City Research Online

2025

Arafat, R. ORCID: 0000-0002-6778-0107 & Khamis, S. (2025). Unveiling the Online Dynamics Influencing the Success and Virality of TikTok Social Movements: A Case Study on Pro and Anti Hijab Feminist Activism. Media, War and Conflict, doi: 10.1177/17506352241308152

McNally, N. & Bastos, M. ORCID: 0000-0003-0480-1078 (2025). The News Feed is not a Black Box: A Longitudinal Study of Facebook’s Algorithmic Treatment of News. Digital Journalism, doi: 10.1080/21670811.2025.2450623

Panievsky, A. ORCID: 0000-0001-9296-7670, David, Y., Gidron, N. & Sheffer, L.view all authors (2025). Imagined Journalists: New Framework for Studying Media–Audiences Relationship in Populist Times. The International Journal of Press/Politics, 30(1), pp. 38-62. doi: 10.1177/19401612241231541

Thurman, N. ORCID: 0000-0003-3909-9565, Stares, S. ORCID: 0000-0003-4697-0347 & Koliska, M. (2025). Audience evaluations of news videos made with various levels of automation: A population-based survey experiment. Journalism, 26(1), pp. 3-23. doi: 10.1177/14648849241243189

2024

Arafat, R. ORCID: 0000-0002-6778-0107 (2024). Reporting on the Syrian conflict from exile Examining advocacy strategies in diaspora journalists' online news. In: Galal, E., Shehata, M. & Pedersen, V. P. (Eds.), Middle Eastern Diasporas and Political Communication. (pp. 161-181). Abingdon, USA: Routledge. doi: 10.4324/9781003365419-10

Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F.view all authors (2024). Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election. Journal of Elections, Public Opinion and Parties,

Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024). Addressing Workplace Sexual Harassment Through Organizational Policy Messaging. Communication Studies, doi: 10.1080/10510974.2024.2406045

Blumell, L. E. ORCID: 0000-0003-4608-9269 & Mulupi, D. (2024). How News Organizations Cultivate and Maintain Sexist Newsrooms via Gendered Journalistic Norms, Sexual Harassment, and the Boys’ Club. Women's Studies in Communication, 47(3), pp. 268-291. doi: 10.1080/07491409.2024.2342842

Camaj, L., Hellmueller, L. ORCID: 0000-0002-6609-9395, Vallejo Vera, S. & Lindner, P.view all authors (2024). The Democratic Value of Strategic Game Reporting and Uncivil Talk: A Computational Analysis of Facebook Conversations During U.S. Primary Debates. Journalism & Mass Communication Quarterly, 101(2), pp. 428-450. doi: 10.1177/10776990231226403

Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024). Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater. Journal of Current Chinese Affairs, 53(3), pp. 402-427. doi: 10.1177/18681026241255134

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, 13(3), pp. 379-405. doi: 10.1177/2046147x241230055

Cottrell, S. ORCID: 0000-0003-4019-798X (2024). Musical Instruments and Palimpsestic Identity. Journal of Musicological Research, 43(2-3), pp. 141-158. doi: 10.1080/01411896.2024.2376343

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, 26(8), pp. 1351-1367. doi: 10.1080/1369801x.2024.2400351

Dodd, S. ORCID: 0000-0002-0478-6456 & Bawden, D. ORCID: 0000-0002-0478-6456 (2024). Stories Not Statistics: A Qualitative Narrative Exploration of the Value of Public Libraries in the United Kingdom. The Library Quarterly, 94(2), pp. 159-179. doi: 10.1086/729227

Dodds, T., Arafat, R. ORCID: 0000-0002-6778-0107 & Yeung, W. N. (2024). Bound by Exile: Exploring Kinship Dynamics and Role Perceptions among Diaspora Journalists. Journalism Studies, pp. 1-20. doi: 10.1080/1461670x.2024.2366344

Einbond, A. ORCID: 0000-0003-1734-6641, Carpentier, T., Schwarz, D. & Bresson, J.view all authors (2024). Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics. Computer Music Journal, 46(4), pp. 43-61. doi: 10.1162/comj_a_00664

Elhosary, M. ORCID: 0009-0001-5709-8630 (2024). Vulnerability or resilience tweets? A comparative analysis of media outlets versus non-governmental organizations visual representations of the 2023 Morocco earthquake survivors. International Communication Gazette, doi: 10.1177/17480485241267710

Elhosary, M. ORCID: 0009-0001-5709-8630, Abbas, L. & Fahmy, S. S. (2024). “Woman, Life, Freedom”: A Visual Rhetoric Analysis of #MahsaAmini on X. International Journal of Communication, 18, pp. 5559-5584.

Findlay, R. ORCID: 0000-0001-8596-6880 (2024). Revisiting Fashion at the Edge: An interview with Caroline Evans. International Journal of Fashion Studies, 11(2), pp. 319-327. doi: 10.1386/infs_00115_7

Franks, S. ORCID: 0000-0002-9449-2725 & Seaton, J. (2024). Introduction: Where Next for Public Service Broadcasting?. The Political Quarterly, 95(1), pp. 8-11. doi: 10.1111/1467-923x.13381

Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024). Immersive but not Inclusive: Challenges Faced by Underrepresented Groups in Immersive Audio. (Unpublished Doctoral thesis, University of Surrey)

Gaston-Bird, L. ORCID: 0000-0002-9109-3382 (2024). It’s immersive, but is it inclusive?. Representology: the Journal of Media and Diversity, 6(6), pp. 40-47.

George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. Social science computer review, doi: 10.1177/08944393241269394

George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. doi: 10.2139/ssrn.4899259

Harb, Z. ORCID: 0000-0002-7630-1171 (2024). Covering Gaza: Rethinking Objectivity in Times of Human Tragedies. Middle East Journal of Culture and Communication, 17(3), pp. 231-238. doi: 10.1163/18739865-01703004

Harb, Z. ORCID: 0000-0002-7630-1171 & Arafat, R. ORCID: 0000-0002-6778-0107 (2024). The Adoption of Artificial Intelligence Technologies in Arab Newsrooms: Potentials and Challenges. Emerging Media, 2(3), pp. 371-381. doi: 10.1177/27523543241291068

Hellmueller, L. ORCID: 0000-0002-6609-9395, Camaj, L., Vallejo Vera, S. & Lindner, P.view all authors (2024). The Impact of Journalistic Cultures on Social Media Discourse: US Primary Debates in Cross-Lingual Online Spaces. Digital Journalism, doi: 10.1080/21670811.2024.2402371

Herbert, R. ORCID: 0000-0002-7878-9991 & Walduck, J. ORCID: 0000-0002-2603-3404 (2024). Music, marbling and multisensory trancing. The Senses and Society, doi: 10.1080/17458927.2024.2398916

Howes, H. ORCID: 0000-0002-7105-0414 (2024). Knocked Up. In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.), Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women. . London, UK: Bloomsbury Continuum.

Jacob, C., Kerrigan, P. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024). The Chat-Chamber Effect: Trusting the AI Hallucination. Big Data and Society,

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2-3), pp. 237-254. doi: 10.1386/macp_00085_1

Mulupi, D. & Blumell, L. ORCID: 0000-0003-4608-9269 (2024). Gatekeeping Rape Culture: Kenyan News Coverage of Sexual Abuse and Femicide. African Journalism Studies, 44(2), pp. 153-170. doi: 10.1080/23743670.2024.2328524

Nooshin, L. ORCID: 0000-0001-8737-5224 (2024). Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK. In: Lopes da Cunha, M. M. R., Shannon, J., Møller Sørensen, S. & Danielson, V.view all authors (Eds.), Music and Cultural Diplomacy in the Middle East: Geopolitical Re-Configurations for the 21st Century. (pp. 123-146). Palgrave Macmillan. doi: 10.1007/978-3-031-36279-8_6

Nystrom, E. ORCID: 0000-0003-3628-540X (2024). Unformation and Information, more or less (than) human. Paper presented at the Noisefloor, 27-29 May 2024, Escola Superior de Musica de Lisboa.

Pei, X., Chen, Z. T. ORCID: 0000-0003-2450-277X & Zhang, L. (2024). Comprehending ICT for gender empowerment in an aging context: digitalization of marginalized female elderly in the Global South during COVID-19. Information Technology for Development, 30(2), pp. 291-307. doi: 10.1080/02681102.2023.2300669

Penev, I. K. (2024). Towards a Syncretic Interpretation of Franz Liszt's 'Apres une Lecture du Dante': Philosophical, Analytic, and Performative Perspectives. (Unpublished Doctoral thesis, City, University of London)

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2024). Building Bridges II: Papers from the FanLIS 2024 Symposium. Proceedings from the Document Academy, 11(1), article number 1. doi: 10.35492/docam/11/1/1

Qureshi, F. & Price, L. ORCID: 0000-0001-7747-4210 (2024). Hidden Histories and Radical Reading Lists: Restorative Justice at SOAS Library. In: Keith, B. W., Taylor, L. & Renwick, S. (Eds.), Liberatory Librarianship: Stories of Community, Connection, and Justice. (pp. 101-113). Chicago, IL: ALA Editions.

Raemy, P., Hellmueller, L. ORCID: 0000-0002-6609-9395 & Vos, T. P. (2024). Understanding Journalistic Culture as Context and Result of Negotiation. International Journal of Communication, 18, pp. 4909-4928.

Rodgers, J. ORCID: 0000-0002-3365-6909 (2024). A single wooden house standing in Stalingrad: Alexander Werth’s ‘Russian Commentary’ on the BBC during the Second World War. Historical Journal of Film, Radio and Television, 44(3), pp. 609-623. doi: 10.1080/01439685.2024.2370636

Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Williams, E. , Walduck, J., von Jungenfeld, R. & Newman, H.view all authors (2024). Playing with data differently: engaging with autism and gender through participatory arts/music and a performative framework for analysis. Frontiers in Psychology, 15, article number 1324036. doi: 10.3389/fpsyg.2024.1324036

Singer, J. ORCID: 0000-0002-5777-9065 (2024). Journalistic “Innovation” Is Hard to Hate, but Actual Change Is Just Hard. Media and Communication, 12, article number 7459. doi: 10.17645/mac.7459

Singer, J. B. ORCID: 0000-0002-5777-9065 (2024). Book Review: Journalism, Technology and Cultural Practice: A History by Martin Conboy. Media International Australia, doi: 10.1177/1329878x241234983

Smith, J. ORCID: 0000-0002-5198-4076 (2024). Early music in the ‘early game’. In: Cook, J., Kolassa, A., Robinson, A. & Whittaker, A.view all authors (Eds.), History as Fantasy in Music, Sound, Image, and Media. Music and Visual Culture. (pp. 83-101). New York, USA: Routledge. doi: 10.4324/9781003291725

Smith, J. ORCID: 0000-0002-5198-4076 (2024). "I must be beautiful”: becoming human through adaptive vocal soundscapes. In: Galloway, K. & Hambleton, E. (Eds.), Music and Sonic Environments in Video Games Listening to and Performing Ludic Soundscapes. Routledge Music and Screen Media Series. . Routledge.

Szeto, K. (2024). The Blended Cataloguer in the Post-Digital Library Data Curator, Knowledge Creator, Information Policymaker. (Unpublished Doctoral thesis, City, University of London)

Tully, M. & Singer, J. ORCID: 0000-0002-5777-9065 (2024). Fact-checking the Covid-19 Infodemic in Sub-Saharan Africa. African Journalism Studies, 44(2), pp. 97-115. doi: 10.1080/23743670.2024.2308896

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. Journalism Studies, 25(11), pp. 1249-1271. doi: 10.1080/1461670x.2024.2372437

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. doi: 10.2139/ssrn.4897367

Walsh, M. ORCID: 0000-0002-3845-6674 & Singer, J. B. ORCID: 0000-0002-5777-9065 (2024). Platform speech: Journalists and political campaigners reflect on Facebook and disintermediation in three UK general elections. Journalism, doi: 10.1177/14648849241273619

Wilczek, B., Haim, M. & Thurman, N. (2024). Transforming the value chain of local journalism with artificial intelligence. AI Magazine, 45(2), pp. 200-211. doi: 10.1002/aaai.12174

Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024). Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences. In: Nurse, L., O'Neill, M. & Moran, L. (Eds.), Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe. (pp. 141-161). Bristol, UK: Policy Press.

Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T.view all authors (2024). Exploring smartphone-related digital divide among South Korean older adults. Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1), pp. 29-43. doi: 10.51680/ev.37.1.3

Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024). Genre in transnational television: A case of Netflix Originals Korean dramas. Television & New Media, 26(2), pp. 243-258. doi: 10.1177/15274764241265040

Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024). Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK. Communication & Society, 37(4), pp. 125-141. doi: 10.15581/003.37.4.125-141

2023

Armstrong, N. ORCID: 0000-0002-1927-7371 (2023). Fosc v0.9.0 GitHub.

