on the Syrian conflict from exile Examining advocacy strategies in diaspora journalists' online news. In: Galal, E., Shehata, M. & Pedersen, V. P. (Eds.), Middle Eastern Diasporas and Political Communication. (pp. 161-181). Abingdon, USA: Routledge. doi: 10.4324/9781003365419-10

Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024). Addressing Workplace Sexual Harassment Through Organizational Policy Messaging. Communication Studies, doi: 10.1080/10510974.2024.2406045

Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024). How News Organizations Cultivate and Maintain Sexist Newsrooms via Gendered Journalistic Norms, Sexual Harassment, and the Boys’ Club. Women's Studies in Communication, 47(3), pp. 268-291. doi: 10.1080/07491409.2024.2342842

Camaj, L., Hellmueller, L. ORCID: 0000-0002-6609-9395, Vallejo Vera, S. & Lindner, P. (2024). The Democratic Value of Strategic Game Reporting and Uncivil Talk: A Computational Analysis of Facebook Conversations During U.S. Primary Debates. Journalism & Mass Communication Quarterly, 101(2), pp. 428-450. doi: 10.1177/10776990231226403

Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024). Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater. Journal of Current Chinese Affairs, doi: 10.1177/18681026241255134

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, 13(3), pp. 379-405. doi: 10.1177/2046147x241230055

Cottrell, S. ORCID: 0000-0003-4019-798X (2024). Musical Instruments and Palimpsestic Identity. Journal of Musicological Research, pp. 1-18. doi: 10.1080/01411896.2024.2376343

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, doi: 10.1080/1369801x.2024.2400351

Dodds, T., Arafat, R. ORCID: 0000-0002-6778-0107 & Yeung, W. N. (2024). Bound by Exile: Exploring Kinship Dynamics and Role Perceptions among Diaspora Journalists. Journalism Studies, pp. 1-20. doi: 10.1080/1461670x.2024.2366344

Franks, S. ORCID: 0000-0002-9449-2725 & Seaton, J. (2024). Introduction: Where Next for Public Service Broadcasting?. The Political Quarterly, 95(1), pp. 8-11. doi: 10.1111/1467-923x.13381

Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024). Immersive but not Inclusive: Challenges Faced by Underrepresented Groups in Immersive Audio. (Unpublished Doctoral thesis, University of Surrey)

Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024). It’s immersive, but is it inclusive?. Representology: the Journal of Media and Diversity, 6(6), pp. 40-47.

George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. Social science computer review, doi: 10.1177/08944393241269394

Hellmueller, L. ORCID: 0000-0002-6609-9395, Camaj, L., Vallejo Vera, S. & Lindner, P. (2024). The Impact of Journalistic Cultures on Social Media Discourse: US Primary Debates in Cross-Lingual Online Spaces. Digital Journalism, doi: 10.1080/21670811.2024.2402371

Herbert, R. ORCID: 0000-0002-7878-9991 & Walduck, J. ORCID: 0000-0002-2603-3404 (2024). Music, marbling and multisensory trancing. The Senses and Society, doi: 10.1080/17458927.2024.2398916

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2-3), pp. 237-254. doi: 10.1386/macp_00085_1

Mulupi, D. & Blumell, L. ORCID: 0000-0003-4608-9269 (2024). Gatekeeping Rape Culture: Kenyan News Coverage of Sexual Abuse and Femicide. African Journalism Studies, 44(2), pp. 153-170. doi: 10.1080/23743670.2024.2328524

Nooshin, L. ORCID: 0000-0001-8737-5224 (2024). Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK. In: Lopes da Cunha, M. M. R., Shannon, J., Møller Sørensen, S. & Danielson, V. (Eds.), Music and Cultural Diplomacy in the Middle East: Geopolitical Re-Configurations for the 21st Century. (pp. 123-146). Palgrave Macmillan. doi: 10.1007/978-3-031-36279-8_6

Nystrom, E. ORCID: 0000-0003-3628-540X (2024). Unformation and Information, more or less (than) human. Paper presented at the Noisefloor, 27-29 May 2024, Escola Superior de Musica de Lisboa.

Panievsky, A. ORCID: 0000-0001-9296-7670, David, Y., Gidron, N. & Sheffer, L. (2024). Imagined Journalists: New Framework for Studying Media–Audiences Relationship in Populist Times. The International Journal of Press/Politics, doi: 10.1177/19401612241231541

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2024). Building Bridges II: Papers from the FanLIS 2024 Symposium. Proceedings from the Document Academy, 11(1), article number 1. doi: 10.35492/docam/11/1/1

Qureshi, F. & Price, L. ORCID: 0000-0001-7747-4210 (2024). Hidden Histories and Radical Reading Lists: Restorative Justice at SOAS Library. In: Keith, B. W., Taylor, L. & Renwick, S. (Eds.), Liberatory Librarianship: Stories of Community, Connection, and Justice. (pp. 101-113). Chicago, IL: ALA Editions.

Rodgers, J. ORCID: 0000-0002-3365-6909 (2024). A single wooden house standing in Stalingrad: Alexander Werth’s ‘Russian Commentary’ on the BBC during the Second World War. Historical Journal of Film, Radio and Television, 44(3), pp. 609-623. doi: 10.1080/01439685.2024.2370636

Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Williams, E. , Walduck, J., von Jungenfeld, R. & Newman, H. (2024). Playing with data differently: engaging with autism and gender through participatory arts/music and a performative framework for analysis. Frontiers in Psychology, 15, article number 1324036. doi: 10.3389/fpsyg.2024.1324036

Singer, J. ORCID: 0000-0002-5777-9065 (2024). Journalistic “Innovation” Is Hard to Hate, but Actual Change Is Just Hard. Media and Communication, 12, article number 7459. doi: 10.17645/mac.7459

Singer, J. B. ORCID: 0000-0002-5777-9065 (2024). Book Review: Journalism, Technology and Cultural Practice: A History by Martin Conboy. Media International Australia, doi: 10.1177/1329878x241234983

Smith, J. ORCID: 0000-0002-5198-4076 (2024). Early music in the ‘early game’. In: Cook, J., Kolassa, A., Robinson, A. & Whittaker, A. (Eds.), History as Fantasy in Music, Sound, Image, and Media. Music and Visual Culture. (pp. 83-101). New York, USA: Routledge. doi: 10.4324/9781003291725

Smith, J. ORCID: 0000-0002-5198-4076 (2024). "I must be beautiful”: becoming human through adaptive vocal soundscapes. In: Galloway, K. & Hambleton, E. (Eds.), Music and Sonic Environments in Video Games Listening to and Performing Ludic Soundscapes. Routledge Music and Screen Media Series. . Routledge.

Thurman, N. ORCID: 0000-0003-3909-9565, Stares, S. ORCID: 0000-0003-4697-0347 & Koliska, M. (2024). Audience evaluations of news videos made with various levels of automation: A population-based survey experiment. Journalism, doi: 10.1177/14648849241243189

Tully, M. & Singer, J. ORCID: 0000-0002-5777-9065 (2024). Fact-checking the Covid-19 Infodemic in Sub-Saharan Africa. African Journalism Studies, 44(2), pp. 97-115. doi: 10.1080/23743670.2024.2308896

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. Journalism Studies, 25(11), pp. 1249-1271. doi: 10.1080/1461670x.2024.2372437

Walsh, M. ORCID: 0000-0002-3845-6674 & Singer, J. B. ORCID: 0000-0002-5777-9065 (2024). Platform speech: Journalists and political campaigners reflect on Facebook and disintermediation in three UK general elections. Journalism, doi: 10.1177/14648849241273619

Wilczek, B., Haim, M. & Thurman, N. (2024). Transforming the value chain of local journalism with artificial intelligence. AI Magazine, 45(2), pp. 200-211. doi: 10.1002/aaai.12174

Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024). Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences. In: Nurse, L., O'Neill, M. & Moran, L. (Eds.), Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe. (pp. 141-161). Bristol, UK: Policy Press.

Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T. (2024). Exploring smartphone-related digital divide among South Korean older adults. Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1), pp. 29-43. doi: 10.51680/ev.37.1.3

Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024). Genre in transnational television: A case of Netflix Originals Korean dramas. Television & New Media, doi: 10.1177/15274764241265040

Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024). Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK. Communication & Society, 37(4), pp. 125-141. doi: 10.15581/003.37.4.125-141

2023

Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

Harb, Z. ORCID: 0000-0002-7630-1171 (2023). Journalists as messengers of hate speech: The case of Lebanon. In: Strippel, C., Paasch-Colberg, S., Emmer, M. & Trebbe, J. (Eds.), Challenges and perspectives of hate speech research. Digital Communication Research, 12. (pp. 45-53). Berlin: GESIS - Leibniz-Institut für Sozialwissenschaften. doi: 10.48541/dcr.v12.3

Lonsdale, S. ORCID: 0000-0002-4058-7681 (2023). Patriotic Hens, Tomato Turbans and Mock Fish: The Daily Mail Food Bureau, Rationing and National Identity During the First World War. In: Fakazis, E. & Fursich, E. (Eds.), The Political Relevance of Food Media: Beyond Reviews and Recipes. (pp. 183-198). London: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2023). Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights. .

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, doi: 10.1108/itp-10-2022-0787

Panievsky, A. ORCID: 0000-0001-9296-7670 (2023). Strategic Rituals of Loyalty: When Israeli Journalists Face Digital Hate. Digital Journalism, 11(10), pp. 1940-1961. doi: 10.1080/21670811.2022.2118144

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294). Amsterdam, The Netherlands: CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netheralnds: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023). Film Making as a Creative Ecosystem: The Case of Soho in London. In: Global Creative Ecosystems. (pp. 21-38). Springer International Publishing. doi: 10.1007/978-3-031-33961-5_2

Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372). Amsterdam, The Netherlands: The Ciccerone Project.

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2023). Halliday Journals and Holodecks: Audiences and Information in Sci-Fi Fandoms: Papers from the FanLIS 2023 Symposium. Proceedings from the Document Academy, 10(1), article number 1. doi: 10.35492/docam/10/1/1

Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023). Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19. The International Journal of Management Education, 21(2), article number 100811. doi: 10.1016/j.ijme.2023.100811

Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). The weird governance of fact-checking: from watchdogs to content moderators. In: AoIR Selected Papers of Internet Research. The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA. doi: 10.5210/spir.v2023i0.13513

Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not weird: challenges in fact-checking beyond the western world. In: AoIR Selected Papers of Internet Research. The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland. doi: 10.5210/spir.v2022i0.13104

Volkmer, I., Heinrich, A. & Hellmueller, L. ORCID: 0000-0002-6609-9395 (2023). Journalism in a globalized risk arena: Between networks, interdependencies and power relations. International Communication Gazette, 85(8), pp. 605-611. doi: 10.1177/01427237231219093

Williams, E., Glew, S., Newman, H. , Kapka, A., Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Walduck, J., Foster, A., Cooke, P., Pethybridge, R., Shaughnessy, C. & Hugh‐Jones, S. (2023). Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64(12), pp. 1735-1764. doi: 10.1111/jcpp.13900

Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T. (2023). Drinking in style? Literature review of luxury wine consumption. British Food Journal, 125(2), pp. 679-695. doi: 10.1108/bfj-06-2021-0661

Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023). Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective. Journal of Macromarketing, 43(3), pp. 403-417. doi: 10.1177/02761467231178550

Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023). Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK. International Journal of Arts Management, 25(2),