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Recuero, R. (2023). The Insurrectionist Playbook: Jair Bolsonaro and the National Congress of Brazil. Social Media + Society, 9(4), article number 2056305123. doi: 10.1177/20563051231211881

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Tuters, M. (2023). Meaningful disinformation: narrative rituals and affective folktales. Big Data & Society, 10(2), article number 2053951723. doi: 10.1177/20539517231215361

Beveridge, L. (2023). The Impact of Dyslexia on the Online Information-Seeking Behaviour of Undergraduate Students. (Unpublished Doctoral thesis, City, University of London)

Black, E. (2023). From fusion to stratification: Plurality of textural ideas. How can we examine textural relationships in instrumental composition?. (Unpublished Doctoral thesis, City, University of London)

Browning, J. ORCID: 0000-0001-7013-7959 & Lim, L. (2023). Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim. Journal of the Royal Musical Association, 148(1), pp. 1-34. doi: 10.1017/rma.2023.3

Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2023). Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments. Acta Acustica, 7(40), article number 40. doi: 10.1051/aacus/2023033

Cavanagh, J. (2023). Measuring Impact Using Contribution Analysis: Case Study of LIS Erasmus+ Projects In the Western Balkans. (Unpublished Doctoral thesis, City, University of London)

Chadburn, L. (2023). Captions, Characters, Self-Portraits: Compositional Approaches to the Disembodied Speaking Voice and the Voice-Text-Music Relationship. (Unpublished Doctoral thesis, City, University of London)

Chen, Z. T. ORCID: 0000-0003-2450-277X, Whyke, T. W., Lopez-Mugica, J. & Peng, A. Y.view all authors (2023). Cashing the pink RMB through docile bodies: queering paradox of erotic entrepreneurs on Chinese social media platforms. Humanities and Social Sciences Communications, 10(1), article number 491. doi: 10.1057/s41599-023-02006-0

Chen, T. ORCID: 0000-0003-2450-277X (2023). Book Review: A Feminist Reading of China’s Digital Public Sphere. Global Media and China, doi: 10.1177/20594364231160106

Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Graphic Capitaloscenes: Drawing Infrastructure as Historical Form. Critique: Studies in Contemporary Fiction, 65(4), pp. 680-695. doi: 10.1080/00111619.2023.2231845

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Intolerable fictions. In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A.view all authors (Eds.), Comics and Migration: Representation and Other Practices. . Routledge India. doi: 10.4324/9781003254621-18

Fakhraeirad, A., Nooshin, L. ORCID: 0000-0001-8737-5224 & Rezaie, A. (2023). A Sonic Tale of Two Cities: Memory, Trauma, and Auditory Scars in Tehran and Abadan-Khorramshahr. In: Chehabi, H. & Siamdoust, N. (Eds.), Music and Society in Iran. . Boston, USA: Ilex Foundation.

Franks, S. ORCID: 0000-0002-9449-2725 (2023). Wigginton, Nancy [known as Nan Winton] (1925–2019), broadcaster and newsreader. Oxford Dictionary of National Biography, doi: 10.1093/odnb/9780198614128.013.90000380954

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

Gilardi, F., White, A., Chen, Z. T. ORCID: 0000-0003-2450-277X , Cheng, S., Song, W. & Zhao, Y.view all authors (2023). From copycat to copyright: intellectual property amendments and the development of Chinese online video industries. International Journal of Cultural Policy, 29(2), pp. 152-168. doi: 10.1080/10286632.2022.2040494

Gill, R. ORCID: 0000-0002-2715-1867 & Coffey, J. (2023). Femininity work: The gendered politics of women managing violence in bar work. Gender, Work and Organization, 30(5), pp. 1694-1708. doi: 10.1111/gwao.13006

Gioti, A. M., Einbond, A. ORCID: 0000-0003-1734-6641 & Born, G. (2023). Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning. Computer Music Journal, 46(4), pp. 1-43. doi: 10.1162/comj_a_00658

Hall, T., Armstrong, N. ORCID: 0000-0002-1927-7371 & Hoadley, R. (2023). Notations and Score-making. In: The SuperCollider Book. . Massachusetts, USA: MIT Press.

Harb, Z. ORCID: 0000-0002-7630-1171 (2023). Journalists as messengers of hate speech: The case of Lebanon. In: Strippel, C., Paasch-Colberg, S., Emmer, M. & Trebbe, J.view all authors (Eds.), Challenges and perspectives of hate speech research. Digital Communication Research, 12. (pp. 45-53). Berlin: GESIS - Leibniz-Institut für Sozialwissenschaften. doi: 10.48541/dcr.v12.3

Jeffreys, A. (2023). Making, Dwelling, and ‘Discontinuous Continuities’: Finding Musical Form within the Inner Life of Materials. (Unpublished Doctoral thesis, City, University of London)

Karpińska, A., Ilczuk, D., Cholewicka, E. , Bennett, T. ORCID: 0000-0003-0078-9315 & Pratt, A.C. ORCID: 0000-0003-2215-9648view all authors (2023). Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Amsterdam, The Netherlands: CICERONE Project.

Lassiter, E. (2023). Co-composing an Endarkened Acoustemology: Sonic approaches towards breaking hegemonic hierarchy. (Unpublished Doctoral thesis, City, University of London)

Lonsdale, S. ORCID: 0000-0002-4058-7681 (2023). Patriotic Hens, Tomato Turbans and Mock Fish: The Daily Mail Food Bureau, Rationing and National Identity During the First World War. In: Fakazis, E. & Fursich, E. (Eds.), The Political Relevance of Food Media: Beyond Reviews and Recipes. (pp. 183-198). London: Routledge.

Mason, T. & Bawden, D. ORCID: 0000-0002-0478-6456 (2023). Times New Plural - The multiple temporalities of contemporary life and the infosphere. Journal of the Association for Information Science and Technology, 74(10), pp. 1159-1169. doi: 10.1002/asi.24812

Matos, C. ORCID: 0000-0001-6304-3591 (2023). Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights. .

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, 38(1), pp. 363-379. doi: 10.1108/itp-10-2022-0787

Pace, I. ORCID: 0000-0002-0047-9379 (2023). AI may force a sharpening of educational conceptions of ‘creativity’ as relate to employability in the ‘creative industries’. Times Higher Education(3 July),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music departments should resist the siren song of pop schools. Times Higher Education(11 Aug),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music, Musicology and the Surrender of Aesthetics to the Ideals of Social Justice. Paper presented at the The Pursuit of Beauty, 14-16 Sep 2023, Cambridge, United Kingdom.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Self-regulation is not enough to uphold academic freedom. Times Higher Education(22 Jul),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Why Classical Music Matters. Paper presented at the Living Freedom Summer School, 28-30 Jun 2023, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Review of Richard Stokes, The Complete Songs of Hugo Wolf: Life, Letters. Lieder. London Review of Books,

Panievsky, A. ORCID: 0000-0001-9296-7670 (2023). Strategic Rituals of Loyalty: When Israeli Journalists Face Digital Hate. Digital Journalism, 11(10), pp. 1940-1961. doi: 10.1080/21670811.2022.2118144

Peng, A., Chen, T. ORCID: 0000-0003-2450-277X & Chen, S. (2023). A Wen-wu Approach to Male Teenage Chinese Sports Fans’ Heteronormative Interpretation of Masculinity. Feminist Review, 134(1), pp. 69-85. doi: 10.1177/01417789231155896

Peng, A. Y., Liu, F. & Chen, T. ORCID: 0000-0003-2450-277X (2023). Co-constructing a gender-state entanglement in canonical Three Kingdoms fandom: A discourse-historical approach. Asian Studies Review, 48(2), pp. 410-429. doi: 10.1080/10357823.2023.2245130

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294). Amsterdam, The Netherlands: CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netheralnds: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023). Film Making as a Creative Ecosystem: The Case of Soho in London. In: Global Creative Ecosystems. (pp. 21-38). Springer International Publishing. doi: 10.1007/978-3-031-33961-5_2

Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372). Amsterdam, The Netherlands: The Ciccerone Project.

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2023). Halliday Journals and Holodecks: Audiences and Information in Sci-Fi Fandoms: Papers from the FanLIS 2023 Symposium. Proceedings from the Document Academy, 10(1), article number 1. doi: 10.35492/docam/10/1/1

Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023). Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19. The International Journal of Management Education, 21(2), article number 100811. doi: 10.1016/j.ijme.2023.100811

Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). The weird governance of fact-checking: from watchdogs to content moderators. In: AoIR Selected Papers of Internet Research. The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA. doi: 10.5210/spir.v2023i0.13513

Vinhas, O. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023). The WEIRD Governance of Fact-Checking and the Politics of Content Moderation. New Media and Society, doi: 10.1177/14614448231213942

Vinhas, O. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not WEIRD: Negotiating consensus outside Western, Educated, Industrialized, Rich, and Democratic (WEIRD) countries. Harvard International Journal of Press Politics, 30(1), pp. 256-276. doi: 10.1177/19401612231221801

Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not weird: challenges in fact-checking beyond the western world. In: AoIR Selected Papers of Internet Research. The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland. doi: 10.5210/spir.v2022i0.13104

Volkmer, I., Heinrich, A. & Hellmueller, L. ORCID: 0000-0002-6609-9395 (2023). Journalism in a globalized risk arena: Between networks, interdependencies and power relations. International Communication Gazette, 85(8), pp. 605-611. doi: 10.1177/01427237231219093

Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X, Lopez-Mugica, J. & Wang, A.view all authors (2023). Unboxing the Chinese Blind Boxes among China's grown-up missing children: Probabilistic and elastic prosumption through mediated collection, exchange and resale of figurines. Global Media and China, 8(1), pp. 93-111. doi: 10.1177/20594364221140812

Williams, E., Glew, S., Newman, H. , Kapka, A., Shaughnessy, N., Herbert, R. ORCID: 0000-0002-7878-9991, Walduck, J., Foster, A., Cooke, P., Pethybridge, R., Shaughnessy, C. & Hugh‐Jones, S.view all authors (2023). Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64(12), pp. 1735-1764. doi: 10.1111/jcpp.13900

Wong, A CK. (2023). The History, Development and Global Dissemination of the Hang/Handpan. (Unpublished Doctoral thesis, City, University of London)

Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T.view all authors (2023). Drinking in style? Literature review of luxury wine consumption. British Food Journal, 125(2), pp. 679-695. doi: 10.1108/bfj-06-2021-0661

Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023). Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective. Journal of Macromarketing, 43(3), pp. 403-417. doi: 10.1177/02761467231178550

Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023). Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK. International Journal of Arts Management, 25(2),

Zhong, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023). Local News as Propaganda: Precarization and Media Control in Qinghai News. Journalism Practice, pp. 1-18. doi: 10.1080/17512786.2023.2240760

2022

Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2022). Spherical correlation as a similarity measure for 3D radiation patterns of musical instruments. Paper presented at the 16ème Congrès Français d’Acoustique, 11-15 Apr 2022, Marseille, France.

Challenger, T. (2022). Improvised practice and tools for the unknown. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Chapkanov, B (2022). Harmony and Tonality in the Late Piano Music of Franz Liszt – Functional and Transformational Analytical Perspectives. (Unpublished Doctoral thesis, City, University of London)

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Curran-Troop, H., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. ORCID: 0000-0001-8496-6192 (2022). “Stay woke. Make moves” Branding for a feminist future amidst pandemic precarity. In: Gwynne, J. (Ed.), The Cultural Politics of Femvertising. (pp. 141-162). London, UK: Palgrave Macmillan. doi: 10.1007/978-3-030-99154-8

Curran-Troop, H. & Prins, A. (2022). Glitch Feminism. European Journal of Cultural Studies, 25(3), pp. 950-953. doi: 10.1177/13675494221078876

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022). The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology. In: Freyer, P. & Jones, N. (Eds.), Clive Barker and his legacy: Theatre Workshop, Theatre Games. . Palgrave Macmillan.

García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 (2022). Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A.view all authors (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. (pp. 263-273). Cham, Switzerland: Springer. doi: 10.1007/978-3-031-08195-8_25

Gill, R. ORCID: 0000-0002-2715-1867 (2022). Being watched and feeling judged on social media. Feminist Media Studies, 21(8), pp. 1387-1392. doi: 10.1080/14680777.2021.1996427

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2022). Get Unstuck: Pandemic positivity imperatives and self-care for women. Cultural Politics, 18(1), pp. 44-63. doi: 10.1215/17432197-9516926

Harb, Z. ORCID: 0000-0002-7630-1171 (2022). Ethics in British Journalism: A reflective overview. Recherches en Communication, 54, pp. 29-44. doi: 10.14428/rec.v54i54.67233

Haustein, P. (2022). LOVE AT FIRST SOUND: Engaging with Western classical concert audiences through improvisation. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Musical Daydreaming and Kinds of Consciousness. In: Kussner, M., Taruffi, L. & Floridou, G. (Eds.), Music and Mental Imagery. SEMPRE Studies in the Psychology of Music. (pp. 167-177). London UK: Routledge. doi: 10.4324/9780429330070-18

Herbert, R. ORCID: 0000-0002-7878-9991 (2022). Participation and Playing A/Part. In: Moran, N. & Kim, Y. (Eds.), Proceedings of the13th Conference on Interdisciplinary Musicology, CIM22: ‘Participation’. 13th Conference on Interdisciplinary Musicology, 8-10 Jun 2022, Edinburgh, UK.

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Aftermaths Without End. Cambridge Journal of Postcolonial Literary Inquiry, 9(3), pp. 431-434. doi: 10.1017/pli.2021.21

Kaner, M. J. (2022). Composing narratives: Reimagining musical storytelling in new vocal and instrumental works. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Messeder, G. (2022). ‘Obrigada, Shukran’: Brazilian Musical Encounters in Beirut. (Unpublished Doctoral thesis, City, University of London)

Moise, R. ORCID: 0000-0002-2578-9832 (2022). The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric. Styles of Communication, 13(2), pp. 38-56. doi: 10.31178/sc.13.2.03

Moise, R. ORCID: 0000-0002-2578-9832 (2022). Diaspora diplomacy and modes of engagement: the case of Romanian Diaspora in the UK. Journal of Communication Management, 27(2), pp. 173-190. doi: 10.1108/jcom-09-2022-0108

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2022). An Exploratory Study of Communication Freelancers and Online Communities. A Mixed Methods Approach. Romanian Journal of Communication and Public Relations, 24(2), pp. 23-44. doi: 10.21018/rjcpr.2022.2.342

Noppe, N., Price, L. ORCID: 0000-0001-7747-4210, Chiu, K. , Miller, J. N., Wang, E. N., Vaswani, S. M., Merry, S. K., Pollock, D. E, Black, S. R., Hartwell, R., Jacobs, N., Thomas, P. A., Emmanouloudis, A., Hellman, E. & Spitz, A.view all authors (2022). What if academic publishing worked like fan publishing? Imagining the Fantasy Research Archive of Our Own. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2253

Nystrom, E. ORCID: 0000-0003-3628-540X (2022). Sound as Synthesis: technological listening and intra-faces of sound. In: Electroacoustic Music Studies Network (EMS). EMS21 Conference, 10-13 Nov 2021, Leicester, UK. doi: 10.5281/zenodo.5981500

O'Driscoll, G. & Bawden, D. ORCID: 0000-0002-0478-6456 (2022). Health information equity: Rebalancing healthcare collections for racial diversity in UK public service contexts. Education for Information, 38(4), pp. 315-336. doi: 10.3233/efi-220051

Pace, I. ORCID: 0000-0002-0047-9379 (2022). New Music: Performance Institutions and Practices. In: McPherson, G & Davidson, J (Eds.), The Oxford Handbook of Music Performance. . Oxford, UK: Oxford University Press.

Pace, I. ORCID: 0000-0002-0047-9379 (2022). Why cancel Tchaikovsky?. London Review of Books,

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2022). Toward circular governance in the culture and creative economy: Learning the lessons from the circular economy and environment. City, Culture and Society, 29, article number 100450. doi: 10.1016/j.ccs.2022.100450

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2). CICERONE Project: Amsterdam, The Netherlands.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3). Amsterdam, The Netherlands: CICERONE Project.

Price, L. ORCID: 0000-0001-7747-4210 (2022). Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography. Humanities, 11(4), article number 100. doi: 10.3390/h11040100

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. ORCID: 0000-0001-5202-8206 (2022). Building bridges: Papers from the FanLIS 2021 symposium. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2233

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. ORCID: 0000-0001-5202-8206 (2022). Fan Futures—Beyond the Archive: Papers from the FanLIS 2022 Symposium. Proceedings from the Document Academy, 9(1), article number 1. doi: 10.35492/docam/9/1/1

Priego, E. ORCID: 0000-0003-4418-369X (2022). Cartooning with Compassion: A Conversation with Megan Herbert. The Comics Grid : Journal of Comics Scholarship, 1(1), pp. 1-17. doi: 10.16995/cg.8705

Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887

Roustom, K. (2022). Two violin concerti: A study in non-duality. (Unpublished Doctoral thesis, City, University of London)

Scott, M., Wright, K. & Bunce, M. ORCID: 0000-0002-4924-8993 (2022). Humanitarian journalists: Covering crises from a boundary zone (pp. 1-127). London: Routledge. doi: 10.4324/9781003356806

Sharp, M., Farrugia, D., Coffey, J. , Threadgold, S., Adkins, L. & Gill, R. ORCID: 0000-0002-2715-1867view all authors (2022). Queer subjectivities in hospitality labor. Gender, Work And Organisation, 29(5), pp. 1511-1525. doi: 10.1111/gwao.12844

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X & Lopez-Mugica, J. (2022). An analysis of cultural dissemination and national image construction in Chinese influencer Li Ziqi's vlogs and its impact on international viewer perceptions on YouTube. Journal of Chinese Sociology, 9(1), article number 14. doi: 10.1186/s40711-022-00173-2

Yeh, D. ORCID: 0000-0001-8324-5342 (2022). Chiang Yee and the Hsiungs: Solidarity, Conviviality and the Economy of Racial Representation. In: Bevan, P., Witchard, A. & Zheng, D. (Eds.), Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950. . Hong Kong, China: Hong Kong University Press.

Yeh, D. ORCID: 0000-0001-8324-5342 (2022). Racialization and Racisms in and beyond Covid, Colour and the Global South. New Diversities, 24(1), pp. 91-101.

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21

van der Klis, J. M. (2022). Busoni’s ‘Beiträge zu einer Hochschule des Clavierspiels’ and the performance of Bach on the modern piano. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

2021

Anton, A. & Moise, R. ORCID: 0000-0002-2578-9832 (2021). Communication Freelancers, Facebook Groups and COVID-19. A Qualitative Analysis. Research Report. Styles of Communication, 13(1), pp. 76-82. doi: 10.31178/sc.13.1.04

Berget, G., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Pharo, N. (2021). Modelling the information seeking and searching behaviour of users with impairments: Are existing models applicable?. Journal of Documentation, 77(2), pp. 381-400. doi: 10.1108/jd-04-2020-0049

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Decomposed: the political ecology of music. Ethnomusicology Forum, 30(1), pp. 172-175. doi: 10.1080/17411912.2021.1923549

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Sound and More-than-human Sociality in Catherine Clover’s Oh! Ah ah pree trra trra. Organised Sound: an international journal of music and technology, 26(2), pp. 179-189. doi: 10.1017/s1355771821000352

Chen, T. ORCID: 0000-0003-2450-277X (2021). Flying with two wings or coming of age of copyrightisation? A historical and socio-legal analysis of copyright and business model developments in the Chinese music industry. Global Media and China, 6(2), pp. 191-206. doi: 10.1177/2059436421998466

Chen, T. ORCID: 0000-0003-2450-277X & Chen, L-M. (2021). Chinese "female force" in an "American Factory": Women's identity formation in an English reading club. Asian Journal of Women's Studies, 27(2), pp. 161-183. doi: 10.1080/12259276.2021.1913850

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Dos Santos Agostinho, G. (2021). The design of note-based algorithmic systems through the use of mental models. (Unpublished Doctoral thesis, City, University of London)

Dreisiebner, S., Polzer, A. K., Robinson, L. ORCID: 0000-0001-5202-8206 , Libbrecht, P., Bote-Vericad, J-J., Urbano, C., Mandl, T., Vilar, P., Zumer, M., Juric, M., Pehar, F. & Stricevic, I.view all authors (2021). Facilitation of information literacy through a multilingual MOOC considering cultural aspects. Journal of Documentation, 77(3), pp. 777-797. doi: 10.1108/jd-06-2020-0099

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2021). Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler. Studies in Theatre and Performance, 41(3), pp. 339-357. doi: 10.1080/14682761.2021.1964849

Einbond, A. ORCID: 0000-0003-1734-6641, Bresson, J., Schwarz, D. & Carpentier, T.view all authors (2021). Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics. In: Proceedings of the International Computer Music Conference 2021. (pp. 148-153). San Francisco, USA: International Computer Music Association, Inc..

Gill, R. ORCID: 0000-0002-2715-1867 (2021). Neoliberal Beauty. In: Leeds Craig, M. (Ed.), The Routledge Companion to Beauty Politics. (pp. 9-18). Abingdon, UK: Routledge.

Haynes, D. & Robinson, L. ORCID: 0000-0001-5202-8206 (2021). Delphi study of risk to individuals who disclose personal information online. Journal of Information Science, 49(1), pp. 93-106. doi: 10.1177/0165551521992756

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, 58(3), pp. 645-659. doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, 24(4), pp. 586-602. doi: 10.1080/1369801x.2021.1892515

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Lateness in Context. In: Cormac, J. (Ed.), Liszt in Context. Composer in Context. (pp. 271-281). Cambridge: Cambridge University Press. doi: 10.1017/9781108378253.034

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Nineteenth-Century Programme Music: Creation, Negotiations, Reception. Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37), pp. 89-94.

Matos, C. O. ORCID: 0000-0001-6304-3591 (2021). Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia. Revista de Comunicação Dialógica(6), pp. 94-116. doi: 10.12957/rcd.2022.62083

Mera, M. ORCID: 0000-0002-0031-0629 (2021). Listening–Feeling–Becoming: Cinema Surveillance. In: Cenciarelli, C. (Ed.), The Oxford Handbook of Cinematic Listening. (pp. 407-426). Oxford, UK: Oxford University Press. doi: 10.1093/oxfordhb/9780190853617.013.23

Moise, R. ORCID: 0000-0002-2578-9832 (2021). Diaspora Diplomacy and Modes of Engagement. Romanian Diaspora in UK. Paper presented at the MARPE Diplo Conference, 31 May - 1 Jun 2021, Lisbon, Portugal.

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2021). The Citizen Diplomats and their Pathways to Diplomatic Power. In: Pedro Sebastiao, S. & Spinola de Carvalho, S. (Eds.), Diplomacy, Organisations and Citizens. (pp. 219-254). Springer. doi: 10.1007/978-3-030-81877-7_13

Molitor, C. ORCID: 0000-0002-3777-833X (2021). Composition as Hyperobject. APRIA (Artez PLatform for Research Interventions of the Arts), 3(2), pp. 57-64. doi: 10.37198/apria.03.02.a7

Molitor, C. ORCID: 0000-0002-3777-833X & Magnusson, T. (2021). Curating experience: Composition as cultural technology - a conversation. Journal of New Music Research, 50(2), pp. 184-189. doi: 10.1080/09298215.2021.1898646

Nooshin, L. ORCID: 0000-0001-8737-5224 (2021). Affective listening, sonic intimacy and the power of quiet voices in Rakhshan Banietemad’s the May Lady: Towards a cinema of empathy. In: Ghorbankarimi, M. (Ed.), ReFocus: The Films of Rakhshan Banietemad. . Edinburgh, UK: Edinburgh University Press.

Nystrom, E. ORCID: 0000-0003-3628-540X (2021). Strange Posthuman Attractors: algorithmic improvisation as acousmatic poiēsis. Organised Sound: an international journal of music and technology, 26(1), pp. 31-41. doi: 10.1017/s1355771821000030

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Matière: Le Palais de la mort

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Pitter-Pottering

Pace, I. ORCID: 0000-0002-0047-9379 (2021). Roll over, Beethoven. The Spectator, 9 Oct, pp. 42-49.

Percival, R. (2021). Top B, or Not Top B, and Is That the Question? Creating a new repertoire of idiomatic and challenging arrangement for historical wind instruments. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). Creative hubs: A critical evaluation. City, Culture and Society, 24(1), article number 100384. doi: 10.1016/j.ccs.2021.100384

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). The creative economy and sustainable development. City, Culture and Society, 25, article number 100393. doi: 10.1016/j.ccs.2021.100393

Price, L. ORCID: 0000-0001-7747-4210 & Robinson, L. (2021). Tag analysis as a tool for investigating information behaviour: comparing fan-tagging on Tumblr, Archive of Our Own and Etsy. Journal of Documentation, 77(2), pp. 320-358. doi: 10.1108/jd-05-2020-0089

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

Secker, J. ORCID: 0000-0002-3047-1212, Reimers, S., Foley, G. , Hanley, T., Kogan, P. & Ney, S.view all authors (2021). Learning Online with International Politics. London, UK: Centre for Distance Education, University of London International Programmes.