2022

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Harb, Z. ORCID: 0000-0002-7630-1171 (2022). Ethics in British Journalism: A reflective overview. Recherches en Communication, 54, pp. 29-44. doi: 10.14428/rec.v54i54.67233

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Musical Daydreaming and Kinds of Consciousness. In: Kussner, M., Taruffi, L. & Floridou, G. (Eds.), Music and Mental Imagery. SEMPRE Studies in the Psychology of Music. (pp. 167-177). London UK: Routledge. doi: 10.4324/9780429330070-18

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Participation and Playing A/Part. In: Moran, N. & Kim, Y. (Eds.), Proceedings of the13th Conference on Interdisciplinary Musicology, CIM22: ‘Participation’. 13th Conference on Interdisciplinary Musicology, 8-10 Jun 2022, Edinburgh, UK.

Scott, M., Wright, K. & Bunce, M. ORCID: 0000-0002-4924-8993 (2022). Humanitarian journalists: Covering crises from a boundary zone (pp. 1-127). London: Routledge. doi: 10.4324/9781003356806

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21

2021

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Lateness in Context. In: Cormac, J. (Ed.), Liszt in Context. Composer in Context. (pp. 271-281). Cambridge: Cambridge University Press. doi: 10.1017/9781108378253.034

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

Smith, J. ORCID: 0000-0002-5198-4076 (2021). Voices, Combat, and Music. Journal of Sound and Music in Games, 2(2), pp. 42-62. doi: 10.1525/jsmg.2021.2.2.42

2020

Frey, M. ORCID: 0000-0002-3388-0353 (2020). The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47(3), pp. 45-57. doi: 10.1215/0094033x-8607577

Rennie, T. ORCID: 0000-0001-8937-2780 (2020). Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices. Leonardo Music Journal, 30, pp. 113-117. doi: 10.1162/lmj_a_01102

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

2019

Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T. (2019). Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064). Amsterdam, The Netherlands: The CICERONE project.

Smith, J. ORCID: 0000-0002-5198-4076 (2019). Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II. Soundtrack, The, 11(1-2), pp. 75-97. doi: 10.1386/ts_00006_1

2018

Herbert, R. ORCID: 0000-0002-7878-9991 & Dibben, N. (2018). Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials. Psychology of Music, 46(3), pp. 375-391. doi: 10.1177/0305735617713118

2017

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

2016

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

2014

Matos, C. ORCID: 0000-0001-6304-3591 (2014). PSB and media reform in Brazil in comparative perspective. In: Guerrero, M. A. & Ramirez, M. M. (Eds.), Media Systems and Communication Policies in Latin America. (pp. 208-225). London, UK: Palgrave Macmillan. doi: 10.1057/9781137409058_12

2013

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

2012

Matos, C. ORCID: 0000-0001-6304-3591 (2012). Audience perceptions of quality programming and the public media. In: Media and Politics in Latin America: Globalization, Democracy and Identity. (pp. 113-137). London, UK: I. B. Tauris.

2009

Matos, C. ORCID: 0000-0001-6304-3591 (2009). Journalism and Political Democracy in Brazil. Maryland, USA: Lexington Books.

2008

Matos, C. ORCID: 0000-0001-6304-3591 (2008). Jornalismo e política democrática no Brasil. Sao Paulo: Publifolha.

2002

Ranan, D. (2002). The Management of Public Subsidies for Opera. (Unpublished Doctoral thesis, City, University of London)

2000

MacFarlane, A. ORCID: 0000-0002-8057-0737 (2000). Distributed Inverted Files and Performance: A Study of Parallelism and Data Distribution Methods in IR. (Unpublished Doctoral thesis, City, University of London)

1999

Morley, R. (1999). Ways of Knowing: An Examination of Freud’s Psychoanalytical Theory as a Language. (Unpublished Doctoral thesis, City, University of London)

This list was generated on Sat Nov 9 02:26:42 2024 UTC.