Smith, J. ORCID: 0000-0002-5198-4076 (2021). Voices, Combat, and Music. Journal of Sound and Music in Games, 2(2), pp. 42-62. doi: 10.1525/jsmg.2021.2.2.42

Stickney, P. F. (2021). Giant steps for harp: New approaches to the pedals. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

Whyke, T. W., Lopez-Mugica, J. & Chen, T. ORCID: 0000-0003-2450-277X (2021). The Rite of Passage and Digital Mourning in Fang Fang's Wuhan Diary. Global Media and China, 6(4), pp. 443-459. doi: 10.1177/20594364211041683

2020

Bawden, D. ORCID: 0000-0002-0478-6456, Gorichanaz, T., Furner, J. , Robinson, L. ORCID: 0000-0001-5202-8206, Ma, M., Herold, K., Van der Veer Martens, B., Floridi, L. & Dixon, D.view all authors (2020). Information and Design: Book Symposium on Luciano Floridi’s The Logic of Information. Journal of Documentation, 76(2), pp. 586-616. doi: 10.1108/jd-10-2019-0200

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Information Overload: An Overview. In: Oxford Encyclopedia of Political Decision Making. . Oxford: Oxford University Press. doi: 10.1093/acrefore/9780190228637.013.1360

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Still minding the gap? Reflecting on transitions between concepts of information in varied domains. Information, 11(2), article number 71. doi: 10.3390/info11020071

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). "The dearest of our possessions": applying Floridi's information privacy concept in models of information behavior and information literacy. Journal of the Association for Information Science and Technology, 71(9), pp. 1030-1043. doi: 10.1002/asi.24367

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Emotion as Multiple: Rehearsing Voyage to the Moon. In: Davidson, J. W., Halliwell, M. & Rocke, S. (Eds.), Opera, Emotion and the Antipodes. (pp. 192-218). Routledge.

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Involving experiences: audiencing and co-reception in Pleasure Garden. Journal of the Royal Musical Association, 145(1), pp. 191-227. doi: 10.1017/rma.2020.10

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture. Ethnomusicology, 64(3), pp. 498-526. doi: 10.5406/ethnomusicology.64.3.0498

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Remaking Classical Music: Cultures of Creativity in Pleasure Garden. Twentieth-Century Music, 17(1), pp. 23-61. doi: 10.1017/s1478572219000355

Chen, Z. T. ORCID: 0000-0003-2450-277X (2020). Slice of life in a live and wired masquerade: Playful prosumption as identity work and performance in an identity college Bilibili. GLOBAL MEDIA AND CHINA, 5(3), pp. 319-337. doi: 10.1177/2059436420952026

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, 23(6), pp. 922-940. doi: 10.1080/1369801x.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2020). Documenting Performance: The Contexts & Processes of Digital Curation and Archiving. International Journal of Perfomance Arts and Digital Media, 16(2), pp. 217-218. doi: 10.1080/14794713.2020.1778840

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195, Ramos, J. L., Maravala, P. J. & Simon, B.view all authors (2020). The Post Immersive Manifesto. International Journal of Performance Arts and Digital Media, 16(2), pp. 196-212. doi: 10.1080/14794713.2020.1766282

Ehrstein, Y., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. (2020). The Affective Life of Neoliberalism: Constructing (Un)Reasonableness on Mumsnet. In: Dawes, S. & LeNormand, M. (Eds.), Neoliberalism in Context. (pp. 195-213). Basingstoke: Palgrave Macmillan.

Frey, M. ORCID: 0000-0002-3388-0353 (2020). The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47(3), pp. 45-57. doi: 10.1215/0094033x-8607577

Jilani, S. ORCID: 0000-0002-0024-4801 (2020). “The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. Journal of Postcolonial Writing, 56(1), pp. 83-96. doi: 10.1080/17449855.2019.1701067

Kanai, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2020). Woke? Affect, neoliberalism, marginalised identities and consumer culture. New Formations: a journal of culture/theory/politics, 102(102), pp. 10-27. doi: 10.3898/newf:102.01.2020

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

Lee, D., Robinson, L. & Bawden, D. (2020). Operatic knowledge organisation: an exploration of the domain and bibliographic interface in the classification of opera subgenres. In: Knowledge organization at the interface: Proceedings of the 16th International ISKO conference. Sixteenth International ISKO Conference, 6-8 Jul 2020, Aalborg, Denmark.

Lee, D. ORCID: 0000-0002-5768-9262, Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Orthogonality, dependency and music: an exploration of the relationship between music facets. Journal of the Association for Information Science and Technology, 72(5), pp. 570-582. doi: 10.1002/asi.24426

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.), Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. (pp. 220-231). New York, USA: Fordham University Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Sir John Tavener and the Search for an English Orthodox Musical Language. In: Boyce-Tilman, J. (Ed.), The Spirituality of the Music of John Tavener. . Oxford: Peter Lang.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. In: Hinrichsen, H-J. & Keym, S. (Eds.), Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts. . Cologne, Germany: Böhlau.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Virtuosity in Liszt's Late Works. In: Doran, R. (Ed.), Liszt and Virtuosity. . New York: University of Rochester Press. doi: 10.1017/9781787448667

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Pratt, A.C. (2020). Cities, creativities and urban creative economies: Re-descriptions and make+shifts from Sub-Saharan Africa. International Journal of Urban and Regional Research, 44(5), pp. 781-792. doi: 10.1111/1468-2427.12887

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Yeh, D. ORCID: 0000-0001-8324-5342 (2020). #BLM and the city. City, Culture and Society, 23, article number 100373. doi: 10.1016/j.ccs.2021.100373

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Professor Daddy has a zebra on his head. Ethnomusicology Forum, 29(3), pp. 300-306. doi: 10.1080/17411912.2020.1873560

Moran, P. ORCID: 0000-0002-8694-4701 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Nooshin, L. ORCID: 0000-0001-8737-5224 (2020). Parenting and Music Studies Forum. Ethnomusicology Forum, 29(3), pp. 269-275. doi: 10.1080/17411912.2020.1873553

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Action

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Poster presented at the NIME 2020, 21-25 Jul 2020, Birmingham, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Topographic Synthesis: A demonstration. Paper presented at the Virtual BEAST FEaST, 01-02 May 2020, Birmingham, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis. In: Wiley, C. & Pace, I. ORCID: 0000-0002-0047-9379 (Eds.), Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,. . Basingstoke: Palgrave Macmillan.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). The Ethnomusicology of Western Art Music and the Application of Meta-Critical Scholarship on Ethnography: Reinscribing Critical Distance. Paper presented at the Colloquium, 28 Oct 2020, Cambridge, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). My contribution to the debate on ‘Authoritarian Populism and Impure Futures: The Legacy of Stuart Hall’. Paper presented at the City School of Arts and Social Sciences Online Festival of Research, 23 Jun 2020, Online.

Pace, I. (2020). Schneeriss

Pace, I. ORCID: 0000-0002-0047-9379 (2020). What does it mean to be a Self-Reflective Practitioner?. Paper presented at the Sir John Manduell Research Forum Series, 5 Feb 2020, Manchester, UK.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). COVID – 19 impacts cities, cultures and societies. City, Culture and Society, 21, article number 100341. doi: 10.1016/j.ccs.2020.100341

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). A research agenda for cultural economics. Journal of Cultural Economics, 44(1), pp. 185-187. doi: 10.1007/s10824-020-09383-3

Pratt, A.C. ORCID: 0000-0003-2215-9648, Daubeuf, C., Airaghi, E. & Pletosu, T.view all authors (2020). Enumerating the role of incentives in CCI production chains. Amsterdam: Cicerone Project.

Rennie, T. ORCID: 0000-0001-8937-2780 (2020). Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices. Leonardo Music Journal, 30, pp. 113-117. doi: 10.1162/lmj_a_01102

Rodgers, G. (2020). Listening to yourself listen: spatial experience in music for acoustic instruments and electronic sound. (Unpublished Doctoral thesis, City, University of London)

Serbutt, Christopher L. (2020). The changing place of information: An examination and evaluation of how the context in which an object is set affects the information which it conveys.. (Unpublished Doctoral thesis, City, University of London)

Simmons, A. (2020). Morphology of the score: the organisation of music in the films of Michael Giacchino and Pixar Animation Studios. (Unpublished Doctoral thesis, City, University of London)

Smith, J. ORCID: 0000-0002-5198-4076 (2020). Worldbuilding Voices in the Soundscapes of Role-Playing Video Games. (Unpublished Doctoral thesis, University of Huddersfield)

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020). ‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'. Crime Fiction Studies, 1(1), pp. 59-78. doi: 10.3366/cfs.2020.0007

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.

Wang, E. N., Kelley, B., Price, L. ORCID: 0000-0001-7747-4210 & Schuster, K.view all authors (2020). Beyond the multidisciplinary in fan studies: Learning how to talk among disciplines. Transformative Works and Cultures, 33, doi: 10.3983/twc.2020.1819

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Yeh, D. ORCID: 0000-0001-8324-5342 (2020). Covid-19, Anti-Asian Racial Violence, and The Borders of Chineseness. British Journal of Chinese Studies, 10, doi: 10.51661/bjocs.v10i0.117

2019

Alabdali, Ohoud (2019). Measuring the development of Saudi Arabia as an information society. (Unpublished Doctoral thesis, City, University of London)

Alacovska, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective. International Journal of Cultural Studies, 22(2), pp. 195-212. doi: 10.1177/1367877918821231

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). Two Canons for Kathryn Huddersfield Contemporary Records.

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). The in-between of line and surface: A line alongside itself. Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). A line alongside itself

Banet-Weiser, S., Gill, R. ORCID: 0000-0002-2715-1867 & Rottenberg, C. (2019). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. Feminist Theory, 21(1), pp. 3-24. doi: 10.1177/1464700119842555

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2019). "Essentially made of information": concepts and implications of informational privacy. Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2019). "Essentially made of information": concepts and implications of informational privacy. Information Research: an international electronic journal, 24(4), article number colis1913.

Bawden, D. ORCID: 0000-0002-0478-6456, Robinson, L. ORCID: 0000-0001-5202-8206, Pinfield, S. & Wakeling, S.view all authors (2019). Open Access in Theory and Practice: workshop. Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.

Berget, G. & MacFarlane, A. ORCID: 0000-0002-8057-0737 (2019). What Is Known About the Impact of Impairments on Information Seeking and Searching?. Journal of the Association for Information Science and Technology, 71(5), pp. 596-611. doi: 10.1002/asi.24256

Bonham-Carter, C. (2019). Conceptualising cultural governance under new Labour's social value agenda: the practices and experiences of contemporary visual arts institutions on London (1997-2010). (Unpublished Doctoral thesis, City, University of London)

Browning, J. ORCID: 0000-0001-7013-7959 & Davidson, J. W. (2019). Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon. Parergon, 36(2), pp. 17-38. doi: 10.1353/pgn.2019.0053

Cottrell, S.J. (2019). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, 101(2-3), pp. 216-243. doi: 10.1093/musqtl/gdy013

Cottrell, S.J. ORCID: 0000-0003-4019-798X & Howell, J. (2019). Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study. Journal of New Music Research, 48(5), pp. 449-457. doi: 10.1080/09298215.2019.1642362

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, 23(2), pp. 124-143. doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Editor’s note. Journal of Postcolonial Writing, 55(5), pp. 585-588. doi: 10.1080/17449855.2019.1657696

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009). Journal of Graphic Novels and Comics, 11(3), pp. 325-340. doi: 10.1080/21504857.2019.1575256

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2019). Crisis Acting in The Destroyed Room. Performance Research, 24(5), pp. 65-73. doi: 10.1080/13528165.2019.1671720

Dysers, C. (2019). Loop aesthetics: repetition in the work of Bernhard Lang. (Unpublished Doctoral thesis, City, University of London)

Gill, R. ORCID: 0000-0002-2715-1867 (2019). Cuando la propia vida es el campo laboral. Recerca.Revista de pensament i anàlisi., 24(1), pp. 14-36. doi: 10.6035/recerca.2019.24.1.2

Gill, R. ORCID: 0000-0002-2715-1867 (2019). Surveillance is a feminist issue. In: Oren, T. & Press, A. (Eds.), The Routledge Handbook of Contemporary Feminism. (pp. 148-161). Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Kanai, A. (2019). Affirmative advertising and the mediated feeling rules of neoliberalism. In: Meyers, M. (Ed.), Neoliberalism and the Media. . Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Toms, K. (2019). Trending now: feminism, sexism, misogyny and postfeminism in British journalism. In: Carter, C., Steiner, L. & Allan, S. (Eds.), Journalism, Gender and Power. (pp. 97-112). Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T. (2019). Hip Hub? Class, race and gender in creative hubs. In: Creative Hubs in Question: Place, Space and Work in the Creative Economy. (pp. 131-154). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-10653-9_7

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership. Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design for graduate outcomes. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design in graduate outcomes: City's BA English. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T.view all authors (2019). Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064). Amsterdam, The Netherlands: The CICERONE project.

Lee, D. ORCID: 0000-0002-5768-9262 (2019). The classification of musical transformation: a conceptual approach to the knowledge organization of musical arrangements. Information Research: an international electronic journal, 24(4), article number colis1919.

Lee, D., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2019). Modelling the relationship between scientific and bibliographic classification for music. Journal of the Association for Information Science and Technology, 70(3), pp. 230-241. doi: 10.1002/asi.24120

Lee, L., Ocepek, M. G., Makri, S. ORCID: 0000-0002-5817-4893 , Buchanan, G. & McKay, D.view all authors (2019). Getting creative in everyday life: Investigating arts and crafts hobbyists' information behavior. Proceedings of the Association for Information Science and Technology, 56(1), pp. 703-705. doi: 10.1002/pra2.141

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Canonising Byzantine Chant as Greek Art Music. In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R.view all authors (Eds.), Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries. (pp. 31-53). Abingdon, UK: Routledge.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). In the Byzantine Empire. In: Grove Music Online. . UK: Oxford University Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Venice in the East: Renaissance Crete and Cyprus. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347, Pentcheva, B., Abel, J. , Cappella Romana, Eruçman, D., Antonopoulos, S. & Canfield-Dafilou, E.view all authors (2019). Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople. Cappella Romana.

Litosseliti, E. ORCID: 0000-0002-3305-4713, Gill, R. ORCID: 0000-0002-2715-1867 & Favaro, L. (2019). Postfeminism as a critical tool for gender and language study. Gender and Language, 13(1), pp. 1-22. doi: 10.1558/genl.34599

Mbaye, J. F. & Dinardi, C. (2019). Ins and outs of the cultural polis: informality, culture and governance in the global South. Urban Studies, 56(3), pp. 578-593. doi: 10.1177/0042098017744168

Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, 3(3), pp. 663-687. doi: 10.1177/2514848619883468

Mera, M. ORCID: 0000-0002-0031-0629 (2019). Popular Music on Screen and the Road to Brexit. Cinema&Cie: International Journal of Film Studies, 8(31),

Nooshin, L. ORCID: 0000-0001-8737-5224 (2019). Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema. Music and the Moving Image, 12(3), pp. 25-57. doi: 10.5406/musimoviimag.12.3.0025

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Portrait Concert: Alchimie Musiques et Recherches.

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Technological Listening and Intra-faces of Sound. Paper presented at the 11th Beyond Humanism Conference: Critical Posthumanism and Transhumanism : The posthuman paradigm shift,, 9-12 July 2019, Catholic University of Lille, France.

Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M.view all authors (2019). CECIA (Collaborative Electroacoustic Composition with Intelligent Agents). [Audio]

Orgad, S. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). Safety valves for mediated female rage in the #MeToo era. Feminist Media Studies, 19(4), pp. 596-603. doi: 10.1080/14680777.2019.1609198

Pace, I. ORCID: 0000-0002-0047-9379 (2019). 23 World Premieres of New Commissions for Ian Pace at 50 - 30 April 2018. Composers including Patricia de Almeida, James Dillon, Michael Finnissy, Christopher Fox, Sadie Harrison, Morgan Hayes, Wieland Hoban, Alwynne Pritchard, Lauren Redhead, Walter Zimmermann City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording) Prima Facie Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Clothcomposers

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 83-101). Eindhoven, the Netherlands: Lecturis.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (2). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 153-173). Eindhoven, the Netherlands: Lecturis.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). In Defence of Analytically-Informed Performance. Keynote Paper presented at the International encounters on Music Theory and Analysis Conference, 6 Nov 2019, São Paolo, Brazil.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Modernist Fantasias: The Recuperation of a Concept. Journal of the Royal Musical Association, 144(2), pp. 473-493. doi: 10.1080/02690403.2019.1651512

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Negotiating borrowing, genre and mediation in the piano music of Finnissy: strategies and aesthetics. In: Pace, I. ORCID: 0000-0002-0047-9379 & McBride, N. (Eds.), Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts. (pp. 57-103). London: Routledge.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Position Statement: 'Questioning the Gap: Defining a Role for the SMA in Preparing Students for Music Degrees in Higher Education Today', SotonMAC, 30 July 2019. Paper presented at the Society for Music Analysis Annual Conference, 30 July 2019, Southampton, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Premieres of 16 New Piano Pieces, 13 May 2019 City, University of London.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Radio Broadcast of Volker Heyn 203 (55' piano piece) for Westdeutscher Rundfunk Westdeutscher Rundfunk.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Thirty for Grace

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2019). Formality as exception. Urban Studies, 56(3), pp. 612-615. doi: 10.1177/0042098018810600

Pratt, A.C. ORCID: 0000-0003-2215-9648, Boren, T., Daubeuf, C. & Le Gall, A.view all authors (2019). A review of tariff barriers and trade costs affecting the Creating Industries across European borders. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, D'Ovidio, M., Greco, L. , Boren, T., Kloosterman, R. & Henriksson, T.view all authors (2019). CICERONE - Format case study selection. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T.E. (2019). Introduction. In: Gill, R. ORCID: 0000-0002-2715-1867, Pratt, A.C. ORCID: 0000-0003-2215-9648 & Virani, T.E. (Eds.), Creative Hubs in Question: Place, Space and Work in the Creative Economy. (pp. 1-26). Cham, Switzerland: Palgrave Macmillan.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R., Mbaye, J. F. , Greco, L., Miguel, M. P., Janowska, A., Pareja-Estaway, M., Iiczuk, D., Gmeiner, R., K., O., Tomova, B. & Andreeva, D.view all authors (2019). The CICERONE project methodology. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., D'ovidio, M. , Greco, L., Boren, T. & de Vries, J.view all authors (2019). Overview of CCI research gaps. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., Greco, L. & D'Ovidio di Ricerca, M.view all authors (2019). Creative and cultural industries and global production network approaches so far. Amsterdam: Cicerone Project.

Price, L. ORCID: 0000-0001-7747-4210 (2019). Fandom, Folksonomies and Creativity: the case of the Archive of Our Own. In: The Human Position in an Artificial World: Creativity, Ethics and AI in Knowledge Organization. (pp. 11-37). Germany: Ergon Verlag. doi: 10.5771/9783956505508-11

Rennie, T. ORCID: 0000-0001-8937-2780 (2019). Muscle memory: The inimitable feel of the record. Tempo, 73(287), pp. 76-79. doi: 10.1017/s0040298218000670

Smith, J. ORCID: 0000-0002-5198-4076 (2019). Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II. Soundtrack, The, 11(1-2), pp. 75-97. doi: 10.1386/ts_00006_1

Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019). New Approaches to Medieval Water Studies. Open Library of Humanities, 5(1), article number 35. doi: 10.16995/olh.443/

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'. Victorian Periodicals Review, 52(2), pp. 389-418. doi: 10.1353/vpr.2019.0023

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'. Victorian Popular Fictions Journal, 1(2), pp. 3-32. doi: 10.46911/qptd4864

Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019). 'Introduction: Reassessing the Strand Magazine, 1891–1918'. Victorian Periodicals Review, 52(2), pp. 221-234. doi: 10.1353/vpr.2019.0015

Wakeling, S., Pinfield, S., Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206view all authors (2019). The use of theory in research relating to open access: practitioner perspectives. Proceedings of the Association for Information Science and Technology, 56(1), pp. 788-789. doi: 10.1002/pra2.177

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019). Poisoned Honey: The Myth of Women in Espionage. Queen’s Quarterly, 100(2), pp. 291-309.

2018

Abbas, Z. (2018). Information behaviour of law students; the impact of mobile devices on information seeking behaviour and provision in the 21st century. (Unpublished Doctoral thesis, City, University of London)

Armstrong, N. ORCID: 0000-0002-1927-7371 (2018). thread—surface

Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J.view all authors (2018). Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall), pp. 43-60. doi: 10.7560/vlt8205

Barker, M-J., Gill, R. ORCID: 0000-0002-2715-1867 & Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Sexualities, 21(8), pp. 1337-1345. doi: 10.1177/1363460718781342

Bawden, D. ORCID: 0000-0002-0478-6456 (2018). 'In this book-making age': Edward Kemp as writer and communicator of horticultural knowledge. Garden History, 46(supple), pp. 136-154.

Bawden, D. & Robinson, L. (2018). Curating the infosphere: Luciano Floridi's Philosophy of Information as the foundation for Library and Information Science. Journal of Documentation, 74(1), pp. 2-17. doi: 10.1108/jd-07-2017-0096

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2018). Identifying good practices in information literacy education; creating a multi-lingual, multi-cultural MOOC. In: Kurbanoglu, S., Boustany, J., Spiranec, S. , Grassian, E., Mizrachi, D. & Roy, L.view all authors (Eds.), Information Literacy in the Workplace. ECIL 2017. 5th European Conference on Information Literacy, ECIL 2017, 18-21 September, 2017, Saint Malo, France. doi: 10.1007/978-3-319-74334-9_73

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). "Never again the in the history of humanity": information education for onlife. Paper presented at the International Symposium on the Future of Education in Information Science, 10-11 Sep 2018, Pisa, Italy.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Supporting truth and promoting understanding: knowledge organization and the curation of the infosphere. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Cole, W.D. (2018). Expanded musical form. (Unpublished Doctoral thesis, City, University of London)

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018). Charles Jean-Baptiste Soualle and the Saxophone. Journal of the American Musical Instrument Society, XLIV, pp. 179-208.

Cottrell, S.J. & Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. & Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. doi: 10.1093/oxfordhb/9780190219505.001.0001

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, 55(1), pp. 94-107. doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

Dunne, J. ORCID: 0000-0001-9831-4195 (2018). Good night, sleep tight (remix). International Journal of Performance Arts and Digital Media, 14(2), pp. 215-223. doi: 10.1080/14794713.2018.1505385

Dunne, J. ORCID: 0000-0001-9831-4195 (2018). Imagined Theatres: Writings for a Theoretical Stage. Drama Research, 9(1),

Dunne, J. ORCID: 0000-0001-9831-4195 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Is the World After All Just a Dream? In: Proceedings from the Document Academy.

Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), 23-.

Einbond, A. ORCID: 0000-0003-1734-6641 (2018). Disembodiment: Reproduction, Transcription, And Trace. Tempo, 73(287), pp. 83-90. doi: 10.1017/s0040298218000694

Favaro, L. & Gill, R. ORCID: 0000-0002-2715-1867 (2018). Feminism rebranded: women’s magazines online and ‘the return of the F-word’. Dígitos: Revista de Comunicación Digital(4), pp. 37-66. doi: 10.7203/rd.v0i4.129

Gartner, R. (2018). Intermediary XML schemas. (Unpublished Doctoral thesis, City, University of London)

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Beyond individualism: the psychosocial life of the neoliberal university. In: Spooner, M. & McNinch, J. (Eds.), A Critical Guide to Higher Education & the Politics of Evidence: Resisting Colonialism, Neoliberalism, & Audit Culture. (pp. 193-216). Regina, Canada: University of Regina Press.

Gill, R. (2018). Confidence is the new sexy: remaking intimate relationality. In: Fine, R., Kaplan, Y, Peled, S & Yoav, Rview all authors (Eds.), Eros Family and Community. (pp. 255-276). Hildesheim, Germany: Georg Olms Publishing.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Discourse analysis in media and communications research. In: Kearney, M. C. & Kackman, M. (Eds.), The Craft of Criticism: Critical Media Studies in Practice. . London: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Not all creatives are created equal. Nature Human Behaviour, 2(8), pp. 526-527. doi: 10.1038/s41562-018-0392-6

Gill, R. & Kanai, A. (2018). Mediating neoliberal capitalism: Affect, subjectivity and inequality. Journal of Communication, 68(2), pp. 318-326. doi: 10.1093/joc/jqy002

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. (2018). The shifting terrain of sex and power: From the 'sexualisation of culture' to Me Too. Sexualities, 21(8), pp. 1313-1324. doi: 10.1177/1363460718794647

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2018). The amazing bounce-backable woman: Resilience and the psychological turn in neoliberalism. Sociological Research Online, 23(2), pp. 477-495. doi: 10.1177/1360780418769673

Haynes, D. ORCID: 0000-0001-9191-9247 (2018). Metadata: the political dimension. Alexandria, 27(3), pp. 198-206. doi: 10.1177/0955749018778984

Herbert, R. ORCID: 0000-0002-7878-9991 & Dibben, N. (2018). Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials. Psychology of Music, 46(3), pp. 375-391. doi: 10.1177/0305735617713118

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Lee, D. & Robinson, L. (2018). The heart of music classification: towards a model of classifying musical medium. Journal of Documentation, 74(2), pp. 258-277. doi: 10.1108/jd-08-2017-0120

Lee, D., Robinson, L. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Global knowledge organization, "super-facets" and music; universal music classification in the digital age. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Lingas, A. ORCID: 0000-0003-0083-3347 (2018). The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine. Ethnomusicology Forum, 27(2), pp. 243-245. doi: 10.1080/17411912.2018.1508359

Loya, S. ORCID: 0000-0002-9156-2804 (2018). Liszt’s National Compositions in the Year of the Franco-Prussian War. In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.), Confronting the National in the Musical Past. (pp. 31-48). London: Routledge.

Mizrachi, D., Salaz, A., Kurbanoglu, S. , Boustany, J., Todorova, T., Yantao, P., Zhang, J., Zivkovic, D., Pesut, D., Kortelainen, T., Bar-Ilan, J., Aharony, N., Collina, E., Krumina, L., Geagea, H., Ghinculov, S., Landoy, A., Gastinger, A., de la Vega, A., Terra, A., Johnston, N., Repanovici, A., Vilar, P., Schneider, R., Dogan, G., Kurbanoglu, S., Jamal, P., Bawden, D. ORCID: 0000-0002-0478-6456, Secker, J., Morrison, C.M., Salaz, A., Mizrachi, D., Boustany, J. & ARFIS Research Group, .view all authors (2018). Academic reading format preferences and behaviors among university students worldwide: A comparative survey analysis. PLoS ONE, 13(5), article number e0197444. doi: 10.1371/journal.pone.0197444

Nooshin, L. ORCID: 0000-0001-8737-5224 (2018). “Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality. Ethnomusicology, 62(3), pp. 341-374. doi: 10.5406/ethnomusicology.62.3.0341

Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.

Nowrin, S. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Information security behaviour of smartphone users: an empirical study on the students of University of Dhaka, Bangladesh. Infomation and Learning Science, 119(7/8), pp. 444-455. doi: 10.1108/ils-04-2018-0029

Nowrin, S., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Multi-lingual and multi-cultural information literacy; perspectives, models and good practice. Global Knowledge, Memory and Communication, 68(3), pp. 207-222. doi: 10.1108/gkmc-05-2018-0050

Nystrom, E. ORCID: 0000-0003-3628-540X (2018). Topographic Synthesis: Parameter distribution in spatial texture. In: Proceedings of the 2018 International Computer Music Conference.

Ocepek, M. G., Bullard, J., Hartel, J. , Forcier, E., Polkinghorne, S. & Price, L. ORCID: 0000-0001-7747-4210view all authors (2018). Fandom, food, and folksonomies: The methodological realities of studying fun life-contexts. Proceedings of the Association for Information Science and Technology, 55(1), pp. 712-715. doi: 10.1002/pra2.2018.14505501089

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Autoethnography as Critically Engaged Practice: Methodological Concerns and Case Studies relating to Notation, Genre, and Aesthetic. Keynote Paper presented at the Orpheus Institute Research Summit, 29 Nov 2018, Ghent, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Das hat Rrrrasss

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The RAE and REF: Resources and Critiques

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Three Concert Series - History of Contemporary Piano Music, York Late Music Festival York Late Music Festival.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). The Tory Government distrusts the arts and humanities – but what about academics?

Pace, I. ORCID: 0000-0002-0047-9379 (2018). World Premiere Performance - Samuel Andreyev, Piano Pieces I-IV (2011-16) - 25 May 2018. With UK Premieres of piano works of Betsy Jolas. City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). World Premiere Performance 27 November 2018 - Patrícia de Almeida, Desperatio (Piano Piece No. 5) (2017-18) with film by Daniel Antero City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). auseinandergerissene Hälften

Pace, I. ORCID: 0000-0002-0047-9379 & Limbrick, S. (2018). Floating, Drifting (CD Recording) Louth Contemporary Music.

Pace, I. ORCID: 0000-0002-0047-9379 & Tunnell, C. (2018). Horatiu Radulescu - first recording of L'Exil Intérieur for Cello and Piano, opus 98, with Catherine Tunnell - on Mode Records MOD-CD-313 Mode Records.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Artists in the city: SPACE in '68 and beyond. Planning Perspectives, 33(3), pp. 484-485. doi: 10.1080/02665433.2018.1492080

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Beyond Resilience: Learning from the cultural economy. In: Cooke, P. & Lazzeretti, L. (Eds.), The Role of Art and Culture for Regional and Urban Resilience. . Oxford, UK: Routledge. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Gentrification, artists and the cultural economy. In: Lees, L. & Philips, M. (Eds.), Handbook of Gentrification Studies. (pp. 346-362). Cheltenham, UK: Edward Elgar.

Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). International good practice in information literacy education. Knjižnica : Revija za Področje Bibliotekarstva in Informacijske Znanosti, 62(1-2), pp. 169-185.

Seago, K. (2018). ”Philip Marlowe in drag.” The construct of the hard-boiled detective in feminist appropriation and in translation. Ars aeterna, 9(2), pp. 39-52. doi: 10.1515/aa-2017-0008

Seago, K. (2018). Translating violence in crime fiction. Perspectives: Studies in Translatology, 26(6), pp. 916-929. doi: 10.1080/0907676x.2017.1407347

Seago, K. (2018). Translation (written forms). In: Greenhill, P., Rudy, J. T., Hamer, N. & Bosc, L.view all authors (Eds.), The Routledge Companion to Media and Fairy-Tale Cultures. (pp. 299-308). New York: Routledge.

Seago, K. ORCID: 0000-0002-0010-5836 & Hopkinson, A. (2018). Crime fiction. In: van Wyke, B. & Washbourne, K. (Eds.), The Routledge Handbook of Literary Translation. . New York: Routledge. doi: 10.4324/9781315517131

Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-32. doi: 10.7368/91217

Sylvanus, E. (2018). Nollywood film music: shades of identity. (Unpublished Doctoral thesis, City, University of London)

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), article number 66. doi: 10.3390/h7030066

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.

2017

Abbas, Z., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). Use of Mobile Technologies by Law Students in the Law Library: an Exploratory Study. Legal Information Management, 17(3), pp. 180-189. doi: 10.1017/s1472669617000354

Aristopoulos, M. (2017). A portfolio of recombinant compositions for the videogame Apotheon. (Unpublished Doctoral thesis, City, University of London)

Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005

Ashford, D. (2017). Sedition Machines. London: Veer Books.

Bailie, J. E. C. (2017). Transcribing Reality: how the nature of audio and visual media have affected culture, perception, and the role of the artist.. (Unpublished Doctoral thesis, City, University of London)

Bawden, D. ORCID: 0000-0002-0478-6456 (2017). London and Ljubljana: a continuing collaboration. Paper presented at the Annual Congress of the Slovene Library Association, 27-28 Sep 2017, Olmje, Slovenia.

Bawden, D. (2017). Still awaiting the quantum turn .. doi: 10.17613/M6CV1J

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). ASLIB. In: Encyclopedia of Library and Information Sciences. . Boca Raton: CRC Press.

Browning, J. ORCID: 0000-0001-7013-7959 (2017). Mimesis stories: composing new nature music for the shakuhachi. Ethnomusicology Forum, 26(2), pp. 171-192. doi: 10.1080/17411912.2017.1350113

Cottrell, S.J. (2017). Musicianly lives musically told: Oral history, classical music and Desert Island Discs. In: Brown, J., Cook, N. & Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy (211). (pp. 257-284). Oxford: Oxford University Press.

Cottrell, S.J. (2017). Performing Civility: International Competitions in Classical Music. By Lisa McCormick. Music and Letters, 98(2), pp. 322-324. doi: 10.1093/ml/gcx032

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, article number 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Encounters with the Russian Avant-Garde. Stanislavski Studies, 5(2), pp. 247-248. doi: 10.1080/20567790.2017.1377933

Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Reality Theatre. International Arts Manager, 13(8), pp. 12-13.

Einbond, A. (2017). Mapping the Klangdom Live: Cartographies for piano with two performers and electronics. Computer Music Journal, 41(1), pp. 61-75. doi: 10.1162/comj_a_00397

Elias, A. S. & Gill, R. (2017). Beauty surveillance: the digital self-monitoring cultures of neoliberalism. European Journal of Cultural Studies, 21(1), pp. 59-77. doi: 10.1177/1367549417705604

Elmsley (né Lambert), A., Weyde, T. & Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/jcms.2017.04

Gill, R. (2017). Girls: Notes on authenticity, ambivalence and imperfection. In: Nash, M. & Whelehan, I. (Eds.), Reading Lena Dunham’s Girls. (pp. 225-242). Basingstoke: Palgrave Macmillan. doi: 10.1007/978-3-319-52971-4

Gill, R. (2017). What Would Les Back Do? If Generosity Could Save Us. International Journal of Politics, Culture, and Society, 31(1), pp. 95-109. doi: 10.1007/s10767-017-9263-9

Gill, R. (2017). The affective, cultural and psychic life of postfeminism: 10 years on. European Journal of Cultural Studies, 20(6), pp. 606-626. doi: 10.1177/1367549417733003

Gill, R. & Orgad, S. S. (2017). Confidence culture and the remaking of feminism. New Formations, 91(91), pp. 16-34. doi: 10.3898/newf:91.01.2017

Harper, A. (2017). How Internet Music is Frying Your Brain. Popular Music, 36(1), pp. 86-97. doi: 10.1017/s0261143016000696

Hasikou, Anastasia (2017). The social history of music development in the Greek Cypriot population during 1878-1945. (Unpublished Doctoral thesis, City, University of London)

Jansson, A., Humphrey, E., Montecchio, N. , Bittner, R., Kumar, A. & Weyde, T. ORCID: 0000-0001-8028-9905view all authors (2017). Singing voice separation with deep U-Net convolutional networks. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

Kedyte, V., Panteli, M., Weyde, T. ORCID: 0000-0001-8028-9905 & Dixon, S.view all authors (2017). Geographical Origin Prediction of Folk Music Recordings from the United Kingdom. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

Kreiling, J. (2017). Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Lee, Deborah (2017). Modelling music: a theoretical approach to the classification of notated Western art music. (Unpublished Doctoral thesis, City, University of London)

Lingas, A. (2017). Hymnography with(out) Music as Scripture and Prayer. In: Moody, I. & Takala-Roszczenko, M. (Eds.), Creating Liturgically: Hymnography and Music. (pp. 17-28). Joensuu, Finland: International Society for Orthodox Church Music.

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 298-300. doi: 10.1093/ml/gcx036

Lingas, A. (2017). Singing the Lord’s Song in a Foreign Land—Teaching Orthodox Liturgical Music in Non-Orthodox Contexts. In: Bezzarides, A. & Prodromou, E. (Eds.), Eastern Orthodox Christianity and American Higher Education: Theological, Historical, and Contemporary Reflections. (pp. 279-314). USA: University of Notre Dame Press.

Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Makrzanowska, A. & Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Poor Traces of the Room: The Live Archive at the Library. Performance Research, 22(1), pp. 106-114. doi: 10.1080/13528165.2017.1285574

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. & Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge.

Michael, C. (2017). Contemplating identity and genre in Greek popular song: The Theatrical Compositions of Manos Hadjidakis Between 1944 and 1966. (Unpublished Doctoral thesis, City, University of London)

Molitor, C. (2017). Auricularis Superior

Moore, C. & Robinson, L. (2017). The Monty Hyams Archive: a new resource for the information history of the late 20th century. Journal of Documentation, 73(2), pp. 357-367. doi: 10.1108/jd-10-2016-0127

Myerson, J. ORCID: 0000-0003-2656-1140 (2017). That Was Then Episodes 1 to 5 BBC Radio 4.

Needham-Beck, Sarah (2017). Cardiorespiratory fitness in contemporary dance training and performance. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Nooshin, L. (2017). ‘BME’ Perspectives on Music Higher Education. Paper presented at the ‘BME’ Perspectives on Music Higher Education, 2 May 2017, Cambridge, UK.

Nooshin, L. (2017). The Elephant and the Blind Men: Myth-Making, Musical Tracking and the Creative Process. Keynote Paper presented at the Tracking the Creative Process in Music, 14-16 Sep 2017, Huddersfield, UK.

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2017). Morphology of the Amorphous: Spatial texture, motion and words. Organised Sound, 22(3), pp. 336-344. doi: 10.1017/s1355771817000498

Pace, I. (2017). Darla Crispin and Bob Gilmore, eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014). Tempo, 71(281), pp. 107-115. doi: 10.1017/S004029821700047X

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Eleven Concert Series of Complete Piano Works of Michael Finnissy, February 2016-January 2017 City, University of London; Royal Holloway, University of London; Goldsmiths College, University of London; Hollywell Music Room, Oxford.

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Homage to David Tudor - Recreation of combined programmes of avant-garde pianist David Tudor, Jacqueline du Pré Music Building, Oxford Oxford University.

Pace, I. (2017). Luigi Dallapiccola and Musical Modernism in Fascist Italy. By Ben Earle. Music and Letters, 98(1), pp. 163-167. doi: 10.1093/ml/gcx013

Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. .

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Anna Bull (on Stella Duffy and everyday creativity)

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Charlotte C. Gill article on music and notation – full list of signatories

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Stella Duffy on the arts, elitism, and communities

Pace, I. (2017). Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989. Tempo, 71(282), pp. 101-103. doi: 10.1017/s0040298217000766

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Marc Yeats, william mumler’s spirit photography (2016) City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premieres - new commissions from Howard Skempton, John White, David Power, Edward Caine, Steve Crowther - Late Music Concerts, York, 6 May 2017 York Late Music Concerts.

Pace, I. (2017). The insidious class divide in music teaching. The Conversation,

Pace, I. (2017). The new state of play in performance studies. Music and Letters, 98(2), pp. 281-292. doi: 10.1093/ml/gcx040

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). Sadie Harrison, Return of the Nightingales - CD Recording Prima Facie.

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Luc Brewaeys, completed Michael Finnissy, The Dale of Tranquillity (2004, completed 2017) City University Concert Series.

Pratt, A.C. (2017). Beyond Resilience: Learning from the cultural economy. European Planning Studies, 25(1), pp. 127-139. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. (2017). Innovation and the cultural economy. In: Batheldt, H., Cohendet, P., Henn, A. & Simon, L.view all authors (Eds.), The Elgar Companion to innovation and knowledge creation: a multi-disciplinary approach. (pp. 230-243). Edward Elgar.

Pratt, A.C. (2017). New horizons for culture, creativity and cities. City, Culture and Society, 8, pp. 1-2. doi: 10.1016/j.ccs.2017.01.002

Pratt, A.C. (2017). The rise of the quasi-public space and its consequences for cities and culture. Palgrave Communications, 3(1), article number 36. doi: 10.1057/s41599-017-0048-6

Price, L. (2017). Serious Leisure In The Digital World: Exploring The Information Behaviour Of Fan Communities. (Unpublished Doctoral thesis, City, University of London)

Price, L. & Robinson, L. (2017). Fan Fiction in the Library. Transformative Works and Cultures, 25(25), doi: 10.3983/twc.2017.01090

Rennie, T. ORCID: 0000-0001-8937-2780 (2017). Shadows In The Field Recording. In: Out of Phase: Conference Proceeding. Sonologia: Out of Phase, 22-26 Nov 2016, Sao Paulo, Brazil.

Robinson, L. & Bawden, D. (2017). 'The story of data': a socio-technical approach to education for the data librarian role in the CityLIS library school at City, University of London. Library Management, 38(6/7), pp. 312-322. doi: 10.1108/lm-01-2017-0009

Rosenboim, O. (2017). Book Review: Jose Colen and Elisabeth Dutartre-Michaut (eds), The Companion to Raymond Aron. Political Studies Review, 15(1), pp. 86-87. doi: 10.1177/1478929916677890

Seago, K. (2017). Reading, Translating, Rewriting: Angela Carter's Translational Poetics. Translation Studies, 10(1), pp. 104-107. doi: 10.1080/14781700.2016.1147375

Weissenbrunner, K. (2017). Experimental turntablism - live performances with second hand technology: Analysis and methodological considerations. (Unpublished Doctoral thesis, City, Universtiy of London)

Wheelwright, J. (2017). 'The Orgy Nex Door: An Exploration of Ethical Relationships in Gay Talese's 'Thy Neighbor's Wife' and 'The Voyeur's Motel'. Literary Journalism Studies, 9(2), pp. 28-50.

Wheelwright, J. (2017). The other place. History Workshop Journal, 84(84), pp. 257-263. doi: 10.1093/hwj/dbx039

2016

Al-Daragi, A. (2016). Tensions between didacticism, entertainment and translatorial practices: deletion and omission in the Arabic translations of Harry Potter. (Unpublished Doctoral thesis, City, University of London)

Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/s1355771816000194

Armstrong, N. (2016). Partial objects

Armstrong, N. (2016). The way to go out

Bawden, D. (2016). Aslib: a de facto national library/information organization. Alexandria: the journal of national and international information issues, 26(1), pp. 15-17.

Bawden, D. (2016). The noblest pleasure: theories of understanding in the information sciences. In: Sonnenwald, D. H. (Ed.), Theory Development in the Information Sciences. (pp. 281-299). USA: University of Texas Press.

Bawden, D. (2016). The once and future editorial. Journal of Documentation, 72(1), pp. 2-4. doi: 10.1108/jd-11-2015-0138

Bawden, D. (2016). "A point along a line": moving knowledge organization to the next level. Knowledge Organization: international journal devoted to concept theory, classification, indexing, and knowledge representation, 43(3), pp. 210-211.

Bawden, D. & Robinson, L. (2016). Information and the gaining of understanding. Journal of Information Science, 42(3), pp. 294-299. doi: 10.1177/0165551515621691

Bawden, D. & Robinson, L. (2016). Information's magic numbers: the numerology of information science. In: Sugimoto, C. (Ed.), Theories of Information and Scholarly Communication. (pp. 180-196). Berlin: de Gruyter.

Bawden, D. & Robinson, L. (2016). Into the infosphere: theory, literacy, and education for new forms of document. In: Ivanović, M. & Tanacković, S. (Eds.), Ogledi o informacijskim znanostima: Zbornik radova u Čast Tatjane Aparac-Jelušić. (pp. 177-186). Osijek, Crotia: Universities of Osijek and Zadar.

Bawden, D. & Robinson, L. (2016). Library and Information Science. In: Jensen, K. B. & Pooley, J. (Eds.), The International Encyclopedia of Communication Theory and Philosophy. (pp. 1068-1073). UK: Wiley.

Bawden, D. & Robinson, L. (2016). "A different kind of knowing": speculations on understanding in light of the Philosophy of Information. Paper presented at the Conceptions of Library and Information Science - CoLIS9, 27-29 Jun 2016, Uppsala, Sweden.

Bell, Jonathan (2016). Audio-scores, a resource for composition and computer-aided performance. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Browning, J. ORCID: 0000-0001-7013-7959 (2016). Assembled landscapes: The sites and sounds of some recent shakuhachi recordings. Journal of Musicology, 33(1), pp. 70-91. doi: 10.1525/jm.2016.33.1.70

Crowdus, Miranda (2016). Hip hop in South Tel Aviv: third space, convergent dispossession(s), and intercultural communication in urban borderlands. (Unpublished Doctoral thesis, City, University of London)

Dimitrakopoulou, S. (2016). (Il)legitimate performance: copying, authorship, and the canon. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Dovey, J., Pratt, A.C., Moreton, S. , Virani, T.E., Merkel, J. & Lansdowne, J.view all authors (2016). The Creative Hubs Report: 2016. UK: British Council.

Dunne, J. ORCID: 0000-0001-9831-4195 (2016). Dramaturging Personal Narratives; Who Am I and Where Is Here?. Stanislavski Studies, 4(1), pp. 79-81. doi: 10.1080/20567790.2016.1155367

Dunne, J. ORCID: 0000-0001-9831-4195 (2016). Research resources: the Beckett collection, University of Reading. Stanislavski Studies, 4(2), pp. 217-219. doi: 10.1080/20567790.2016.1234019

Einbond, A. (2016). Musique instrumentale concrète: Timbral transcription in What the Blind See and Without Words. In: Bresson, J., Agon, C. & Assayag, G. (Eds.), The OM Composer's Book. (pp. 155-171). France: Editions Delatour/Ircam-Centre Pompidou.

Einbond, A., Schwarz, D., Borghesi, R. & Schnell, N.view all authors (2016). Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. Proceedings of the International Computer Music Conference, pp. 140-146.

García-Favaro, L. & Gill, R. (2016). “Emasculation nation has arrived”: sexism rearticulated in online responses to Lose the Lads’ Mags campaign. Feminist Media Studies, 16(3), pp. 379-397. doi: 10.1080/14680777.2015.1105840

Gato, Gonçalo (2016). Algorithm and Decision in Musical Composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Gill, R. (2016). Post-postfeminism? New feminist visibilities in postfeminist times. Feminist Media Studies, 16(4), pp. 610-630. doi: 10.1080/14680777.2016.1193293

Gill, R. & De Benedictis, S. (2016). Austerity Neoliberalism. Open Democracy,

Gill, R. & Donaghue, N. (2016). Resilience, apps and reluctant individualism: Technologies of self in the neoliberal academy. Women's Studies International Forum, 54, pp. 91-99. doi: 10.1016/j.wsif.2015.06.016

Gill, R., Kelan, E. K. & Scharff, C. M. (2016). A Postfeminist Sensibility at Work. Gender, Work & Organization, 24(3), pp. 226-244. doi: 10.1111/gwao.12132

Gill, R. & Orgad, S. S. (2016). The confidence cult(ure). Australian Feminist Studies, 30(86), pp. 324-344. doi: 10.1080/08164649.2016.1148001

Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth-Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14),

Harper, A. (2016). 'Dux Content: Life Style' and 'The New Hi-Tech Underground'. In: Beyer, T. & Burkhalter, T. (Eds.), Seismographic Sounds - Visions of a New World. (pp. 478-483). Bern: Norient.

Haynes, D. (2016). Social media, risk and information governance. Business Information Review, 33(2), pp. 90-93. doi: 10.1177/0266382116651781

Haynes, D., Bawden, D. & Robinson, L. (2016). A regulatory model for personal data on social networking services in the UK. International Journal of Information Management, 36(6), pp. 872-882. doi: 10.1016/j.ijinfomgt.2016.05.012

Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London)

Inoguchi, Ikuko (2016). Concepts of time in the works of John Cage, George Crumb, and Toru Takemitsu and implications for performance. (Unpublished Doctoral thesis, City University London)

Lopez Jorge, M. (2016). Imagery and the composition of music: an insight into an original compositional method inspired by mental imagery. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Loya, S. (2016). Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke. Notes, 73(2), pp. 289-292. doi: 10.1353/not.2016.0128

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/s147940981600015x

Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: Umunna, M. & Disu, O. (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0

Moise, R. ORCID: 0000-0002-2578-9832 (2016). Review: Public Relations: A Revolutionary Discipline. Styles of Communication, 8(1),

Moise, R. ORCID: 0000-0002-2578-9832 (2016). The Social Value of Public Relations in the Romanian Book Sector. Styles of Communication, 8(1), pp. 37-54.

Monson, O., Donaghue, N. & Gill, R. (2016). Working hard on the outside: a multimodal critical discourse analysis of The Biggest Loser Australia. Social Semiotics, 26(5), pp. 524-540. doi: 10.1080/10350330.2015.1134821

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.

Myerson, J. (2016). The Price of Oil BBC Radio 4.

Myerson, J. (2016). Reykjavik BBC Radio 4.

Nathan, M., Kemeny, T., Pratt, A.C. & Spenser, G.view all authors (2016). Creative economy employment in the US, Canada and the UK: a comparative analysis. London, UK: NESTA.

Nooshin, L. (2016). 'Happy Families? Convergence, Antagonism and Disciplinary Identities or "We’re all God knows what now" (Cook 2016)'. Paper presented at the City Debate, 'Are we all Ethnomusicologists now?', City University London.

Nooshin, L. (2016). Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal. In: Bohlman, P., Goffredo, P. & Jackson, T. (Eds.), Jazz Worlds/World Jazz. (pp. 125-149). USA: Chicago University Press.

Pace, I. (2016). Composition and Performance can be, and often have been, Research. Tempo, 70(275), pp. 60-70. doi: 10.1017/s0040298215000637

Pace, I. (2016). Ethnographically sourced experiences of Ethnomusicology – a further response to the debate

Pace, I. (2016). How to negotiate the tricky territory of ‘fascist music’. The Conversation,

Pace, I. (2016). Michael Finnissy at 70: The piano music (1). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (2). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (3). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (4). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (5). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (6). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (7). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (8). .

Pace, I. (2016). Michael Finnissy at 70: The piano music (9). .

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Michael Parkin - The Courting Rites of Cranes (CD recording) Prima Facie Records.

Pace, I. (2016). My contribution to the debate ‘Are we all ethnomusicologists now?’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). On Canons (and teaching Le sacre du printemps)

Pace, I. (2016). Quilting Points and Ethnomusicology

Pace, I. (2016). Responses to Simon Zagorski-Thomas’s talk on ‘Dead White Composers’

Pace, I. ORCID: 0000-0002-0047-9379 (2016). Spinning Research

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere 7 May 2016 - York Late Music - Andrew Toovey, First Out (2016) York Late Music Concerts.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Lauren Redhead, For Luc Brewaeys (2016) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Luc Brewaeys, The Dale of Tranquility - Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance 29 October 2016 - Patrícia de Almeida, Vacuum Corporis (Piano Piece 4) - commissioned by Transit New Music Festival, Leuven, Belgium Transit New Music Festival, Leuven, Belgium.

Pace, I. ORCID: 0000-0002-0047-9379 (2016). World Premiere Performance, 7 May 2016 - Michael Finnissy, Beethoven's Robin Adair (2016), co-commissioned by York Late Music and Transit Festival York Spring Festival.

Pratt, A.C. (2016). Music rights: towards a material geography of musical practices in the 'Digital Age'. In: Hracs, B., Seman, M. & Virani, T. E. (Eds.), The Production and Consumption of Music in the Digital Age. (pp. 206-222). USA: Routledge.

Pratt, A.C. (2016). Three stages in the life of the creative economy. British Council.

Pratt, A.C., Matheson-Pollock, H. & Virani, T.E. (2016). Outside the Voucher: Evaluating the Creative Voucher Scheme. In: Shiach, M. & Virani, T.E. (Eds.), Cultural Policy, Innovation and the Creative Economy. (pp. 217-229). Palgrave Macmillan UK.

Pratt, A.C. & McKieran, J. (2016). Getting inside the creative voucher: The Platform 7 experience. (1st ed.) In: Shiach, M. & Virani, T.E. (Eds.), Cultural Policy, Innovation and the Creative Economy. (pp. 217-229). Palgrave Macmillan UK.

Price, L. & Robinson, L. (2016). "Being in a Knowledge Space": information behaviour of cult media fan communities. Journal of Information Science, 43(5), pp. 649-664. doi: 10.1177/0165551516658821

Priego, E. ORCID: 0000-0003-4418-369X (2016). Ms Marvel: Metamorphosis and Transfiguration of the 'Minority' Superhero. The Winnower, pp. 1-7. doi: 10.15200/winn.146299.94394

Rennie, T. (2016). Recording, Representation & Responsibility: questions of authorship and agency when field recording for electroacoustic composition. Paper presented at the EMS15: The Art of Electroacoustic Music, 23-26 Jun 2016, Sheffield, UK.

Saleh, K (2016). The Role of Translation Competence of Medical Experts in the Translation of English-Kurdish Medical Abstracts. (Unpublished Doctoral thesis, City, University of London)

Sandoval, M. (2016). Fighting Precarity with Co-operation? Worker Co-operatives in the Cultural Sector. New Formations: a journal of culture/theory/politics, 88(88), pp. 51-68. doi: 10.3898/newf.88.04.2016

Sandoval, M. (2016). What would Rosa do? Co-operatives and radical politics. Soundings: A Journal of Politics and Culture, 63(63),

Schoeman, Ben (2016). The Piano Works of Stefans Grové (1922-2014): A Study of Stylistic Influences, Technical Elements and Canon Formation in South African Art Music. (Unpublished Doctoral thesis, City, University of London)

Vilar, P., Šauperl, A., Semlič Rajh, Z. , Robinson, L. & Bawden, D.view all authors (2016). Information competencies of historians as archive users: A Slovenia/UK comparison. Paper presented at the European Conference on Information Literacy (ECIL 2016), 10-13 Oct 2016, Prague, Czech Republic.

Virani, T.E. & Pratt, A.C. (2016). Intermediaries and the knowledge exchange process: the case of the creative industries and Higher Education. In: Communian, R. & Gilmore, A. (Eds.), Higher Education and the Creative Economy: Beyond the campus. Regions and Cities. (pp. 41-58). Abingdon, Oxon; New York, NY: Routledge.

Vuohelainen, M. (2016). Introduction. In: Vuohelainen, M. (Ed.), The Complete Judith Lee Adventures, by Richard Marsh. (pp. vii-xxv). Kansas City: Valancourt Books.

Wheelwright, J. (2016). The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan. In: Declercq, C. & Walker, J. (Eds.), Languages and the First World War: Representation and Memory. (pp. 164-177). London: Palgrave Macmillan. doi: 10.1057/9781137550361_11

Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.

Wilford, Stephen (2016). Bledi Cockneys: music, identity and mediation in Algerian London. (Unpublished Doctoral thesis, City, University of London)

Yim, Annie (2016). A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances. (Unpublished Doctoral thesis, City University London)

2015

Akinerdem, Zeyneb Feyza (2015). Marriage safe and sound: subjectivity, embodiment and movement in the production space of television in Turkey. (Unpublished Doctoral thesis, City University London)

Armstrong, N. (2015). Listening as a material. Paper presented at the Troisième Biennale d'Analyse Musicale 2015, 26-27 March 2015, Conservatoire royal de Mons.

Armstrong, N. (2015). Modes of forgetting

Ashford, D. (2015). Orcs: an epic. London: Veer Books.

Bawden, D. (2015). Storing the wisdom: chemical concepts and chemoinformatics. Informatics, 2(4), pp. 50-67. doi: 10.3390/informatics2040050

Bawden, D. (2015). “An ever-expanding universe of information”: Joseph Paxton and his followers in the communications revolution. Paper presented at the Paxton150: histories and futures of public parks, 11-09-2015 - 12-09-2015, Sheffield, UK.

Bawden, D. & Robinson, L. (2015). 'Waiting for Carnot': Information and complexity. Journal of the Association for Information Science and Technology, 66(11), pp. 2177-2186. doi: 10.1002/asi.23535

Bawden, D. & Robinson, L. (2015). "An intensity around information": the changing face of chemical information literacy. Journal of Information Science, 43(1), pp. 17-24. doi: 10.1177/0165551515616919

Bawden, D., Robinson, L. & Siddiqui, T. (2015). "Potentialities or Possibilities": Towards Quantum Information Science?. Journal of the Association for Information Science and Technology, 66(3), pp. 437-449. doi: 10.1002/asi.23192

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015). Literature, planning and infrastructure: Investigating the southern city through postcolonial texts. Journal of Postcolonial Writing, 51(4), pp. 395-409. doi: 10.1080/17449855.2015.1033813

Conor, B., Gill, R. & Taylor, S. (2015). Gender and creative labour. The Sociological Review, 63(1_supp), pp. 1-22. doi: 10.1111/1467-954x.12237

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Dulayami, S. T. H. & Robinson, L. (2015). The individual and the collective: Factors affecting knowledge sharing in Saudi Arabian companies. Journal of Documentation, 71(1), pp. 198-209. doi: 10.1108/jd-09-2014-0121

Dunne, J. ORCID: 0000-0001-9831-4195 (2015). Stanislavski on Stage: The Benedetti Legacy. Stanislavski Studies, 3(2), pp. 171-201. doi: 10.1080/20567790.2015.1079046

Dykes, J. & Bleisch, S. (2015). Quantitative data graphics in 3D desktop-based virtual environments – an evaluation. International Journal of Digital Earth, 8(8), pp. 623-639. doi: 10.1080/17538947.2014.927536

Fuchs, C. & Sandoval, M. (2015). The political economy of capitalist and alternative social media. In: The Routledge Companion to Alternative and Community Media. (pp. 165-175). Abingdon, UK: Routledge. doi: 10.4324/9781315717241

Gaio, A. (2015). Policy formation in the European Community – the case of culture. (Unpublished Doctoral thesis, City University London)

Goldberg, Tatjana (2015). Maud Powell, Marie Hall and Alma Moodie: A gendered re-evaluation of three violinists. (Unpublished Doctoral thesis, City University London)

Haynes, D. (2015). Risk and Regulation of Access to Personal Data on Online Social Networking Services in the UK. (Unpublished Doctoral thesis, City University London)

Haynes, D. & Robinson, L. (2015). Defining User Risk in Social Networking Services. Aslib Journal of Information Management, 67(1), pp. 94-115. doi: 10.1108/ajim-07-2014-0087

Ingleton, H (2015). Composing Paradoxes Feminist Process in Sound Arts and Experimental Musics. (Unpublished Doctoral thesis, City, University of London)

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place. Life Writing, 12(1), pp. 59-73. doi: 10.1080/14484528.2014.970356

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Koffman, O., Orgad, S. S. & Gill, R. (2015). Girl power and 'selfie humanitarianism'. Continuum, 29(2), pp. 157-168. doi: 10.1080/10304312.2015.1022948

Lambert, A., Weyde, T. & Armstrong, N. (2015). Perceiving and predicting expressive rhythm with recurrent neural networks. In: Proceedings of the 12th International Conference in Sound and Music Computing. . Maynooth, Ireland: SMC15.

Lingas, A. (2015). Cyprus: Between East and West. Portland, USA: Cappella Romana.

Lingas, A. (2015). Good Friday in Jerusalem, Medieval Byzantine Chant from the Church of the Holy Sepulchre. Portland, USA: Cappella Romana.

Lingas, A. (2015). An Introduction to Passion Week, Opus 13 by Maximilian Steinberg (1883–1946). In: Morosan, V. & Lingas, A. (Eds.), Maximilian Steinberg, Opus 13, Based on Early Russian Chants (Musical Score). (pp. vii-xviii). San Diego, CA, USA: Musica Russica.

Lingas, A. (2015). Maximillian Steinberg: Passion Week, Opus 13 / Nikolay Rimsky-Korsakov: Chants for Holy Week. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2015). Music in the Balkans. Ethnomusicology Forum, 24(1), pp. 134-136. doi: 10.1080/17411912.2014.980200

Loya, S. (2015). The Mystery of the Seventeenth Hungarian Rhapsody. Quaderni dell’Instituto Liszt, 15, pp. 107-146.

Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2015). Géographies de l'économie de la musique hip hop au Sénégal. In: Roy-Valex, M. & Bellavance, G. (Eds.), Arts et territoires à l'ère du développement durable : vers une nouvelle économie culturelle? (pp. 231-258). Presses de l'Université Laval.

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Deme, A. (2015). Formidable comme Karim Wade. In: Beyer, T., Burkhalter, T. & Liechti, H. (Eds.), Seismographic Sounds: Visions of a New World. (pp. 42-44). Bern, Switzerland: Norient Books.

Mera, M. (2015). Agitprop Rap? "Ill Manors" and the Impotent Indifference of Social Protest. In: Miller, T. (Ed.), The Routledge Companion to Global Popular Culture. (pp. 268-281). New York, USA: Routledge.

Mera, M., Mathez, B. & Thatcher, T. (2015). Morriña

Merkel, J. (2015). Coworking in the city. Ephemera, 15(2), pp. 121-139.

Moise, R. ORCID: 0000-0002-2578-9832 (2015). Editor's Note. In: Moise, R. ORCID: 0000-0002-2578-9832 & Savoiu, A. (Eds.), Public Relations: A Revolutionary Discipline. (pp. 11-19). Bucharest, Romania: Tritonic.

Moise, R. ORCID: 0000-0002-2578-9832 & Dolea, A. (2015). 25 years of PR in Romanian book sector: A short history of institutionalization and professionalization. In: The Proceedings of the International History of Public Relations Conference 2015. International History Of Public Relations Conference 2015, 8-9 Jul 2015, Bournemouth, UK.

Moise, R. ORCID: 0000-0002-2578-9832, Rogojinaru, A. & Zaharia, A. (2015). Using benchmarking to evaluate public relations effectiveness through social media. In: Public Relations: A Revolutionary Discipline. (pp. 67-85). Bucharest, Romania: Tritonic.

Molitor, C. (2015). Sonorama

Myerson, J. (2015). Born In The DDR BBC.

Pace, I. (2015). Between Worlds: the dangers of transforming 9/11 into stylised art. The Conversation,

Pace, I. (2015). Composition and Performance as Research: some wider responses to John Croft and others

Pace, I. ORCID: 0000-0002-0047-9379 (2015). Concert of contemporary works, York Late Music Concert Series, 7 March 2015, with premieres of new works by Steve Crowther and Edward Caine (Etude: Resonance) York Late Music Concert Series.

Pace, I. (2015). Does elite music teaching leave pupils open to abuse?. Daily Telegraph,

Pace, I. (2015). Ferneyhough Hero: Scholarship as Promotion. Music and Letters, 96(1), pp. 99-112. doi: 10.1093/ml/gcu111

Pace, I. ORCID: 0000-0002-0047-9379 (2015). Gogol Fest, 27 September 2015 - Ukranian Premieres of works of Horatiu Radulescu, Pascal Dusapin, Rebecca Saunders, Brian Ferneyhough, Maxim Kolomiets Gogol Fest.

Pace, I. ORCID: 0000-0002-0047-9379 (2015). Multicultural Musicology for Monolingual Academics?

Pace, I. (2015). Music teacher sentenced to 11 years in prison as abuse film Whiplash prepares for Oscars. The Conversation,

Pace, I. (2015). Positions, Methodologies and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study. Search – Journal for New Music and Culture, Fall 2(11),

Pace, I. (2015). Some final thoughts on composition, performance, the REF, and teaching